| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Void [CEZ4081 - 30] |
0 | 1'10 | Marc-Olivier Dupin | Sombre, deep & stripped. Solo piano. | sinister underground historical conflict scary | Dm | 84 | |||
|
Evolution [CEZ4082 - 40] |
0 | 4'39 | Armand Frydman | Uncomfortable and uncertain. Piano trio, cello & violin. Progression | historical movie tormented narrative passionate | Db | 108 | |||
|
Ruins [CEZ4083 - 31] |
0 | 2'12 | Marc-Olivier Dupin | Black & sinister. Piano solo. | scary contemporary serious music (all) funereal historical narrative | Cm | 111 | |||
|
Hadrian's Wall [CEZ4077 - 14] |
0 | 5'21 | Pierrick Hardy | Serious & panoramic. Solo folk guitar. | strict destiny moving panoramic | Dm | 163 | |||
|
The Empty City [CEZ4074 - 24] |
0 | 2'04 | Elisabeth Skornik, Guy Skornik | Frightening & desolate. | rumbling disturbing dissonant drone | Gm | 117 | |||
|
Camp De Gurs [CEZ4072 - 11] |
0 | 4'27 | Renaud Garcia-Fons | Poignant & desolate. Double basse ensemble & drone. | wandering sparse double bass desolate | Cm | 76 | |||
|
Gallipoli [CEZ4072 - 15] |
0 | 1'18 | Renaud Garcia-Fons | Wandering & sad. Accordion, clarinet & double bass. | geopolitics sad social drama Italian cinema | Em | 73 | |||
|
Tu es Béni Seigneur [CEV3004 - 3] |
0 | 2'56 | Bruno Letort | Inspired & solemn. Choir & orchestra. Sung in Russian. | requiem funerals mystical orthodox | Fm | 68 | |||
|
Tu es Béni Seigneur 2 [CEV3004 - 5] |
0 | 2'30 | Bruno Letort | Tragical & tormented. Choir & orchestra. Sung in Russian. | requiem a cappella mixed choir mystical | Abm | 97 | |||
|
Tu es Béni Seigneur 3 [CEV3004 - 7] |
0 | 1'58 | Bruno Letort | Inspired & tragical. A capella choir. Sung in Russian. | mystical funereal requiem a cappella | Ebm | 68 | |||
|
Finale [CEV3003 - 7] |
0 | 4'13 | Olivier Samouillan | Balkans. Melancholic & dark. Thythm @ 0'55. Tense & punctuated. Alto | Balkans geopolitics world music chromatic accordion | Em | 103 | |||
|
Granata [CEV3003 - 16] |
0 | 1'25 | Dzijan Emin, Olivier Samouillan | Threatening & oppressive. Timpanies, strings & accordion. | scary historical conflict geopolitics unstable | Am | 63 | |||
|
Barents Sea [CEZ4058 - 15] |
0 | 2'31 | Jean-François Vrod | Whale song lament. Slow ebbing electric fiddle. | electric violin wandering high seas undulating | Dm | 65 | |||
|
Marvel Of The Deep [CEZ4058 - 36] |
0 | 2'29 | Daniel Darras, Youenn Le Berre | Descending into the abyss. Deep resonant drone & shimmering strings. | space underwater synth pad airy | E | 144 | |||
|
Odyssey [CEZ4057 - 6] |
0 | 1'53 | Gréco Casadesus | Mysterious & beautiful. Descending strings with haunting melody. | destiny tragic adventure sentimental | Gbm | 103 | |||
|
Balise [CEZ4057 - 33] |
0 | 2'27 | Christofer Bjurström | Marking time. Simple, parse piano & pizz notes. | sparse cold suspended atmosphere silence | D | 114 | |||
|
Finistère [CEZ4057 - 36] |
0 | 2'03 | Alice Guerlot Kourouklis | Discret drone with tremolo electric guitar, double-bass & nostalgic | sparse wandering desolate social drama | Am | 91 | |||
|
Deforestation [CEZ4055 - 7] |
0 | 2'33 | Silvano Michelino | Dark & wild. Djembe, drone, percussion & fx. | relentless shamanistic djembe tropical forest | F | 152 | |||
|
Le Combat [CEZ4012 - 34] |
0 | 1'36 | Christian Zanesi | Savage & urgent. Sampled percussions. | electronic percussion percussive chase urgent | Fm | 137 | |||
|
The Other side [CEZ4015 - 15] |
0 | 2'10 | Christian Zanesi | Tempest fx. Tension & mystery. Electronics with voice @ 1'04. | contemporary art complex scary psychotic | Bm | 100 |