| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Blind Alley [CEZ4262 - 16] |
0 | 2'47 | Vincent Leibovitz | Hip hop / Trap. Urban, mysterious & dark. Synth & rhythm. | modern urban nocturnal urban landscape | Dm | 71 | |||
|
Will be a Good Day [UBM2235 - 36] |
0 | 0'41 | Vincent Nguyen, Sebastian Parche | Uplifting intro, ideal for daytime TV and light entertainment. | kitsch & cheesy short tender intimate | C | 85 | |||
|
Bottles and Twirling Pipe [UBM2235 - 63] |
0 | 0'29 | Vincent Nguyen, Sebastian Parche | Vibrant, lively world music with glass bottle blowing sound. | short tropical forest steady exotic | Cm | 127 | |||
|
Pretty Small [UBM2235 - 71] |
0 | 0'04 | Vincent Nguyen, Sebastian Parche | Short slapstick effect. | short animation & cartoons blooper comical | Bb | 120 | |||
|
Sorry to Interrupt You [UBM2235 - 72] |
0 | 0'03 | Vincent Nguyen, Sebastian Parche | Short slapstick sound effect for disappointment, failure. | short animation & cartoons blooper comical | D | 150 | |||
|
Inspired by a Cartoon [UBM2235 - 73] |
0 | 0'07 | Vincent Nguyen, Sebastian Parche | Funny effect; increasing pitch. | short animation & cartoons blooper rising | Gb | 162 | |||
|
Fiction [UBM2249 - 19] |
0 | 1'24 | Elias Cadre | Dark underscore, gloomy, threatening, scary and apocalyptic track for | sci-fi science complex rumbling | A | 61 | |||
|
Refugees [UBM2258 - 6] |
0 | 2'07 | Felix Halbe | Refugees from Middle East travel on water and land on their escape | desolate hot desert sentimental duduk | Bm | 111 | |||
|
Strike [UBM2258 - 19] |
0 | 2'24 | Felix Halbe | The troops are marching on. Ideal for scenes of an upcoming battle. | disturbing driving scary suspense | Em | 86 | |||
|
Cuban Café [CEZ4258 - 9] |
0 | 1'34 | Señor Ortegón & his Orchestra | Neo-retro cha cha cha. Relax & smiley. Organ, keyboards, acoustic & | cha cha cha funny interiors & cooking 1950 | E | 130 | |||
|
Escape From Reality [CEO2036 - 5] |
0'51 | Gréco Casadesus | Urgent & dramatic. Strings & percussion. | historical narrative social drama crime movie relentless | Am | 138 | ||||
|
Escape From Reality 2 [CEO2036 - 16] |
Alt. | 1'06 | Gréco Casadesus | Tense & dramatic. String ensemble. | historical narrative string orchestra tormented spy | Dm | 130 | |||
|
On Slow [MAG6017 - 8] |
0 | 5'49 | Sarah Davachi | Ambient / minimalism electro. Peaceful, hypnotic & slow motion. | drone electro minimalism sequencing steady | Db | 70 | |||
|
Bongos for BC [MAG6017 - 9] |
0 | 3'01 | Karl Fousek | Minimalism electro. Constant, strange & obstinate. Analog synth. | modular synth electro organic contemporary art steady | Gm | 167 | |||
|
Drizella [CEZ4256 - 4] |
0 | 1'48 | Gilles Maugenest | Waltz. Ironic & heavy. Symphony orchestra. | symphony orchestra Russia heavy clumsy | Am | 118 | |||
|
A Matter of Fact [CEZ4254 - 8] |
0 | 2'09 | Lucas Napoleone | Sudden & disturbing suspense. Electronics. | beds investigation suspense steady | F | 161 | |||
|
Time to Move On [CEZ4254 - 13] |
0 | 1'56 | Thierry Caroubi | Restrained & disturbing suspense. Electronics. | beds suspense spy disturbing | E | 120 | |||
|
Alternate Hypothesis [CEZ4252 - 4] |
0 | 2'20 | Elisabeth Skornik, Guy Skornik | Mysterious & worrying. Regular pulsation. Electronics, percussion & | punctuated relentless crime movie disturbing | C | 120 | |||
|
The Story Line [CEZ4252 - 6] |
2'22 | Elisabeth Skornik, Guy Skornik | Obstinate, cyclic & serious. Electronics & piano @ 0'43. | time (tick-tock) mysterious cyclic crime movie | Cm | 140 | ||||
|
The Story Line 2 [CEZ4252 - 23] |
Alt. | 2'08 | Elisabeth Skornik, Guy Skornik | Obstinate & serious. Electronics & piano @ 0'30. | relentless crime movie mysterious urgent | Cm | 93 | |||
|
According to the Evidence [CEZ4252 - 17] |
2'31 | Elisabeth Skornik, Guy Skornik | Reflective, interrogative & discontinuous. Electronics, rhythm & | mysterious spy interrogative shy | Cm | 100 | ||||
|
According to the Evidence 2 [CEZ4252 - 33] |
Alt. | 2'32 | Elisabeth Skornik, Guy Skornik | Tense, interrogative, continuous & punctuated. Electronics. | investigation mysterious beds punctuated | C | 100 | |||
|
Top Secret [CEZ4252 - 18] |
2'40 | Elisabeth Skornik, Guy Skornik | Suspense, intriguing & insidious. Electronics. Strings & brass @ | mysterious urban investigation spy | Eb | 62 | ||||
|
Top Secret 2 [CEZ4252 - 34] |
Alt. | 1'52 | Elisabeth Skornik, Guy Skornik | Urgent, weird & intriguing. Electronics. Build up gradually. | punctuated crime movie heavy mysterious | Bbm | 124 |