| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Cruising for Bruising [UBM2175 - 9] |
0 | 2'27 | Christoph Lienemann | Chilling, flowing, soulful. | hypnotic nocturnal Hammond organ relaxed | Am | 115 | |||
|
Into the Groove [UBM2175 - 11] |
0 | 2'45 | Christoph Lienemann | Bright, confident, decided. | kitsch & cheesy nocturnal night activity electric bass | D | 130 | |||
|
Western Swing [UBM2175 - 19] |
0 | 1'45 | Christoph Lienemann | Proud & cool, somewhat criminal. | happy & joyful lively festive danceable | Bm | 120 | |||
|
Last Breath [EOS03 - 15] |
0 | 2'26 | Thomas Kpade, Anthony Mowat, Johane Myran, Olivier Samouillan | Wandering & nocturnal. Piano, synth, double bass & trumpet solo @ | wandering inexorable interrogative investigation | Dm | 152 | |||
|
Funeral Mars [EOS01 - 7] |
0 | 3'02 | Anthony Mowat, Johane Myran | Wandering & heavy. Bass clarinet & tenor sax duet. | free improvisation cyclic desolate scary | A | 118 | |||
|
On the Rebound [CEZ4110 - 16] |
0 | 2'31 | Daniel Diaz, Daniel Finot, Arnaud Rozenblat | Insistent & determined. fx delay. Builds up gradually. | fx delay slapping electric bass relentless | Em | 144 | |||
|
Bilbao Billboard [CEZ4110 - 18] |
0 | 2'55 | Daniel Diaz, Daniel Finot, Arnaud Rozenblat | Spanish inspired melody. Double-bass & bass guitars with fx. | fx delay double basses (all) scary investigation | Em | 112 | |||
|
East Coast Time [CEZ4113 - 6] |
0 | 2'46 | Vincent Leibovitz | Energetic & groovy. Synth, electronics & rhythm. 96 BPM. | modern industry inexorable investigation | Ebm | 96 | |||
|
Running After Time [CEZ4113 - 7] |
0 | 1'42 | GetEye | Experimental hip hop. Cyclic & determined. Synth, bass, electronics & | modern industry abstract hip-hop corporate (all) | Fm | 91 | |||
|
Tip Toe In The Dark [CEZ4112 - 14] |
0 | 0'41 | Piotr Moss | Mysterious & sparse. Cello pizzicato & breath. | primitive art suspended atmosphere horror unclassifiable | C | 61 | |||
|
The Night Crossing [CEZ4109 - 3] |
0 | 2'47 | Stephan Oliva | Sad & wandering. Piano, double bass & drums. | jazz ballad acoustic piano contemporary jazz double basses (all) | Bm | 112 | |||
|
Riverdale [CEZ4109 - 8] |
0 | 2'35 | Vincent Leibovitz | Cyclic, interrogative & determined. Acoustic guitar, organ, | electronica investigation contemporary series urban | Dm | 95 | |||
|
Our Man In Miami [CEZ4109 - 9] |
0 | 1'37 | André Charlier, Daniel Diaz | Suspense & waiting. Determined @ 1'01 . Bass, drums & percussions. | spy mysterious retro American serie English retro TV serie | Em | 156 | |||
|
Close Shadow [CEZ4109 - 15] |
0 | 1'21 | Daniel Diaz | Urgent & tense. Walking bass & drums. | walking bass snare drum with brushes film noir chase | Gm | 95 | |||
|
Dark Deeds [CEZ4109 - 16] |
0 | 1'07 | Paul Martin Pritchard | Dark & threatening. Organ, piano, trumpet, saxophone & drums. | spy film noir investigation cinematic jazz | Bbm | 68 | |||
|
Run Don't Walk [CEZ4109 - 17] |
1'01 | Paul Martin Pritchard | Threatening, interrogative & urgent @ 0'24. Vibraphone, brass, piano | B movie cinematic jazz spy film noir | Fm | 104 | ||||
|
Run Don't Walk 2 [CEZ4109 - 18] |
Alt. | 1'22 | Paul Martin Pritchard | Tense & urgent. Walking bass, vibraphone, organ & drums. | B movie cinematic jazz spy film noir | Fm | 105 | |||
|
Shivers [CEZ4109 - 21] |
0 | 0'40 | Paul Martin Pritchard | Suspense. Threatening & nocturnal. Electronics. | insidious mysterious suspense tremolo | Am | 110 | |||
|
Dizzy Spell [CEZ4109 - 23] |
0 | 0'40 | Sophia Domancich | Desolate & wandering. Electronics, electric guitar & drums. | film noir suspense atmospheric nocturnal | Gm | 104 | |||
|
Secrets Unfold [CEZ4109 - 24] |
0 | 0'53 | Paul Martin Pritchard | Suspense. Saxophone, vibraphone, trumpet double bass & drums. | film noir tenor saxophone insidious mysterious | A | 154 | |||
|
Wandering Nights [CEZ4109 - 25] |
0 | 1'44 | Paul Martin Pritchard | Suspense. Interrogative & patient. Double bass, brass, vibraphone, | film noir patient 1960 1970 | Ab | 62 |