| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Criminal [UBM2346 - 5] |
0 | 2'32 | Felix Halbe | Dark affairs, loaded dice and obstructed elections - here is the | disturbing investigation synthesizer spy | Am | 96 | |||
|
String Tension Bed [UBM2346 - 6] |
0 | 2'11 | Felix Halbe | Dark, slow string composition leaving no doubt that trouble is | suspended atmosphere disturbing suspense anticipation | D | 117 | |||
|
K I [UBM2346 - 8] |
0 | 2'29 | Felix Halbe | Mid tempo electronic track that works for news magazines on politics | interrogative investigation mysterious relentless | Em | 89 | |||
|
Try To Find S [UBM2346 - 9] |
0 | 1'48 | Felix Halbe | Modern tension bed for thrillers on bribery, crooked business and | driving mysterious relentless strict | Cm | 161 | |||
|
Surveillance [UBM2346 - 12] |
0 | 2'11 | Felix Halbe | The detective goes to work…Investigative, searching, collecting | relentless driving suspended atmosphere disturbing | Cm | 81 | |||
|
Going In [UBM2346 - 16] |
0 | 2'16 | Felix Halbe | Confronting a dangerous situation, heading into a risky operation | relentless driving disturbing investigation | C | 89 | |||
|
Hacking The System [UBM2346 - 18] |
0 | 1'41 | Felix Halbe | The sound of research, analytics and lab work. Gripping but not too | investigation relentless synthesizer driving | B | 89 | |||
|
Through The Web [UBM2346 - 19] |
0 | 1'30 | Felix Halbe | Fast, busy ticking, forward-moving sounds. Technical, tactical, | relentless synthesizer driving disturbing | Bbm | 89 | |||
|
Space Rendezvous [UBM2346 - 20] |
0 | 3'45 | Felix Halbe | Neutral soundbed for news, documentaries and developping stories. | suspended atmosphere interrogative science synthesizer | C | 108 | |||
|
Blades Part I [UBM2344 - 4] |
0 | 3'04 | Manuel Ploetzky | Dreamy analog synth sounds reminiscent of 1980s electronic | 1980 atmospheric anticipation space | Ebm | 120 | |||
|
Bering Sea [UBM2339 - 1] |
0 | 0'55 | Leon Rodt | Lively soundscape for underwater footage. | suspended atmosphere underwater intimate calm | G | 150 | |||
|
Polar Scapes [UBM2339 - 3] |
0 | 1'42 | Leon Rodt | Chilly soundscape, somewhat threatening. Like a long march through | suspended atmosphere disturbing interrogative mysterious | G | 100 | |||
|
Antarctic [UBM2339 - 4] |
0 | 1'18 | Leon Rodt | Busy, frosty, sparkling. | relentless science steady interrogative | Abm | 140 | |||
|
North Wind [UBM2339 - 6] |
0 | 1'42 | Leon Rodt | Abstract, cold. Implying harsh conditions and subtle discomfort. | relentless Scandinavian noir synthesizer drone | Cm | 104 | |||
|
Nuuk [UBM2339 - 8] |
0 | 1'20 | Leon Rodt | Steady, indistinct, subtle. | natural disaster suspended atmosphere disturbing abyss | Eb | 117 | |||
|
Roses Seagull [UBM2339 - 16] |
0 | 1'23 | Leon Rodt | Warm synthesizers, steadily floating. No beat. | atmospheric suspended atmosphere space peaceful | C | 64 | |||
|
Where Legends are Made [CET9019 - 13] |
2'02 | Emmanuel Rousseau | Shimmering, wondrous & innocent intro with chimes. Purposeful, fast, | adventure epic cinematic fantasy | D | 95 | ||||
|
Where Legends are Made
[CET9019 - 36] |
Alt. | 2'02 | Emmanuel Rousseau | Alternate without percussion. Shimmering, wondrous & innocent intro | adventure epic cinematic fantasy | D | 95 | |||
|
Dangerous Encounter [CEO2107 - 2] |
0 | 1'03 | Pierre-André Athané | Sudden, menacing & tense. Staccato strings & electronics. | suspense disturbing urgent inexorable | Cm | 120 | |||
|
In the Spider's Web [CEO2107 - 5] |
1'24 | Pierre-André Athané | Urgent, tense & inexorable. Orchestra with piano. In the spirit of | spy suspense chase disturbing | A | 150 | ||||
|
In the Spider's Web Alternate [CEO2107 - 16] |
Alt. | 0'35 | Pierre-André Athané | Short alternate version. Urgent, tense & inexorable. Orchestra with | spy suspense disturbing urgent | Fm | 150 | |||
|
Perpetual Movement [MAG6047 - 3] |
0 | 2'38 | Christophe Zurfluh | Electro beat with a 90's rave vibe. Lively, obstinate & uniform. | electro beat relentless club urban landscape | E | 130 |