Tense intro with fateful death bell, trailer FX & determined strings. Tense intro with fateful death bell, trailer FX & determined strings. Epic & inspiring build-up @ 0'34 with strong percussion. Heroic & combative. Victorious climax @ 1'47 with glorified choir. Recommended for world wars, general war, battle scenes, military action & period drama.
Energetic clapping rock track in a sportive & uplifting spirit. Lead Energetic clapping rock track in a sportive & uplifting spirit. Lead guitar & drum. Perfect for team sport, football, tennis, hockey, baseball, basketball & extreme sports.
Strong, powerful & intense rock intro with explosive drum & fast Strong, powerful & intense rock intro with explosive drum & fast riffs. Lead guitar & heavy rhythm. Perfect for an opening sport broadcast & credits, main event, american football & stadium.
Heavy rock track with a determined & fiery intro. Guitar & clapping Heavy rock track with a determined & fiery intro. Guitar & clapping drum. Forceful & tenacious. Suggested for extreme sports, football, basketball, tennis & soccer.
Fat drum intro with a whistle FX. Energetic, heavy & strong drum, Fat drum intro with a whistle FX. Energetic, heavy & strong drum, lead guitar & claps. Implacable. Suggested for football, basketball, extreme sports & motor racing.
Fast & fat blues rock track. Rowdy, proud & rollicking. Lead guitar & Fast & fat blues rock track. Rowdy, proud & rollicking. Lead guitar & drum clap. Perfect for football, extreme sports, wrestling & motor racing.
Tribal, chasing & warlike intro with ethnic voice, alarm FX & flute. Tribal, chasing & warlike intro with ethnic voice, alarm FX & flute. Powerful percussion hit @ 0'32 with ancient woodwind. Like a sacred ritual @ 1'34. Suggested for ancient civilization, scandinavia, viking & thriller.
Deceptively delicate intro like a music box playing a nursery rhyme Deceptively delicate intro like a music box playing a nursery rhyme in a haunted house. Trailer percussion & creepy pads. Build-up @ 0'44 with clocklike & crazy / creepy FX. Climax @ 1'20 with oppressing orchestra. Suggested for halloween, thriller & horror movie.
Powerful & intense hip hop trailer track. Clock like intro Powerful & intense hip hop trailer track. Clock like intro building-up with swagger male voice rapping adversity lyrics. Hybrid percussion with trap beat & brass. Break @ 1'15. Epic & combative climax @ 1'34. Fiery finale. Suggested for action sport, entertainment & racing.Lyrics
New levels new records, aye
Say it’s new levels newer records, yeah,
Yea you guessed it never second, nah
Man them boys is not impressive, no
No one could ride with me,
Standing beside of me,
This Motor inside of me,
Should never have doubted me,
I give em Permanent damage,
I got a demon to manage,
Watch me go fuse with the magic,
I’ll make a scene turn to tragic,
I bring my troops, to the battle,
Running the field with the baddest,
1 on 1 ima blast y’a,
And with my team here, it’s no match, yeah,
Hello, dem boys soft like jello,
Don’t deserve no medal,
They can’t reach my level,
I been the one like melo,
Cuz I Never settled
They call me the Living rebel,
New levels,
Same boss,
New problem,
Been solved,
New records,
Broke off,
Hell yeah, We the big dawgs,
New levels,
Same boss,
New problem,
Been solved,
New records,
Broke off,
Hell yeah, We the big dawgs,
New levels new records, aye
Say it’s new levels newer records, yeah,
Yea you guessed it never second, nah
Man them boys is not impressive, no
Yeah I’m on a new level,
Yeah I’m on a new level,
Yeah I’m on a new level,
New level breaking old records,
Yeah I’m on a new level,
Yeah I’m on a new level,
Yeah I’m on a new level,
New level breaking old records
Suspenseful, dark & under pressure. Hybrid orchestra in a spirit of Suspenseful, dark & under pressure. Hybrid orchestra in a spirit of power conquest. Dangerous @ 1'00 with FX alarm. Climax @ 1'14 with imposing & epic strings & brass. Politics & history.
Tense, insidious & accelerated. Col legno fast string impact with Tense, insidious & accelerated. Col legno fast string impact with percussion & brass, with an eastern touch. Middle-east geopolitics & history.
Attitude, energetic & raw speed-rock sung in Spanish. Revealing the Attitude, energetic & raw speed-rock sung in Spanish. Revealing the real face of a fake person. Female singer, distorted electric bass, male backing vocals, synth & rock band. Cut & rhythm change @ 1'55.Lyrics
ES:
Cinco días y vendrás aquí
con ojos comprensivos,
dirás lo que yo quiero oír,
te identificarás con mi dolor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Sé muy bien
Que eres una farsa
Hubo un tiempo que creí en ti,
no tenía razón para no hacerlo,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
yo también
Farsa, cuando pronto vuelves y me ves a tus pies,
algo que no logro comprender
Fue tu culpa la primera vez,
pero la segunda,
la segunda no lo fue
Y aunque diga que es la última vez
Ya te acostumbré
A siempre manipularme
Cinco días y vendrás aquí
con ojos comprensivos,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé,
y no sé por qué vuelvo a caer
cuando en el fondo yo lo sé.
