| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
La Colère de Lusagne [CEO2038 - 13] |
0 | 1'06 | Jérôme Lemonnier | Suspense. Mysterious & chanting. Synth. | disturbing scary sequencing scansion | Dbm | 162 | |||
|
Dark Facts [UBM2251 - 6] |
0 | 2'04 | Daniel Backes, Peter Moslener | Dark and ticking sound with deep bass, good for sense of menace and | suspense crime movie disturbing investigation | Bbm | 97 | |||
|
Sparkling Stars [CEZ4255 - 5] |
2'43 | Hannah-Belle Abdullah, Jean-Francois Morin | Underscore. Interrogative & relaxed. Electric guitar & sequencing. | beds investigation science intermittent | Em | 74 | ||||
|
Sparkling Stars 2 [CEZ4255 - 29] |
Alt. | 2'22 | Hannah-Belle Abdullah, Jean-Francois Morin | Interrogative & suspended. Electric guitar & electronics. | beds suspended atmosphere science intermittent | A | 74 | |||
|
Billy's World [MAG6016 - 4] |
3'25 | Tin | Electro pop. Dark & tense. Synth, female singer & rhythm.Lyrics | electro pop nocturnal female singer driving | Em | 116 | ||||
|
Billy's World 2 [MAG6016 - 8] |
Alt. | 3'25 | Jan Stumke, Tin | Electro pop. Dark & tense. Synth & rhythm. | electro pop nocturnal driving social drama | Em | 116 | |||
|
Top Secret [CEZ4252 - 18] |
2'40 | Elisabeth Skornik, Guy Skornik | Suspense, intriguing & insidious. Electronics. Strings & brass @ | mysterious urban investigation spy | Eb | 62 | ||||
|
Top Secret 2 [CEZ4252 - 34] |
Alt. | 1'52 | Elisabeth Skornik, Guy Skornik | Urgent, weird & intriguing. Electronics. Build up gradually. | punctuated crime movie heavy mysterious | Bbm | 124 | |||
|
Hidden Mystery [CEZ4252 - 19] |
2'49 | Elisabeth Skornik, Guy Skornik | Weird, mysterious & linear. Electronics, sound design & strings. | investigation paranormal social drama spy | Am | 96 | ||||
|
Hidden Mystery 2 [CEZ4252 - 35] |
Alt. | 2'49 | Elisabeth Skornik, Guy Skornik | Strange, mysterious & linear. Electronics, sound design & strings. | fx backwards unstable suspense chaotic | Am | 96 | |||
|
Viral Marketing [CEZ4242 - 5] |
0 | 2'14 | Christophe Zurfluh | Mysterious & minimalist. Electronics. | natural disaster electro minimalism science inexorable | Fm | 162 | |||
|
Forensic Evidence [CEZ4242 - 9] |
0 | 2'27 | Christophe Zurfluh | Minimalist & mysterious. Electronics. | abyss space investigation natural disaster | Ebm | 100 | |||
|
Frontiers of Research [CEZ4240 - 1] |
0 | 2'01 | Gréco Casadesus, Gregory Cotti | Cyclic & determined. Strings & electronics. | science driving space strict | B | 125 | |||
|
Plan de coupe [CEO2034 - 3] |
0 | 1'33 | Vincent Leibovitz | Suspended & sparse. Piano, electronics & rhythm. | downtempo nocturnal social drama wandering | Em | 107 | |||
|
Waves of Chaos [CEZ4225 - 7] |
0 | 1'39 | Baptiste Thiry | Cinematic. Powerful & warlike. Cinematic percussion ensemble. | warlike historical conflict wild percussive | Gm | 107 | |||
|
Open [MAG6013 - 11] |
0 | 2'05 | J.Kid | Beatmaking. Incisive & classy. Double bass sample, synth & rhythm. | modern beat making nocturnal social drama | Gm | 92 | |||
|
Internally [MAG6010 - 9] |
0 | 4'15 | Henning Schmitz | Ambient. Dark & mysterious. Synth & rhythm. Fx delay. | investigation dark ambient social drama weird | Abm | 113 | |||
|
Social Dialogue [CEZ4209 - 4] |
0 | 2'24 | Thierry Caroubi | Patient & cyclic. Electronics. | politics spy string orchestra panoramic | C | 110 | |||
|
Party Manager [CEZ4208 - 5] |
0 | 2'02 | Baptiste Thiry | Urgent & obstinate. String orchestra. | driving fiery neo-classical music urgent | Bm | 98 | |||
|
The Bell Tolls [CEZ4206 - 5] |
2'17 | Selma Mutal | Underscore. Nebulous & still. Fx bells & electronics. | desolate suspended atmosphere interrogative beds | F | 63 | ||||
|
The Bell Tolls 2 [CEZ4206 - 32] |
Alt. | 1'37 | Selma Mutal | Underscore. Nebulous & immobile. Fx bells, rhythm & electronics. | desolate suspended atmosphere beds atmospheric | Fm | 108 | |||
|
The Bell Tolls [CEZ4206 - 41] |
Alt. | 2'16 | Selma Mutal | Remastered version. Underscore. Disturbing & inexorable. Electronics | desolate suspended atmosphere interrogative beds | F | 62 | |||
|
Courting Disaster [CEZ4206 - 9] |
1'58 | Selma Mutal | Underscore. Threatening & inexorable. Electronics & rhythm. | beds spy inexorable disturbing | E | 96 | ||||
|
Courting Disaster 2 [CEZ4206 - 35] |
Alt. | 1'55 | Selma Mutal | Underscore. Threatening & inexorable. Electronics. | beds spy inexorable disturbing | Em | 120 | |||
|
Infinite Darkness [CEZ4206 - 15] |
1'44 | Selma Mutal | Underscore. Desolate & solitary. Electronics. | falling desolate beds atmospheric | Gm | 68 | ||||
|
Infinite Darkness 2 [CEZ4206 - 38] |
Alt. | 1'50 | Selma Mutal | Underscore. Desolate & solitary. Electronics & rhythm. | falling beds atmospheric social drama | Gm | 86 | |||
|
Piecing Together [CEZ4206 - 18] |
0 | 1'51 | Selma Mutal | Underscore. Urgent but restrained. Electronics. | disturbing investigation beds social drama | Gm | 86 | |||
|
So Far From Home [CEZ4206 - 21] |
2'11 | Selma Mutal | Underscore. Solitary & heavy. Electric guitar & electronics. Fx | social drama beds falling desolate | Gm | 98 | ||||
|
So Far From Home 2 [CEZ4206 - 39] |
Alt. | 1'45 | Selma Mutal | Underscore. Solitary & cycling. Electronics. | beds falling desolate fx delay | Gm | 65 |