| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Serious Questions [UBM2219 - 10] |
0 | 2'33 | Tony Delmonte, Anselm Kreuzer | Patient & constant. Violin, synth & rhythm. | steady suspense introspective investigation | Am | 105 | |||
|
Rain [UBM2218 - 14] |
0 | 2'05 | Felix Halbe | Calm & wandering. Piano, synth & rhythm @ 1'10. | calm atmospheric wandering introduction | Bm | 90 | |||
|
Open Call [UBM2216 - 12] |
0 | 2'08 | Achim Zweschper | Methodical & inevitable. Synth & rhythm. | suspended atmosphere space investigation mysterious | Db | 65 | |||
|
Sotavento [CEZ4164 - 14] |
0 | 2'28 | Philippe de Sousa | Wandering & patient. Solo Portuguese guitar. | Portuguese guitar Portugal wandering fado | D | 70 | |||
|
Acceptance [EOS14 - 5] |
0 | 1'58 | Johane Myran | Fragile & derivating. Sanza, strings, synth & glockenspiel. | circus music crystalline suspended atmosphere wandering | Am | 86 | |||
|
Silk Moon [CCB1019 - 1] |
0 | 3'39 | Derya Turkan, Renaud Garcia-Fons | Melancholic & refined. Kemançe & double-bass. | kemençe Andalusi classical music geopolitics Iran | Dm | 72 | |||
|
Jazz Phantom [MAG6001 - 21] |
0 | 4'26 | Chomsk' | Broken beat. Evanescent & cosy. Voice, piano and double basse | broken beat introduction sample beat making | Bbm | 73 | |||
|
Dying Embers [CEZ4161 - 3] |
5'45 | David Reyes | Suspended atmosphere. Moving & panoramic. Orchestra with bassoon & | moving poignant contemporary series cinematic | Gm | 82 | ||||
|
Dying Embers 2 [CEZ4161 - 26] |
Alt. | 2'44 | David Reyes | Emotional & sad. Violin & string orchestra. Finale with climax. | moving contemporary series cinematic crescendo | Gm | 86 | |||
|
Secret Zambra [CCB1011 - 4] |
0 | 4'51 | Renaud Garcia-Fons | Serious & mysterious. Bowed double-bass, accordion & rthythm. | bowed double bass final contemporary jazz mysterious | G | 124 | |||
|
Nova Estrada [CEZ4138 - 12] |
0 | 2'02 | Mintcho Garrammone | Carefree & malicious. Cavaquinho & udus. | Brazil choro cavaquinho ethnic & traditional (all) | Am | 65 | |||
|
Ageless Stories [EOS08 - 3] |
0 | 2'02 | Eric Volpatti | Suspended & wandering. Piano & electronics. Fx reverse. | interrogative suspended atmosphere fx backwards panorama | Ebm | 94 | |||
|
Frozen Moment [EOS08 - 8] |
0 | 2'26 | Eric Volpatti | Solemn & dreamy. Piano, strings & electronics. | beds wandering panorama science | Dm | 120 | |||
|
Fossil Shell [EOS08 - 11] |
0 | 2'45 | Eric Volpatti | Patient & interrogative. Piano & electronics. Fx reverse & delay. | fx backwards cold desert suspended atmosphere wandering | Bm | 129 | |||
|
Dance of the Animals [CEZ4144 - 4] |
0 | 1'24 | Line Adam | Mechanical & strange. Small instrumental ensemble. | circus music new circus cyclic ironical & mischievous | D | 140 | |||
|
Mya [CEZ4143 - 3] |
0 | 2'06 | Imade Saputra | Patient & interrogative. Saung (harp) & xylophone. | Burma arts & crafts saung world music | C | 86 | |||
|
Gadaw [CEZ4143 - 4] |
0 | 2'23 | Imade Saputra | Patient & interrogative. Saung (harp) & xylophone. | arts & crafts Burma delicate naive | C | 165 | |||
|
Puppet Dance [CEZ4141 - 9] |
0 | 2'38 | Imade Saputra | Patient & solemn. Haegum (violin) & changgo (percussion). | Korea haegeum changgo geopolitics | Bb | 144 | |||
|
Come to Me [CEZ4141 - 11] |
0 | 2'43 | Imade Saputra | Love song. Female voice, flute & changgo (percussion).Lyrics | Song and theme sung in Korean vocal female ethnic soloist voice | Eb | 100 | |||
|
Neutral Groove [UBM2208 - 2] |
0 | 1'42 | Daniel Backes, Peter Moslener | Friendly and open-minded yet neutral theme. Piano and gentle drums. | calm simple beds drums | Bbm | 84 | |||
|
Emo Piano [UBM2208 - 5] |
0 | 2'01 | Daniel Backes, Peter Moslener | Thoughtful and melancholic, this track is slowly building up. | calm suspended atmosphere romantic arts & crafts | C | 114 |