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
EN:
Five days and you will come here
with sympathetic eyes,
you'll say what I want to hear,
you'll identify with my pain
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I know very well
That you are a sham
There was a time when I believed in you
I had no reason not to,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I'm a sham too
Sham, when soon you come back and see me at your feet,
something I can't understand
It was your fault the first time,
but the second time,
the second was not
And even if I say it's the last time
I've gotten you used to
Always manipulate me
Five days and you'll come here
with sympathetic eyes,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I do,
and I don't know why I fall again
when deep down I know
That you are a sham
That you'll deny it
You're a sham
You're a sham
You're a sham
You're a sham
Full Version. Attitude, energetic & raw speed-rock sung in Spanish. Full Version. Attitude, energetic & raw speed-rock sung in Spanish. Revealing the real face of a fake person. Female singer, male backing vocals, synth & rock band. Cut & rhythm change @ 2'13 & @ 3'02. Lead distorted electric bass @ 3'48.Lyrics
ES:
Cinco días y vendrás aquí
con ojos comprensivos,
dirás lo que yo quiero oír,
te identificarás con mi dolor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Sé muy bien
Que eres una farsa
Hubo un tiempo que creí en ti,
no tenía razón para no hacerlo,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
yo también
Farsa, cuando pronto vuelves y me ves a tus pies,
algo que no logro comprender
Fue tu culpa la primera vez,
pero la segunda, no lo sé.
Otra vez
a tus pies
como si necesitara
de ti para vivir,
fue tu culpa la primera vez,
pero la segunda,
la segunda no lo fue.
Me llamas, me dices que no es verdad,
cuando es evidente que si es verdad,
es como si por decir mil veces una mentira,
se convierte en una mentira.
No sé por qué no puedes decir las cosas como son,
por qué tener que andar tapando lo que haces,
por qué no decir las cosas como son,
por qué no decir las cosas en la cara.
Y aunque diga que es la última vez
Ya te acostumbré
A siempre manipularme
Cinco días y vendrás aquí
con ojos comprensivos,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé,
y no sé por qué vuelvo a caer
cuando en el fondo yo lo sé.
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
EN:
Five days and you will come here
with sympathetic eyes,
you'll say what I want to hear,
you'll identify with my pain
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I know very well
That you are a sham
There was a time when I believed in you
I had no reason not to,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I'm a sham too
Sham, when soon you come back and see me at your feet,
something I can't understand
It was your fault the first time,
but the second, I don't know.
Once again
at your feet
as if I needed
you to live,
it was your fault the first time,
but the second time,
the second was not
You call me, you tell me it's not true,
when it's obvious that it is true,
it's as if by telling a lie a thousand times,
it becomes a lie.
I don't know why you can't tell it like it is,
why you have to go around covering up what you do,
why not tell it like it is,
why not say things in the face.
And even if I say it's the last time
I've gotten you used to
Always manipulate me
Five days and you'll come here
with sympathetic eyes,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I do,
and I don't know why I fall again
when deep down I know
That you are a sham
That you'll deny it
You're a sham
You're a sham
You're a sham
You're a sham
Instrumental full Version. Attitude, energetic & raw speed-rock. Instrumental full Version. Attitude, energetic & raw speed-rock. Synth & rock band. Cut & rhythm change @ 2'13 & @ 3'02. Lead distorted electric bass @ 3'48.
Determined, solid & punchy hard-rock sung in Spanish. Looking for a Determined, solid & punchy hard-rock sung in Spanish. Looking for a "yes" answer from a love crush. Female singer, distorted electric bass, choir synth, & rock band.Lyrics
ES:
Si me dijeras que sí,
yo no tendría que descifrar
la lógica que hay en ti,
ni tu manera de hablar.
Tan sólo dime que sí
para no aparentar
que siento algo por ti
y que quiero verte más.
Tan sólo dime que sí,
para no tener que seguir así,
sólo dime,
sólo dame,
dime que sí.
Sólo dime da,
sólo dime da,
sólo dime, dime, dame.
Sólo dime da,
sólo dime da,
sólo dime, dame, dame, dame.
Tan sólo dime que sí,
para no aparentar
que siento algo por ti
y que quiero verte más.
Me harías tan feliz
si dieras todo para mí,
conocerías un mundo
que no gire por ti.
Tan sólo dime que sí,
para no tener que seguir así,
sólo dime,
sólo dame,
dime que sí.
Sólo dime da,
sólo dime da,
sólo dime, dime, dame.
Sólo dime da,
sólo dime da,
sólo dime, dame, dame, dame.
EN:
If you said yes,
I wouldn't have to decipher
the logic in you,
or the way you talk.
Just say yes
so that I don't pretend
that I feel something for you
and that I want to see you more.
Just say yes to me
so I don't have to go on like this,
just tell me,
just give me,
just say yes to me.
Just tell me da,
just tell me da,
just tell me, just tell me, just tell me.
Just tell me da,
just tell me da,
just tell me, give me, give me, give me, give me.
Just say yes to me
so I don't pretend
that I feel something for you
and that I want to see you more.
You would make me so happy
if you gave everything for me,
you'd know a world
that doesn't revolve around you.
Just say yes to me,
so I don't have to go on like this,
just tell me,
just give me,
just say yes to me.
Just tell me da,
just tell me da,
just tell me, tell me, give me.
Just tell me da,
just tell me da,
just tell me, give me, give me, give me, give me.
