| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
A Dumb Question [CEZ4299 - 1] |
0 | 1'41 | Baptiste Thiry | Hesitant & kitsch. Pizz & small instrumental ensemble. | dramedy pizzicato blooper interiors & cooking | Bm | 128 | |||
|
The To Do List [CEZ4299 - 7] |
0 | 1'59 | Julien Vega | Urgent & bouncing. Pizz & small instrumental ensemble. | interiors & cooking pizzicato funny animals everyday life | Cm | 130 | |||
|
History in the Making [CEZ4290 - 22] |
0 | 1'56 | Gréco Casadesus, Gregory Cotti | Powerful, urgent & solemn. Constant progression. Cinematic orchestra | opening credits TV contemporary history cinematic orchestra tragic | C | 104 | |||
|
Affairs of State Alternate
[CEZ4290 - 39] |
1'19 | Gréco Casadesus, Gregory Cotti | Determined, interrogative & majestic. Cinematic orchestra, trumpet & | contemporary history cinematic orchestra opening credits TV politics | Am | 103 | ||||
|
Affairs of State [CEZ4290 - 17] |
Alt. | 2'11 | Gréco Casadesus, Gregory Cotti | Determined, interrogative & dignified. Cinematic orchestra, trumpet, | docu fiction politics disturbing contemporary history | Am | 103 | |||
|
D-Day Alternate Version [CEZ4290 - 40] |
2'07 | Gabriel Saban, Philippe Briand | Urgent & exhilarating. Constant progression. Cinematic orchestra & | opening credits TV contemporary history cinematic orchestra docu fiction | Am | 133 | ||||
|
D-Day [CEZ4290 - 18] |
Alt. | 2'07 | Gabriel Saban, Philippe Briand | Urgent & exhilarating. Constant progression. Cinematic orchestra, | cinematic orchestra opening credits TV contemporary history cinematic percussion | Am | 133 | |||
|
Arming for Conflict Alternate
[CEZ4290 - 46] |
2'04 | Gabriel Saban, Philippe Briand | Determined & urgent. Constant progression. String ensemble. | historical narrative symphony orchestra relentless staccato | G | 100 | ||||
|
Arming for Conflict [CEZ4290 - 21] |
Alt. | 2'05 | Gabriel Saban, Philippe Briand | Determined & serious. Constant progression. Cinematic orchestra, bell | docu fiction cinematic orchestra cinematic percussion tragic | C | 100 | |||
|
Establishment Stranglehold
[CEZ4290 - 48] |
1'52 | Gabriel Saban, Philippe Briand | Exhilarating & urgent. Constant progression. Cinematic orchestra. | contemporary history corporate convention docu fiction unifying | G | 125 | ||||
|
Establishment Stranglehold [CEZ4290 - 23] |
Alt. | 1'52 | Gabriel Saban, Philippe Briand | Exhilarating & urgent. Constant progression. Cinematic orchestra & | docu fiction opening credits TV contemporary history relentless | G | 125 | |||
|
Four Sheets to the Wind [CEO2044 - 24] |
2'12 | Gréco Casadesus | Urgent, inexorable & disturbing. staccato strings & clarinet. | historical narrative archive footage relentless string orchestra | Am | 148 | ||||
|
Four Sheets to the Wind
[CEO2044 - 56] |
Alt. | 2'10 | Gréco Casadesus | Tense & determined. String ensemble, clarinet & electronics. | historical narrative string section spy disturbing | Am | 148 | |||
|
Forensic Expert [CEZ4295 - 22] |
0 | 2'39 | Powell | Electro. Technologic, sustained & obstinate. Synth, sampled male | investigation rough spy urban landscape | Dbm | 108 | |||
|
The Magic Carpenter [CEO2043 - 4] |
0 | 1'33 | Gregory Cotti | Suspended & peaceful. Hang & strings. | hang drum panorama tracking shot geopolitics | Gm | 124 | |||
|
Financial Crimes [CEZ4288 - 24] |
0 | 1'55 | Thierry Caroubi | Strange, disturbing & determined. Electronics & rhythm. | crime movie investigation disturbing sequencing | Cm | 120 | |||
|
Domestic Violence Alternate
[CEZ4288 - 42] |
1'06 | Mathieu Laurent | Powerful & disturbing. Cinematic percussion & electronics. | relentless crime movie disturbing sequencing | Em | 185 | ||||
|
Domestic Violence [CEZ4288 - 1] |
Alt. | 2'37 | Mathieu Laurent | Dark, lazy & sad. Electronics & rhythm. | social drama crime movie investigation disturbing | Em | 113 | |||
|
Après la Pluie [CCB1025 - 7] |
0 | 5'39 | Renaud Garcia-Fons | Sad & moving jazzy ballad. Double-bass, vibes, accordion & percussion. | bowed double bass sad chromatic accordion changing | Am | 105 | |||
|
Si ça te Dit [CCB1025 - 9] |
0 | 4'53 | Renaud Garcia-Fons | French, jazzy & cheerful. Accordion, double-bass & vibes trio. | double bass chromatic accordion France carefree | Dm | 124 | |||
|
Pulsed Energy Projectile [CEZ4285 - 13] |
0 | 2'04 | Sebastijan Duh | Agressive & urgent. Distant fight. Percussions & electronics. | historical conflict action movie war (movies) inexorable | Cm | 135 | |||
|
A Climate of Distrust [CEZ4284 - 3] |
0 | 1'19 | Julien Baril | Uncertain, suspenseful & mysterious. Hybrid orchestra with pizz. | interrogative insidious investigation crime movie | Bm | 155 | |||
|
Ambient Hit [UBM2271 - 3] |
0 | 2'31 | Daniel Backes, Peter Moslener | Accentuated track that builds up tension. Percussion, synthesizer. | abyss science arpeggiator intermittent | E | 84 | |||
|
Tokyo Exibition [UBM2267 - 7] |
0 | 2'11 | Karsten Lipp, Andre Matov | Percussive and mysterious track with marimba, bass and synthesizer. | marimba patient polyrhythms everyday life | Bb | 99 | |||
|
Battle Painting [CEZ4281 - 9] |
0 | 1'50 | Marc-Olivier Dupin | Warlike & worrying. Harp, French horn & flute in G. Art of the | calls renaissance arts historical conflict | Em | 130 | |||
|
Cubism [CEZ4281 - 20] |
0 | 1'50 | Marc-Olivier Dupin | Sudden, disorienting & abstract. Clarinet, piano, xylophone & | abstract art arty complex contemporary serious music (all) | Am | 60 |