| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
In a Voodoo Ritual [CEG5019 - 19] |
2'21 | Michel Roche | Eerie, mystical, hypnotic & wild. Underlying brutality. Ethnic | Caribbean disturbing suspended atmosphere humid | Am | 80 | ||||
|
In a Voodoo Ritual Alternate [CEG5019 - 38] |
Alt. | 2'00 | Michel Roche | Eerie, mystical, hypnotic & wild. Ethnic percussion & sound design fx. | underground suspense Caribbean disturbing | Am | 80 | |||
|
Winter War [CEO2101 - 8] |
2'57 | Alice Guerlot Kourouklis | Reflective, pending, liquid & discontinuous. String quartet & | electro ambient atmospheric mysterious suspended atmosphere | G | 118 | ||||
|
Winter War Alternate [CEO2101 - 23] |
Alt. | 2'04 | Alice Guerlot Kourouklis | Ethereal, hazy, suspended & minimalist. Electronics. | introspective suspended atmosphere sparse mysterious | Bm | 67 | |||
|
Dark Shapes [UBM2298 - 1] |
0 | 1'57 | Elias Cadre | Dark and deep, threatening soundscape, for suspense filled foreboding | suspense electronics anticipation mysterious | B | 102 | |||
|
Know How [CEZ4197 - 2] |
2'18 | Elisabeth Skornik, Guy Skornik | Motivating & inspired. Piano & string ensemble. | corporate video neo-classical music heritage time-lapse | Dm | 178 | ||||
|
Know How 2 [CEZ4197 - 18] |
Alt. | 1'43 | Elisabeth Skornik, Guy Skornik | Inspired, urgent & serious. String ensemble. | corporate video neo-classical music time-lapse advertising | D | 178 | |||
|
Know How 3 [CEZ4197 - 19] |
Alt. | 1'24 | Elisabeth Skornik, Guy Skornik | Motivating, serious & changing. Solo piano. | corporate video neo-classical music time-lapse advertising | Dm | 178 | |||
|
Know How 4 [CEZ4197 - 20] |
Alt. | 2'15 | Elisabeth Skornik, Guy Skornik | Urgent, serious & constant. Strings & electronics. Rhythm @ 0'21. | corporate video neo-classical music advertising driving | Dm | 90 | |||
|
Know How 5 [CEZ4197 - 21] |
Alt. | 1'11 | Elisabeth Skornik, Guy Skornik | Urgent & serious. Piano, strings & electronics. | corporate video catchy driving industry | Dm | 90 | |||
|
Always Improving [CEZ4197 - 7] |
2'22 | Elisabeth Skornik, Guy Skornik | Peaceful & sophisticated. Piano, electronics & strings @ 0'27. | corporate video strict everyday life cyclic | Cm | 140 | ||||
|
Always Improving 2 [CEZ4197 - 31] |
Alt. | 2'22 | Elisabeth Skornik, Guy Skornik | Peaceful & sophisticated. Piano & strings @ 0'27. | corporate video arts & crafts strict everyday life | Cm | 140 | |||
|
Always Improving 3 [CEZ4197 - 32] |
Alt. | 1'27 | Elisabeth Skornik, Guy Skornik | Serious & obstinate. Electronics. | corporate video strict everyday life cyclic | Cm | 140 | |||
|
Always Improving 4 [CEZ4197 - 33] |
Alt. | 1'27 | Elisabeth Skornik, Guy Skornik | Serious & obstinate. Pizzicato strings & electronics. | corporate video arts & crafts cyclic fx delay | Cm | 140 | |||
|
Always Improving 5 [CEZ4197 - 34] |
Alt. | 1'20 | Elisabeth Skornik, Guy Skornik | Simple & elegant. Solo piano. | arpeggio strict everyday life cyclic | Cm | 140 | |||
|
Fast Checking [CEZ4171 - 7] |
2'13 | Christophe Zurfluh | Determined & cut-up. Electronic percussion. | electronic percussion percussive jerky urgent | Bm | 162 | ||||
|
Fast Checking 2 [CEZ4171 - 31] |
Alt. | 1'01 | Christophe Zurfluh | Electronic percussion & synth. | electronic percussion percussive industry beds | Bm | 162 | |||
|
Butterfly Effect [CEZ4099 - 20] |
1'54 | Daniel Diaz, Selma Mutal | Interrogative & peaceful. Bass, piano, guitar & charango. | interrogative patient tracking shot everyday life | G | 123 | ||||
