| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Suspicion [UBM2249 - 2] |
0 | 2'34 | Elias Cadre | Minimal and modern electronic elements for images of digital | complex sci-fi film noir unstable | Bbm | 151 | |||
|
Deep Packet Inspection [UBM2249 - 5] |
0 | 2'06 | Elias Cadre | Electronic spheres, loopable, drops, ticking, minimal and modern. | complex sci-fi film noir unstable | Bbm | 122 | |||
|
Cover Up [UBM2249 - 9] |
0 | 2'02 | Elias Cadre | Ticking drops and electronic spheres sound like images of secret | complex film noir sci-fi muffled | Bbm | 120 | |||
|
Insistence [UBM2249 - 11] |
0 | 1'26 | Elias Cadre | Dark, investigative sound, loopable, ideal or images of science and | sci-fi abyss complex cold | A | 108 | |||
|
Spreading Misinformation [UBM2249 - 16] |
0 | 1'49 | Elias Cadre | Deep bass, slow tempo, cold, dark, reduced and pulsating. | complex sci-fi abyss cold | Dbm | 117 | |||
|
Sitting out the Issues [UBM2249 - 17] |
0 | 2'07 | Elias Cadre | Electronic texture, eerie, pulsating track for an atmosphere | paranormal sci-fi science complex | Bb | 102 | |||
|
Hacker Blues [UBM2249 - 18] |
0 | 1'55 | Elias Cadre | Weird, electronic, gloomy sound, reduced and subtle for documentaries | sci-fi science complex cold | B | 108 | |||
|
Unchangeable Rules [UBM2262 - 2] |
0 | 3'11 | Anselm Kreuzer, Sebastian Parche | Track starts with strings. The mood develops from sad to threatful | passionate poignant sad violin | Fm | 114 | |||
|
Parallel Existence [UBM2262 - 8] |
0 | 2'05 | Anselm Kreuzer, Sebastian Parche | Track with sequences of strings that end abruptly and create a | intermittent string orchestra introspective punctuated | Am | 152 | |||
|
Street to Nowhere [UBM2262 - 10] |
0 | 5'14 | Anselm Kreuzer, Sebastian Parche | Calm beginning with strings. Despair is expressed. Bleak, painful, | intermittent film noir nocturnal string quartet | Gm | 136 | |||
|
Schizophrenia [UBM2262 - 11] |
0 | 3'07 | Anselm Kreuzer, Sebastian Parche | Disturbing with dramatic strings, abrupt breaks and a negative | film noir mysterious intermittent interrogative | Gm | 135 | |||
|
Letter from Mom I [UBM2260 - 2] |
0 | 2'53 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Slow, dramatic strings have a sad sound and the feeling of drama, | mysterious intermittent suspended atmosphere film noir | A | 98 | |||
|
Wounds of Mankind [UBM2260 - 3] |
0 | 3'15 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Fundamental and melancholic cello in the foreground creates an | melancholic passionate cello intermittent | Gm | 164 | |||
|
Still There [UBM2260 - 5] |
0 | 2'06 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Slow strings create a melancholic and thoughtful atmosphere. Ideal | film noir historical narrative panorama disturbing | E | 110 | |||
|
State of Peace [UBM2260 - 7] |
0 | 3'10 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Ideal track for the credits of a moving drama without a happy ending. | moving intermittent introspective panorama | Bm | 78 | |||
|
Dull Skies [UBM2260 - 10] |
0 | 2'41 | Carl Koenig, Anselm Kreuzer, Sebastian Parche | Deep and slow strings create a profound atmosphere of threat or a | film noir disturbing mysterious string orchestra | Cm | 102 | |||
|
Babel [UBM2258 - 2] |
0 | 1'53 | Felix Halbe | A calm song that is initiated by guitar sounds. Calm before the | Arab world arid hot desert duel | Bm | 148 | |||
|
Refugees [UBM2258 - 6] |
0 | 2'07 | Felix Halbe | Refugees from Middle East travel on water and land on their escape | desolate hot desert sentimental duduk | Bm | 111 | |||
|
Original Footage [UBM2258 - 10] |
0 | 1'40 | Felix Halbe | This threatful track starts with electronic sounds. The hunted is in | abyss cold disturbing complex | F | 132 | |||
|
Victims [UBM2258 - 13] |
0 | 2'05 | Felix Halbe | Exhausting, slow track with a threatful beginning. The dramatic mood | passionate melancholic onomatopoeias panorama | Fm | 93 |