Introspective, sad, nocturnal & jazzy, inspired by the codes of bossa Introspective, sad, nocturnal & jazzy, inspired by the codes of bossa nova aesthetics. Brazilian guitar, vibes, cuica, drums, double bass & strings. A different view of Brazil.
Mysterious, wandering & melancholic. In a tango mood & inspired by Mysterious, wandering & melancholic. In a tango mood & inspired by the city of Rosario, Argentina's ill-famed port. Lead melódica, electric guitar with tremolo, double-bass & snare brushes. Suggested for Latin-American investigation.
Interrogative, nostalgic, wandering & sad. Inspired in late night Interrogative, nostalgic, wandering & sad. Inspired in late night Buenos Aires's streets. Lead bandoneón, vibes, snare brush & Spanish guitar.
Alternate extended version. Interrogative, nostalgic, wandering & Alternate extended version. Interrogative, nostalgic, wandering & sad. Inspired in late night Buenos Aires's streets. Lead bandoneón, vibes, snare brushes & Spanish guitar.
Asian film score. Moving, cyclic & poignant. Urgent then epic. Piano, Asian film score. Moving, cyclic & poignant. Urgent then epic. Piano, harp, cello, timpani & cymbal. Suggested for time lapse, seasons & landscapes.
Peaceful, emotional & tender romance. Classical guitar duet. From The Peaceful, emotional & tender romance. Classical guitar duet. From The Tales of Hoffman by Jacques Offenbach.
Dreamy, affectionate & melancholic. Classical guitar duet. From Dreamy, affectionate & melancholic. Classical guitar duet. From Nocturne for Piano n°1 Op.55 in Fm by Frederic Chopin.
Original film score. Melancholic & moving waltz. Progression with a Original film score. Melancholic & moving waltz. Progression with a tragic aspect. Piano, strings & woodwind ensemble. Suggested for drama, romance & destiny.
Sous le Soleil de Pialat - Original score by Olivier Militon
Release date :
23/06/2021
Publisher(s) :
EM Consulting - Frederic Leibovitz Editeur
ISRC :
FRZPA2114230
Un Certain Regard [CEO2128 - 8]
0
2'27
Original film score. Discreet, intimate, moving & narrative. Piano & Original film score. Discreet, intimate, moving & narrative. Piano & strings. Suggested for destiny & drama.
Sous le Soleil de Pialat - Original score by Olivier Militon
Release date :
23/06/2021
Publisher(s) :
EM Consulting - Frederic Leibovitz Editeur
ISRC :
FRZPA2113350
Sous son Soleil [CEO2128 - 9]
0
1'37
Original film score. Sad & nostalgic waltz in the spirit of the Original film score. Sad & nostalgic waltz in the spirit of the French cinema. Piano solo.
Sous le Soleil de Pialat - Original score by Olivier Militon
Release date :
23/06/2021
Publisher(s) :
EM Consulting - Frederic Leibovitz Editeur
ISRC :
FRZPA2113460
La Vie qui Tourne [CEO2128 - 10]
0
1'35
Original film score. Nostalgic & cyclic waltz in the spirit of Original film score. Nostalgic & cyclic waltz in the spirit of carousel music. Piano solo. Suggested for romance, destiny & drama.
Sorrowful & nostalgic folk-rock sung in Spanish. Male voice, folk Sorrowful & nostalgic folk-rock sung in Spanish. Male voice, folk guitar, electric piano, drums & strings @0'41. Full rock band @2'19.Lyrics
ES:
La conocí yendo a casa espontánea yo sin fe.
Para creer me la encontraba a punto de llover.
Había un tercer personaje admitiré también lo que sé, lo que sé.
Bella que te ves con él, enamorada de cien.
Inevitable tu juego de a la mañana ven,
escondidas, tiroteos y crispetas también.
Pupilas que van a cien, no podremos negar bien,
nada, nada…
Nos hundimos trago a trago hasta devolver.
Luego te vas y es muy tarde para ya volver.
No crecimos cautivos y sabemos correr y correr y correr...
Somos el mejor juego, fichas el uno del otro
¿Que esperabas buen final?
No.
EN:
I met her going home spontaneously, I had no faith.
To believe I met her when it was about to rain.
There was a third character I will also admit what I know, what I know.
Beautiful you look with him, in love a hundred ways.
Inevitable your game of in the morning come,
hide-and-seek, shootings and pop corn too.
Pupils that go a hundred ways, we won't be able to deny well,
nothing, nothing...
We sink drink by drink until we return.
Then you leave and it's too late to come back.
We didn't grow up captive and we know how to run and run and run...
We're the best game, tokens for each other.
Did you expect a good ending?
No.