| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Busy Whirl [UBM2251 - 13] |
0 | 2'15 | Daniel Backes, Peter Moslener | Technical and electronic sound like working robots. Ideal for images | steady investigation sequencing sci-fi | Cm | 123 | |||
|
Deep Packet Inspection [UBM2249 - 5] |
0 | 2'06 | Elias Cadre | Electronic spheres, loopable, drops, ticking, minimal and modern. | complex sci-fi film noir unstable | Bbm | 122 | |||
|
Shady Promotion [UBM2249 - 7] |
0 | 2'57 | Elias Cadre | Mysterious and dangerous sound with electronic ticking for images of | abyss sci-fi science complex | Bbm | 69 | |||
|
Fumbling in the Dark [UBM2249 - 10] |
0 | 2'14 | Elias Cadre | Synthesizer, bass and echoes create a dynamic sound, ideal for | atmospheric complex muffled rumbling | G | 74 | |||
|
Signals From Underground [UBM2249 - 14] |
0 | 1'49 | Elias Cadre | Technical, snarring, threatening, loopable electronic spheres for | sci-fi film noir abyss complex | Ab | 112 | |||
|
Conflict of Interests [UBM2249 - 15] |
0 | 1'44 | Elias Cadre | Dynamic, mid-tempo, loopable, electronic, snarring moments. | film noir sci-fi abyss complex | Dm | 61 | |||
|
Politicians Speak [UBM2258 - 12] |
0 | 1'45 | Felix Halbe | Dramatic sound that works for images of election campaigns. | driving epic cinematic orchestra politics | Am | 128 | |||
|
Special Forces [UBM2258 - 14] |
0 | 1'54 | Felix Halbe | Dynamic track that reminds of marching troops. Track gets faster. The | urgent driving scary epic | Dm | 113 | |||
|
Strike [UBM2258 - 19] |
0 | 2'24 | Felix Halbe | The troops are marching on. Ideal for scenes of an upcoming battle. | disturbing driving scary suspense | Em | 86 | |||
|
Baliachi [CEZ4256 - 20] |
1'33 | Gilles Maugenest | Patriotic & accentuated march. Male choir & symphony orchestra.Lyrics | Soviet Russia patriotism men's chorus symphony orchestra | Am | 80 | ||||
|
Baliachi 2 [CEZ4256 - 31] |
Alt. | 1'27 | Gilles Maugenest | Patriotic & accentuated march. String orchestra & trumpet | Soviet Russia patriotism historical narrative inexorable | Am | 80 | |||
|
Rodina [CEZ4256 - 24] |
2'08 | Gilles Maugenest | Melancholic & moving. Male choir & piano.Lyrics | Soviet Russia patriotism men's chorus communism | Fm | 84 | ||||
|
Rodina 2 [CEZ4256 - 33] |
Alt. | 2'03 | Gilles Maugenest | Melancholic & moving. Male choir. | Soviet Russia patriotism men's chorus melancholic | Fm | 83 | |||
|
Rodina 3 [CEZ4256 - 34] |
Alt. | 2'03 | Gilles Maugenest | Dramatic & obstinate. Solo piano. | acoustic piano punctuated steady destiny | Db | 167 | |||
|
Ready to Serve [CEZ4256 - 26] |
1'13 | Julien Vega | Patriotic & solemn. Male choir & symphony orchestra.Lyrics | Soviet Russia patriotism men's chorus communism | Fm | 91 | ||||
|
Ready to Serve 2 [CEZ4256 - 35] |
Alt. | 1'07 | Julien Vega | Patriotic & solemn. Male choir & symphony orchestra. | Soviet Russia patriotism men's chorus communism | Cm | 90 | |||
|
Ready to Serve 3 [CEZ4256 - 36] |
Alt. | 1'12 | Julien Vega | Patriotic & solemn. Symphony orchestra. | symphony orchestra Russia solemn historical narrative | Fm | 90 | |||
|
The Song of the Volga Boatmen [CEZ4256 - 28] |
2'38 | Julien Vega | Traditional song. Ceaseless & moving. Male choir & symphony orchestra.Lyrics | Russia baritone (vocal) men's chorus communism | Dm | 80 | ||||
|
The Song of the Volga Boatmen
[CEZ4256 - 39] |
Alt. | 2'38 | Julien Vega | Traditional song. Ceaseless & moving. Symphony orchestra. | Soviet Russia communism brass ensemble patriotism | Dm | 80 | |||
|
The Last Passer-by [CEZ4255 - 20] |
0 | 2'40 | Thierry Caroubi | Underscore. Suspended & neutral. Electric guitar & electronics. | beds airy suspended atmosphere introspective | Cm | 60 | |||
|
Suspicious Behaviour [CEZ4254 - 21] |
0 | 2'06 | Gréco Casadesus, Gregory Cotti | Distubing & dark. Strings & electronics. | beds disturbing mysterious steady | A | 100 | |||
|
Shocking Information [CEZ4252 - 12] |
0 | 2'05 | Elisabeth Skornik, Guy Skornik | Percussive & punctuated. Electronics, sequence & piano @ 0'50. | punctuated heavy historical conflict docu fiction | Gm | 98 | |||
|
Persistent Rumors [CEZ4252 - 15] |
2'43 | Elisabeth Skornik, Guy Skornik | Panoramic, airy & worrying. String pad & piano. | atmospheric suspended atmosphere peaceful high seas | Cm | 119 | ||||
|
Persistent Rumors 2 [CEZ4252 - 30] |
Alt. | 2'37 | Elisabeth Skornik, Guy Skornik | Panoramic & airy. Strings nappe. Underscore. | synth pad atmospheric neo-classical music peaceful | Eb | 111 | |||
|
Persistent Rumors 3 [CEZ4252 - 31] |
Alt. | 2'27 | Elisabeth Skornik, Guy Skornik | Sparse & intermittent. Solo piano. Echo fx. | sparse fx reverb peaceful intermittent | Eb | 118 | |||
|
According to the Evidence 2 [CEZ4252 - 33] |
2'32 | Elisabeth Skornik, Guy Skornik | Tense, interrogative, continuous & punctuated. Electronics. | investigation mysterious beds punctuated | C | 100 | ||||
|
According to the Evidence [CEZ4252 - 17] |
Alt. | 2'31 | Elisabeth Skornik, Guy Skornik | Reflective, interrogative & discontinuous. Electronics, rhythm & | mysterious spy interrogative shy | Cm | 100 | |||
|
Wax and Wane [CEZ4246 - 10] |
0 | 2'47 | Rémo | Future beat. Urban & arty. Pitched voices, synth & rhythm. | future beat dreamy delicate nocturnal | Dbm | 63 | |||
|
A Guiding Light [CEZ4246 - 12] |
0 | 2'32 | Colo Colo | Electronica. Luminous & solemn. Organ, Fender Rhodes & rhythm. | luminous calm delicate electronica | D | 75 |