|
Butterfly Effect 2 [CEZ4099 - 28] |
Alt. | 1'30 | Daniel Diaz, Selma Mutal | Prudent & peaceful. Charango, 12 string guitar, piano & bass. | beds steady mechanical confident | G | 124 | |||
|
Dreams On Tape [CEZ4707 - 4] |
0 | 3'16 | Barash Vow, quietflow | Hopecore. Introspective, constant, calming, deep & atmospheric. Loops | narrative atmospheric destiny luminous | E | 82 | |||
|
The Basics [CEZ4702 - 1] |
2'06 | Louis Edlinger | Electronica bed. Lively, playful & measured. Synth & rhythm with | lively confident driving teaching | D | 130 | ||||
|
The Basics Alternate 1 [CEZ4702 - 13] |
Alt. | 2'06 | Louis Edlinger | Alternate version. | D | 130 | ||||
|
The Basics Alternate 2 [CEZ4702 - 14] |
Alt. | 2'06 | Louis Edlinger | Alternate no bass. | D | 130 | ||||
|
The Basics Edit 60 sec [CEZ4702 - 15] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | D | 130 | ||||
|
The Basics Edit 30 sec [CEZ4702 - 16] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | D | 129 | ||||
|
The Basics Edit 20 sec [CEZ4702 - 17] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | D | 129 | ||||
|
The Basics Edit Sting [CEZ4702 - 18] |
Alt. | 0'18 | Louis Edlinger | Sting. | D | 129 | ||||
|
A Talent for Analysis [CEZ4702 - 4] |
1'51 | Louis Edlinger | Electronica bed. Relax, confident but serious. Synth & rhythm. Ideal | teaching patient beds confident | Gm | 90 | ||||
|
A Talent for Analysis
[CEZ4702 - 31] |
Alt. | 1'51 | Louis Edlinger | Alternate no perc. | Gm | 90 | ||||
|
A Talent for Analysis
[CEZ4702 - 32] |
Alt. | 1'51 | Louis Edlinger | Alternate underscore. | Fm | 90 | ||||
|
A Talent for Analysis Edit 60
[CEZ4702 - 33] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Gm | 178 | ||||
|
A Talent for Analysis Edit 30
[CEZ4702 - 34] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Gm | 90 | ||||
|
A Talent for Analysis Edit 20
[CEZ4702 - 35] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Gm | 90 | ||||
|
A Talent for Analysis Edit
[CEZ4702 - 36] |
Alt. | 0'13 | Louis Edlinger | Sting. | Gm | 178 | ||||
|
Knowledge Can Be Cool [CEZ4702 - 5] |
2'11 | Louis Edlinger | Electronica bed. Lively, cool & fun. Synth & rhythm. Ideal for | patient teaching strict beds | D | 87 | ||||
|
Knowledge Can Be Cool
[CEZ4702 - 37] |
Alt. | 2'09 | Louis Edlinger | Alternate no bass. | D | 117 | ||||
|
Knowledge Can Be Cool
[CEZ4702 - 38] |
Alt. | 2'05 | Louis Edlinger | Alternate underscore. | Em | 87 | ||||
|
Knowledge Can Be Cool Edit 60
[CEZ4702 - 39] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Em | 87 | ||||
|
Knowledge Can Be Cool Edit 30
[CEZ4702 - 40] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | D | 87 | ||||
|
Knowledge Can Be Cool Edit 20
[CEZ4702 - 41] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | D | 87 | ||||
|
Knowledge Can Be Cool Edit
[CEZ4702 - 42] |
Alt. | 0'12 | Louis Edlinger | Sting. | D | 87 | ||||
|
Training the Mind [CEZ4702 - 10] |
2'03 | Louis Edlinger | Electronica bed. Animated, intellectual & focused. Synth & rhythm. | patient teaching strict beds | C | 100 | ||||
|
Training the Mind Alternate 1 [CEZ4702 - 67] |
Alt. | 2'03 | Louis Edlinger | Alternate no percs. | C | 100 | ||||
|
Training the Mind Alternate 2 [CEZ4702 - 68] |
Alt. | 1'39 | Louis Edlinger | Underscore version. | C | 100 | ||||
|
Training the Mind Edit 60 sec [CEZ4702 - 69] |
Alt. | 0'59 | Louis Edlinger | 60 second cut. | C | 100 | ||||
|
