| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Alphabet City [CCB1026 - 10] |
0 | 2'51 | Ray Bartok | Experimental rock. Mechanical, serious & cyclic. Rock band with | no wave band 1990 contemporary art | Gbm | 124 | |||
|
Rescue Mission [CEZ4285 - 3] |
0 | 2'12 | Gabriel Saban, Philippe Briand | Epic, urgent & sad. Cinematic orchestra, electronics & rhythm. | adventure historical conflict epic war (movies) | Bm | 120 | |||
|
Hopeless Beggars [EOS20 - 6] |
0 | 3'00 | Anthony Mowat, Olivier Samouillan | Strange & mysterious. Violin, drums, Sequencing, synth, bass, | investigation violin film noir crime movie | Em | 93 | |||
|
Pyramid Station [EOS20 - 8] |
0 | 2'08 | Anthony Mowat | Nocturnal & intriguing. Drums, bass, synth, electric guitar. | electric guitar nocturnal drums disturbing | Am | 88 | |||
|
Operation Fox Desert [EOS19 - 10] |
0 | 4'41 | Sébastien Saint-Lezin | Noisy & percussive. Synthesizer, sequencing, electronic percussion, | noisy driving historical conflict intermittent | Bbm | 108 | |||
|
In the Morning [UBM2235 - 50] |
0 | 2'50 | Vincent Nguyen, Sebastian Parche | Airy pop ballad with full band. For daytime TV, commercials, family | changing introduction pets folk ballad | C | 107 | |||
|
Bumper I [UBM2235 - 64] |
0 | 0'11 | Vincent Nguyen, Sebastian Parche | Magical interlude with glockenspiel and small drumroll. | short animation & cartoons rising fantasy | Fm | 111 | |||
|
Zooming Out [UBM2251 - 9] |
0 | 2'03 | Daniel Backes, Peter Moslener | Atmospheric synthesizer for slow motion pictures or development | electro organic airy loop steady | Cm | 60 | |||
|
Busy Whirl [UBM2251 - 13] |
0 | 2'15 | Daniel Backes, Peter Moslener | Technical and electronic sound like working robots. Ideal for images | steady investigation sequencing sci-fi | Cm | 123 | |||
|
Rigid Sketch [UBM2251 - 16] |
0 | 2'09 | Daniel Backes, Peter Moslener | Drums and synthesizer create an atmospheric sound, good for | drums loop steady cold | Gbm | 95 | |||
|
In Motion [UBM2249 - 6] |
0 | 2'12 | Elias Cadre | Deep bass, fast tempo, electronic bubbles, ideal for documentaries | disturbing interrogative synthesizer steady | Cm | 123 | |||
|
Parallel Existence [UBM2262 - 8] |
0 | 2'05 | Anselm Kreuzer, Sebastian Parche | Track with sequences of strings that end abruptly and create a | intermittent string orchestra introspective punctuated | Am | 152 | |||
|
Balkanroute [UBM2258 - 18] |
0 | 1'51 | Felix Halbe | Traditional middle eastern sound. Duduk, flute and synthesizer set | desolate melancholic panoramic arid | Bm | 148 | |||
|
Anticipation [UBM2204 - 16] |
0 | 3'22 | Citokid, Anselm Kreuzer | Strange & mysterious. Underscore. Piano, electronic drums, | arpeggio steady social drama mysterious | Gm | 120 | |||
|
Untrue Story [UBM2204 - 17] |
0 | 2'28 | Citokid | Nocturnal & strange. Underscore. Synthesizer, arpeggiator, electronic | airy arpeggiator loop calm | Fm | 78 | |||
|
Fate of Ancestors [UBM2244 - 2] |
0 | 1'33 | Tony Delmonte, Anselm Kreuzer | Slow & sentimental. Underscore. Strings, piano, glockenspiel. | introspective sentimental natural disaster suspended atmosphere | Dbm | 95 | |||
|
Traces of the Past [UBM2244 - 3] |
0 | 1'32 | Tony Delmonte, Anselm Kreuzer | Dark & introspective. Underscore. Piano, strings, glockenspiel. | introspective sentimental natural disaster suspended atmosphere | Dbm | 95 | |||
|
Historic Evil [UBM2244 - 6] |
0 | 1'19 | Tony Delmonte, Anselm Kreuzer | Drama & tension. Underscore. Strings, piano, electronic percussion, | disturbing film noir mysterious percussive | Gm | 86 | |||
|
Difficult Story [UBM2244 - 14] |
0 | 2'09 | Tony Delmonte, Anselm Kreuzer | Constant & warlike. Underscore. Strings, electronic percussion, | steady nocturnal film noir rumbling | Dm | 60 | |||
|
Primal Life [CEZ4222 - 9] |
0 | 5'12 | Michel Redolfi | Mysterious, abstract & questionning. Cosmic sound fx. | vibrating electro minimalism sparse bustling | Gb | 100 |