| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Dark March [UBM2131 - 5] |
0 | 2'09 | Daniel Backes, Peter Moslener | Sinister percussion and drones. | sinister desolate investigation suspense | Db | 93 | |||
|
Cul-De-Sac [CEZ4092 - 27] |
2'16 | Hoosky | Mysterious & uneasy. Steady beat with hand-claps & deep synth bass | abstract hip-hop investigation sport drama urban landscape | C | 88 | ||||
|
Cul-De-Sac (Voice Edit) [CEZ4092 - 38] |
Alt. | 2'20 | Hoosky | Dark & haunting. Outro. Synth, samples, pitched voices & rhythm. | abyss muffled hypnotic relentless | C | 88 | |||
|
The Editorial Line [CEZ4090 - 2] |
0 | 1'04 | Elisabeth Skornik, Guy Skornik | Serious & cyclic. Electronics & strings. Progression. | investigation sport drama industry cyclic | Dm | 127 | |||
|
Scoop [CEZ4090 - 3] |
0 | 2'20 | Elisabeth Skornik, Guy Skornik | Time tick-tock. Obstiné. Piano & strings @ 1'34. | anticipation investigation sport drama insidious | Ebm | 92 | |||
|
Stalking [CEZ4090 - 7] |
0 | 2'26 | Elisabeth Skornik, Guy Skornik | Mysterious & disturbing. Keyboard, percussion & Fx. | investigation anticipation spy insidious | F | 120 | |||
|
Plot Theory [CEZ4090 - 20] |
0 | 2'23 | Elisabeth Skornik, Guy Skornik | Constant & implacable. Electronics & string Fx. | spy insidious investigation horror | Cm | 60 | |||
|
Penelope [CEV3022 - 19] |
0 | 1'57 | Hélène Breschand, Didier Petit | Confident & moving. Harp & cello. | historical narrative lost civilizations patient time (tick-tock) | Am | 118 | |||
|
Danger Zone [CEZ4074 - 12] |
0 | 1'58 | Elisabeth Skornik, Guy Skornik | Fateful & weird. Constant progression. Rhythm @ 1'18 | investigation spy disturbing psychotic | E | 99 | |||
|
Time is Money [CEZ4074 - 29] |
0 | 1'56 | Elisabeth Skornik, Guy Skornik | Determined & punctuated. | fx heartbeat suspense sport drama spy | Fm | 111 | |||
|
Pendulum [CEZ4068 - 7] |
0 | 3'28 | Didier Goret | Mysterious & haunting. Piano duet | cyclic repetitive music narrative historical narrative | Ab | 136 | |||
|
Another Way [CEZ4070 - 15] |
0 | 1'37 | Laurent Rochelle | Joyful & repetitive. Piano, clarinet ensemble & glockenspiel @ 0'55. | arts & crafts cyclic carefree new circus | D | 123 | |||
|
Saxophony [CCB1003 - 1] |
0 | 2'45 | Line Adam | Confident & serious. Saxophone quartet & bass clarinet. | arts & crafts saxophone ensemble confident corporate (all) | Bb | 95 | |||
|
Solitary [CEZ4067 - 32] |
0 | 2'33 | Christof Déjean | Desolate, cold & nocturnal. Piano & electronics. | interrogative desolate science slow motion | Dbm | 105 | |||
|
Gnus and Gazelles [CEZ4066 - 24] |
0 | 2'13 | Silvano Michelino | Lively & light. Percussion ensemble. | rhythmic undefined percussion fiery insects | Bbm | 140 | |||
|
On the Move [CEZ4062 - 4] |
0 | 2'09 | Elisabeth Skornik, Guy Skornik | Uplifting and optimistic. Busy & focused. Neo-classical. Fast piano | repetitive music industry politics building | Gbm | 146 | |||
|
Deadline [CEZ4062 - 5] |
0 | 1'59 | Line Adam | Quirky bass clarinet with piano & string fx. Playful, rhythmic & | strict industry urgent destiny | Fm | 120 | |||
|
Made in France [CEZ4062 - 23] |
0 | 2'00 | Alice Guerlot Kourouklis | Repetitive movement. Serious & mechanical. Accordion pattern with | strict whirling steady hypnotic | Em | 133 | |||
|
Father Time [CEZ4062 - 24] |
0 | 2'36 | Line Adam | Happy & mechanical. Neo-classical. Piano, cello & pizz. | industry neo-classical music cyclic corporate video | Bb | 129 | |||
|
Cloud 9 [CEZ4059 - 6] |
0 | 2'53 | Arnaud Rebotini | Dreamy pads with lo-fi keys & slow plodding groove. Digital emotion. | cybernetics architecture & design vibrating 2000 | Em | 120 | |||
|
Nimbus [CEZ4059 - 8] |
0 | 2'59 | Sébastien Roux | Empty ambient drone with high glassy tone & reverse chords. | atmospheric architecture & design electro minimalism space | D | 72 |