| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Dark Turkey [UBM2266 - 1] |
0 | 1'58 | Achim Zweschper | Threatening mood, influenced by turkish music. Cello, percussion, | hot desert mystical beds arid | Bm | 85 | |||
|
Eerie Wind [UBM2266 - 6] |
0 | 1'27 | Achim Zweschper | Cold, dark sound that conveys the impression of a bitter wind. Saz. | hot desert desolate sound design beds | F | 88 | |||
|
Great Strain [UBM2266 - 7] |
0 | 3'17 | Achim Zweschper | Menacing, daunting track with female vocals and oriental music. | hot desert mystical beds windy | D | 117 | |||
|
Creeping Danger [UBM2266 - 9] |
0 | 2'16 | Achim Zweschper | Increasing threat and danger are transported by this melancholy | tropical forest beds complex humid | E | 87 | |||
|
Mysterious Choir [UBM2266 - 10] |
0 | 3'17 | Achim Zweschper | Sinister, creepy, daunting. Ideal for impressive images and scenes. | synth choir drone complex mysterious | D | 88 | |||
|
Abandoned Site [UBM2266 - 11] |
0 | 2'48 | Achim Zweschper | Oppressive, gloomy track. Ideal to show isolated, lonely places. | mystical desolate rumbling beds | C | 100 | |||
|
Constant Pressure [UBM2266 - 16] |
0 | 2'15 | Achim Zweschper | Oppressive, threatening track. Pressure is constantly built. sitar | tropical forest beds complex humid | E | 117 | |||
|
No Rest [UBM2266 - 17] |
0 | 2'16 | Achim Zweschper | Dark, sinister, frightful ticking. Tibetan glockenspiel. | tropical forest beds complex humid | E | 117 | |||
|
Seeing the Extent [UBM2266 - 20] |
0 | 3'01 | Achim Zweschper | Disillusion, concussion. Suitable for pictures of destruction. | desolate beds complex geopolitics | Gm | 88 | |||
|
Scary Darkness [UBM2266 - 21] |
0 | 3'04 | Achim Zweschper | Total eclipse and bleakness. Desperate, surrendering. | sci-fi abyss desolate horror | Gm | 88 | |||
|
Loneliness [UBM2266 - 22] |
0 | 2'04 | Achim Zweschper | Dreary, sinister. The threat is omnipresent. Creepy ticking. | sci-fi abyss desolate horror | Gm | 88 | |||
|
Abstract Expressionism [CEZ4281 - 27] |
0 | 1'08 | Marc-Olivier Dupin | Abstract & jazzy. Tenor sax & cymbals. | arty contemporary jazz pop art tenor saxophone | E | 62 | |||
|
Rhythm and Patterns [CEZ4281 - 30] |
0 | 1'03 | Marc-Olivier Dupin | Minimalist & sparse. Rimshot on snare. | contemporary art unclassifiable complex rain | Gm | 132 | |||
|
Dusty Road [CEZ4279 - 24] |
0 | 1'20 | Adrien Robert Patterson | Arid & atmospheric. Electric guitar & sound design with backward fx. | fx backwards neutral arid drone | G | 118 | |||
|
Some Relaxing Time [UBM2235 - 37] |
0 | 0'59 | Vincent Nguyen, Sebastian Parche | Smooth jazzy track with vibraphone. | animation & cartoons blooper funny animals short | Cm | 118 | |||
|
Mobilisation [UBM2249 - 1] |
0 | 1'55 | Elias Cadre | Subtle serious electronic underscore for images of dark secrets. | complex sci-fi cold science | G | 122 | |||
|
Fresh Cash and Pretty Girls [UBM2249 - 8] |
0 | 2'48 | Elias Cadre | Modern, smooth sound with mysterious influence, for scenes of danger, | complex suspended atmosphere abyss muffled | Am | 69 | |||
|
Cover Up [UBM2249 - 9] |
0 | 2'02 | Elias Cadre | Ticking drops and electronic spheres sound like images of secret | complex film noir sci-fi muffled | Bbm | 120 | |||
|
Fumbling in the Dark [UBM2249 - 10] |
0 | 2'14 | Elias Cadre | Synthesizer, bass and echoes create a dynamic sound, ideal for | atmospheric complex muffled rumbling | G | 74 | |||
|
Sitting out the Issues [UBM2249 - 17] |
0 | 2'07 | Elias Cadre | Electronic texture, eerie, pulsating track for an atmosphere | paranormal sci-fi science complex | Bb | 102 |