| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Under the Influence [CEZ4295 - 19] |
0 | 2'21 | Rémo | Hip hop / beat making. Obstinate, hypnotic & urban. Synth & rhythm. | cyclic modern investigation neutral | Gb | 140 | |||
|
Forensic Expert [CEZ4295 - 22] |
0 | 2'39 | Powell | Electro. Technologic, sustained & obstinate. Synth, sampled male | investigation rough spy urban landscape | Dbm | 108 | |||
|
Supramolecular Assembly [EOS21 - 11] |
0 | 3'08 | David Poirier | Dreamy & relax. Electric guitar, sound design, synth, piano. | relaxation dreamy underwater panorama | C | 86 | |||
|
Mombasa [CEO2043 - 3] |
0 | 1'37 | Gregory Cotti | Patient & constant. Ud, percussion & strings. | geopolitics Africa neutral panorama | Dm | 64 | |||
|
The Oldest City in the World [CEO2043 - 6] |
0 | 1'35 | Gregory Cotti | Melancholic, introspective & panoramic. Guitar & strings. | hot desert geopolitics narrative ud | Abm | 82 | |||
|
Partance [CEO2042 - 4] |
0 | 5'52 | Kevin Seddiki | Tracking shot. Sad & determined. Acoustic guitar & percussion (daff). | acoustic guitar geopolitics melancholic Andalusia | Cm | 100 | |||
|
Opening Doors [CEO2041 - 9] |
0 | 2'18 | Selma Mutal | Obstinate, relentless & punctuated. Electric guitar, keyboards, | investigation contemporary series relentless punctuated | Fm | 89 | |||
|
Cloud Bells [UBM2271 - 11] |
0 | 1'38 | Daniel Backes, Peter Moslener | Airy, delicate track that evokes the picture of clouds going by. | arpeggiator science neutral percussive | G | 62 | |||
|
Frozen Ages [UBM2271 - 20] |
0 | 2'00 | Daniel Backes, Peter Moslener | Cold, wintry sound that creates a chilly feeling. Synthesizer, | airy neutral sound design synth choir | Gbm | 83 | |||
|
Growing Live [UBM2268 - 14] |
0 | 3'40 | Bernhard Hering, Matthias Krüger-Wendel | Staccato strings and minimal Vibraphone create a mood of magic and | interrogative vibraphone fantasy string section | Bbm | 89 | |||
|
Dark Turkey [UBM2266 - 1] |
0 | 1'58 | Achim Zweschper | Threatening mood, influenced by turkish music. Cello, percussion, | hot desert mystical beds arid | Bm | 85 | |||
|
Gloomy Alley [UBM2266 - 4] |
0 | 3'18 | Achim Zweschper | Creepy track, ideal for increasing tension. Vocals, percussion. | arid hot desert desolate beds | D | 88 | |||
|
Dreary Hazard [UBM2266 - 5] |
0 | 3'10 | Achim Zweschper | Wistful, sinister, hopeless. Appropriate for reportages of war and | arid hot desert desolate beds | Cm | 100 | |||
|
Dull Places [UBM2266 - 15] |
0 | 3'04 | Achim Zweschper | Dull, wistful, hollow. Ideal for images of abandoned places and | complex beds desolate horror | Gm | 88 | |||
|
Tiptoeing Around [UBM2266 - 18] |
0 | 3'10 | Achim Zweschper | Desperate, dull. Creates the impression of danger sneaking up. Sitar, | arid hot desert desolate beds | Cm | 100 | |||
|
Pure Hatred [UBM2266 - 24] |
0 | 3'11 | Achim Zweschper | Hateful, gloomy, dangerous. Ideal for images of war and destruction. | desolate beds horror disturbing | C | 100 | |||
|
Mysterious Harp [UBM2264 - 7] |
0 | 0'16 | Daniel Backes, Peter Moslener | Mysterious harp sound evokes a feeling of uncertainty. | animation & cartoons rising harp interrogative | Cm | 83 | |||
|
Alarm Music [EOS20 - 2] |
0 | 2'12 | Anthony Mowat | Introspective & desolate. Sequencing, synth, bass, electric guitar, | introspective electric bass desolate road movie | Fm | 162 | |||
|
Pyramid Station [EOS20 - 8] |
0 | 2'08 | Anthony Mowat | Nocturnal & intriguing. Drums, bass, synth, electric guitar. | electric guitar nocturnal drums disturbing | Am | 88 | |||
|
Concrete Art 2 [CEZ4281 - 51] |
1'12 | Marc-Olivier Dupin | Abstract, disturbing & noisy. Breathe, resonances & cymbals. | unclassifiable primitive art cymbal wild | Bm | 117 | ||||
|
Concrete Art [CEZ4281 - 36] |
Alt. | 2'06 | Marc-Olivier Dupin | Abstract, worrying & deep. Breath & percussion. | underground contemporary art muffled underwater | Abm | 75 |