| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Make a Fire [MAG6005 - 2] |
3'01 | Anton Oak | Intense & tense. Intro. Synth, male singer, strings & rhythm.Lyrics | introduction sung in English male singer electro ambient | Em | 95 | ||||
|
Make a Fire 2 (radio mix) [MAG6005 - 14] |
Alt. | 2'00 | Anton Oak | Intense & tense. Synth, male singer, strings & rhythm. | modern sung in English male singer electronica | Em | 95 | |||
|
Make a Fire 3 [MAG6005 - 15] |
Alt. | 2'34 | Anton Oak | Intense & tense. Intro. Synth, strings & rhythm. | modern introduction driving lively | Em | 95 | |||
|
Time and Tides [CEZ4182 - 16] |
0 | 3'02 | John Greaves | Interrogative & joyful. Constant progression. Pizz & strings. | arts charming arts & crafts confident | Abm | 95 | |||
|
Cryptic Darkness [CEZ4186 - 6] |
0 | 2'30 | Frédéric Dunis, Bernard Grimaldi | Mysterious & threatening. Drone, distant voices & orchestra. Build-up | atmospheric desolate suspended atmosphere disturbing | Am | 129 | |||
|
Under Occupation [CEO2005 - 15] |
0 | 1'18 | Bruno Alexiu | Grave, tormented & beating by intermittence. Orchestra with bass. | intermittent historical conflict bowed double bass war (movies) | Dm | 155 | |||
|
Esconde Esconde [CEZ4174 - 9] |
0 | 1'42 | Silvano Michelino | Urgent & inspiring. Gatham (wood perc.) jew's harp @ 0'29 & | primitive art ethnic percussion ensemble jew's harp wild | Bm | 130 | |||
|
Ready to Run [CEZ4174 - 16] |
0 | 2'02 | Silvano Michelino | Mysterious & tropical. Tempo changing @ 0'48. Berimbau. | beds Bahia berimbau shamanistic | G | 163 | |||
|
Penas do Mondego [CEZ4164 - 4] |
0 | 3'01 | Philippe de Sousa | Sad & sentimental. Acceleration. Portuguese & classical guitar duet. | Portugal fado Portuguese guitar classical guitar | Gm | 172 | |||
|
Gold Rush [CEZ4163 - 3] |
0 | 2'00 | Eric Caissy | Panoramic & moving. Joyful & fiery @ 0'34. Symphony orchestra. | western happy end fiery confident | G | 132 | |||
|
The Bounty Hunter [CEZ4163 - 14] |
0 | 2'23 | Julien Vega | Interrogative & comical. Electric guitar, trumpet, bell, organ & | Italian western changing suspended atmosphere United States of America | Fm | 100 | |||
|
Trapdoor [MAG6001 - 3] |
0 | 3'09 | Chomsk' | Trap. Efficient & powerful. Electronics & rhythm. | trap (music) urban modern club | Cm | 150 | |||
|
On the Line [MAG6002 - 6] |
0 | 3'53 | Rémo | Electro dub. Fatidic & percussive. Progression & climax @ 2'37. | electro dub introduction building modern | Am | 140 | |||
|
Wild Ride [CEZ4155 - 6] |
0 | 2'56 | Morgan Sansous | Very fast action. Heavy/punk rock. Rock band. | extreme & fighting sport urgent noisy driving | Abm | 150 | |||
|
Blood Pact [CEZ4154 - 1] |
0 | 3'46 | Morgan Sansous | Oniric & powerful. Dark metal. Guitar chorus @ 1'02. Rock band. | metal progressif horror mechanical sport aggressive & violent | Em | 110 | |||
|
The Last Avenger [CEZ4154 - 2] |
0 | 3'29 | Morgan Sansous | Imposing & decisive. Death metal. Final with climax. Rock band. | death metal mechanical sport aggressive & violent noisy | Bm | 150 | |||
|
Virtual Epic Game [CEZ4154 - 4] |
0 | 3'49 | Morgan Sansous | Catchy & powerful riff. Epic. Strong final. Break @ 1'25. Rock band. | death metal extreme & fighting sport noisy epic | Em | 161 | |||
|
Occult Forces [CEZ4154 - 7] |
0 | 3'25 | Morgan Sansous | Powerful & imposing. Epic metal. Rock band. | heavy metal trash (texture) noisy band | Bm | 100 | |||
|
Dreams Come True [CEZ4159 - 1] |
2'08 | Baptiste Thiry | Positive & uplifting. Constant progression. Piano & strings. Reverse | corporate (all) unifying confident uplifting | Em | 125 | ||||
|
Dreams Come True 2 [CEZ4159 - 25] |
Alt. | 1'39 | Baptiste Thiry | Positive & simple. Piano & guitar. | simple confident steady cyclic | G | 110 | |||
|
Dreams Come True 3 [CEZ4159 - 26] |
Alt. | 0'32 | Baptiste Thiry | Positive & simple. Piano & backwards fx. | flash back suspended atmosphere fx backwards wandering | Em | 126 | |||
|
Dreams Come True 4 [CEZ4159 - 27] |
Alt. | 0'40 | Baptiste Thiry | Sparse & peaceful. Solo piano. | fx backwards acoustic piano suspended atmosphere sparse | Em | 63 | |||
|
Dreams Come True 5 [CEZ4159 - 28] |
Alt. | 0'07 | Baptiste Thiry | Sting. Interrogative. Piano & fx. | sting acoustic piano atmospheric destiny | Em | 89 | |||
|
Dreams Come True 6 [CEZ4159 - 29] |
Alt. | 0'06 | Baptiste Thiry | Sting. Positive. Backwards & fx. | sting driving suspended atmosphere uplifting | Em | 125 | |||
|
Dreams Come True 7 [CEZ4159 - 30] |
Alt. | 0'06 | Baptiste Thiry | Sting. Positive. Piano & fx. | sting driving uplifting corporate video | Em | 124 | |||
|
Last Gaze [EOS11 - 5] |
0 | 3'27 | Hugues Duchesne | Sentimental & confident. Rhythm acceleration @ 0'58 & 2'22. Solo | romantic comedy sentimental romantic confident | Em | 136 | |||
|
Cafe Pouchkine [CEZ4149 - 32] |
0 | 2'35 | Alain Bernard Denis | Sentimental & sad. Solo piano. | piano bar retro cabaret intimate acoustic piano | Gm | 123 | |||
|
Hacia Compostela [CCB1018 - 2] |
0 | 6'08 | Renaud Garcia-Fons | Patient & peaceful, then fiery & powerful @ 3'30. Constant | country & garden driving peaceful patient | G | 144 |