| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Transhumanism [CEO2053 - 11] |
0 | 2'38 | Stéphane Lopez | Analog electro. Eery, disturbing & discontinued. Analog synth. | cybernetics electro organic sci-fi arpeggiator | G | 108 | |||
|
Body Upgrade [CEO2053 - 13] |
0 | 1'59 | Stéphane Lopez | Analog electro. Fantastic, glitchy & spheric. Analog synth. | science cosmic music cyclic space | Em | 153 | |||
|
Autumn Landscapes [CEZ4308 - 3] |
1'33 | Piotr Moss | Nostalgic, sad & emotional evoking Chopin's Poland. Piano & string | moving 19th century destiny romantic music | Am | 74 | ||||
|
Autumn Landscapes Alternate [CEZ4308 - 20] |
Alt. | 1'36 | Piotr Moss | Nostalgic, sad & emotional. Tack/ honky-tonk piano & string ensemble. | moving 19th century destiny romantic music | Dm | 76 | |||
|
Polish Protests [CEZ4308 - 10] |
0 | 2'22 | Piotr Moss | Sudden, tragic & tormented. Small ensemble with accordion. | historical movie contemporary history scansion tragic | Gbm | 126 | |||
|
The Katyn Forest [CEZ4308 - 12] |
0 | 3'00 | Piotr Moss | Dramatic, solemn & patriotic evoking Poland during WWII. Ensemble | heavy solemn punctuated historical movie | Gm | 112 | |||
|
The Polish Plain [CEZ4308 - 15] |
0 | 1'56 | Piotr Moss | Melancholic, solitary & desolate. Accordion & cello @ 0'40. | chromatic accordion lament sad string section | Em | 68 | |||
|
Babad Lambok [CEO2052 - 23] |
0 | 1'01 | Baptiste Thiry | Landscapes. Adventure. Suspended & atmospheric. Determined @ 0'41. | atmospheric panorama mysterious panoramic | Em | 117 | |||
|
Dead End [EOS24 - 5] |
0 | 2'45 | Clinton Charles, Sandy Mahut | Introspective & desolate. Synth, piano, electric guitar, sound | synthesizer atmospheric electric guitar introspective | G | 90 | |||
|
Grands Sauts [CEO2048 - 13] |
0 | 2'52 | Emmanuel Denis | Underscore. Tense & minimalist. @ 1'42 urgent & tense. Rhythm & | sport drama building suspense changing | Gm | 60 | |||
|
Foot Print in the Sand [CEZ4315 - 4] |
0 | 2'17 | The Mean Pandas | Slow. Tender, dreamy & peaceful. Hawaiian guitar & rhythm. | kitsch & cheesy sentimental tender Hawaiian guitar | E | 97 | |||
|
Love on the Côte d'Azur [CEZ4315 - 18] |
0 | 1'56 | Grand David | Sensual, nocturne & confident. Fender Rhodes, electric guitar, | easy listening (all) romantic kitsch & cheesy coastline | F | 129 | |||
|
The Party's Over [CEZ4315 - 22] |
2'02 | Grand David | Nostalgic, sad & nocturne. Organ, double bass & rhythm. | sentimental romantic coastline melancholic | Gm | 80 | ||||
|
The Party's Over 2 [CEZ4315 - 33] |
Alt. | 2'01 | Grand David | Nostalgic, sad & nocturne. Organ & double bass. | melancholic coastline nocturnal everyday life | Gm | 80 | |||
|
Looking to the Future [CCB1029 - 1] |
0 | 3'41 | Christophe Zurfluh | Travel. Cyclic & melancholic. Acoustic guitar & sequencing. | arpeggio cyclic social drama melancholic | Cm | 108 | |||
|
Take me to the Mad House [CEO2046 - 7] |
0 | 3'52 | Mark Alberts | Waiting. Underscore. Disturbing & panoramic. Electric guitar, synth & | atmospheric desolate panorama panoramic | Dbm | 74 | |||
|
Electric Chair [CEZ4313 - 4] |
0 | 4'14 | Jonathan Boye, Patrice Duthoo, Raphaël Glatz | Trash metal. Inevitable, nervous & urgent. Metal band. | thrash metal distorted electric guitar aggressive & violent double bass drum pedal | Em | 166 | |||
|
Seal Fate [CEZ4313 - 8] |
0 | 3'07 | Jonathan Boye, Patrice Duthoo, Raphaël Glatz | Trash metal. Relentless, aggressive & chaotic. Metal band. | thrash metal double bass drum pedal horror band | Am | 163 | |||
|
Flaming Inferno [CEZ4313 - 12] |
0 | 3'31 | Jonathan Boye, Patrice Duthoo, Raphaël Glatz | Trash metal. Violent, infernal & obstinate. Metal band. | thrash metal aggressive & violent chaotic horror | Em | 96 | |||
|
Nostalgia for the Future [CEZ4312 - 13] |
2'31 | Elisabeth Skornik, Guy Skornik | Thoughtful & intimist. Piano, electronics & strings @ 1'08. Build up | social drama destiny introspective melancholic | Gbm | 100 | ||||
|
Nostalgia for the Future
[CEZ4312 - 37] |
Alt. | 0'59 | Elisabeth Skornik, Guy Skornik | Punctuated, determined & solemn. String orchestra playing staccato. | politics contemporary history neo-classical music string orchestra | D | 100 | |||
|
Binary World [CEZ4309 - 3] |
2'22 | Claude Samard | Analog electro. Obstinate, nervous & determined. Arpeggiator, analog | relentless arpeggiator cybernetics electro beat | Cm | 114 | ||||
|
Binary World 2 [CEZ4309 - 25] |
Alt. | 2'22 | Claude Samard | Analog electro. Obstinate, nervous & determined. Arpeggiator & analog | cybernetics relentless arpeggiator electro beat | Cm | 114 | |||
|
Lost in Computerland [CEZ4309 - 13] |
0 | 3'35 | Arno Riva | Analog electro. Deep, cosmic & mysterious. Analog synth & rhythm. | nocturnal 1980 electro beat space | Fm | 80 |