Training the Mind Edit 30 sec [CEZ4702 - 70] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | C | 100 | ||||
|
Training the Mind Edit 20 sec [CEZ4702 - 71] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | C | 100 | ||||
|
Training the Mind Edit Sting [CEZ4702 - 72] |
Alt. | 0'14 | Louis Edlinger | Sting. | C | 133 | ||||
|
Peeling Back the Layers [CEG5061 - 9] |
2'11 | Thomas Didier | Cinematic. Dramatic, unavoidable & obsessive. Repetitive piano, clock | anticipation investigation patient cinematic | Em | 120 | ||||
|
Peeling Back the Layers
[CEG5061 - 28] |
Alt. | 2'11 | Thomas Didier | Version without percussion | anticipation investigation patient cinematic | Em | 120 | |||
|
Peeling Back the Layers
[CEG5061 - 29] |
Alt. | 2'11 | Thomas Didier | Underscore version | anticipation investigation patient cinematic | Em | 120 | |||
|
Atmospheric Release [CEG5063 - 9] |
3'02 | Sylvain Pelier | Ambient. Cosmic, dreamy & hypnotic. Analog synth. Ideal for space, | space mysterious dreamy introspective | Am | 120 | ||||
|
Atmospheric Release Alternate [CEG5063 - 22] |
Alt. | 3'02 | Sylvain Pelier | Alternate underscore. | space mysterious dreamy introspective | F | 162 | |||
|
Tracked [CEG5064 - 11] |
2'17 | analog_anxiety | Electronica. Aerial, jerky & nostalgic. Synth, piano & rhythm. Ideal | urban landscape vibrating electronica introspective | Am | 150 | ||||
|
Tracked Alternate 1 [CEG5064 - 24] |
Alt. | 2'17 | analog_anxiety | Alternate no drums. | urban landscape vibrating electronica introspective | Am | 149 | |||
|
Tracked Alternate 2 [CEG5064 - 25] |
Alt. | 2'10 | analog_anxiety | Alternate underscore. | urban landscape vibrating electronica introspective | Am | 75 | |||
|
Litany of Shadows [ISC115 - 6] |
2'58 | Christophe Le Guen | Horror trailer. Scary intro with wind fx, shadowy & shrilling sounds. | building cinematic climax epic | Dm | 90 | ||||
|
Litany of Shadows Alternate 1 [ISC115 - 21] |
Alt. | 2'58 | Christophe Le Guen | Version without percussion. | building cinematic climax epic | D | 91 | |||
|
Litany of Shadows Alternate 2 [ISC115 - 22] |
Alt. | 2'58 | Christophe Le Guen | Light version. | building cinematic climax epic | Dm | 178 | |||
|
Ave Maledictus [ISC115 - 8] |
3'45 | Christophe Le Guen | Horror trailer. Spooky intro with creepy sounds & breath. Liturgical | relentless aggressive & violent punctuated cinematic | Fm | 140 | ||||
|
Ave Maledictus Alternate 1 [ISC115 - 25] |
Alt. | 3'45 | Christophe Le Guen | Version without percussion. | relentless cinematic horror inexorable | Fm | 140 | |||
|
Ave Maledictus Alternate 2 [ISC115 - 26] |
Alt. | 3'45 | Christophe Le Guen | Light version. | relentless aggressive & violent punctuated cinematic | Fm | 140 | |||
|
A Huge Relief [CEO2187 - 10] |
0 | 1'16 | Kirosen | Neo-classical. Bright, steady & narrative. Pianos. Suggested for | neo-classical music dreamy delicate childhood | G | 80 | |||
|
Time are Changing [CEZ4700 - 4] |
2'34 | Elisabeth Skornik, Guy Skornik | Neo-classical. Serious, lyrical, solemn & changing. String ensemble | narrative building heritage solemn | Gbm | 64 | ||||
|
Time are Changing Alternate [CEZ4700 - 32] |
Alt. | 2'37 | Elisabeth Skornik, Guy Skornik | Alternate. Slow tempo without repetitive movement. Piano solo. | narrative solemn moving destiny | Gbm | 64 | |||
|
Pendulum Curve - Piano version [CEZ4700 - 23] |
0 | 2'28 | Elisabeth Skornik, Guy Skornik | Solo piano version. Neoclassical. Cyclical, repetitive & nostalgic. | cyclic social drama moving historical movie | Am | 104 |