| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Hard As Love [CEZ4105 - 22] |
0 | 2'15 | Mark Alberts | Hard-rock ballad in the spirit of the 80's. Powerful & uplifting. | uplifting rock ballad hard rock powerful & imposing | Am | 154 | |||
|
Steely Eyes [CEZ4105 - 23] |
0 | 3'01 | Mark Alberts | Heavy-metal ballad. Powerful & imposing. Cinematic. Rock band with | rock ballad uplifting hard rock epic | Bm | 76 | |||
|
The Key Idea [CEZ4103 - 6] |
0 | 2'28 | Elisabeth Skornik, Guy Skornik | Introspective & pensive. Piano & electronics. Backwards fx. | patient atmospheric interrogative suspended atmosphere | Gbm | 70 | |||
|
A Litlle Patience [CEZ4103 - 13] |
0 | 2'28 | Elisabeth Skornik, Guy Skornik | Ralentendo fx. Constant. Electronics & strings. | patient beds unclassifiable science | Bbm | 65 | |||
|
Unresolved [CEZ4103 - 17] |
0 | 2'22 | Elisabeth Skornik, Guy Skornik | Suspended & interrogative. Bass guitar, strings & electronics. | beds social drama night activity destiny | B | 70 | |||
|
Reversatile [CEZ4103 - 19] |
0 | 2'08 | Elisabeth Skornik, Guy Skornik | Mysterious & unstable. Backwards fx, electronics, strings & | flash back fx backwards investigation cyclic | Bb | 92 | |||
|
Aporia [CEZ4103 - 26] |
0 | 2'22 | Elisabeth Skornik, Guy Skornik | Interrogative & wandering. Piano, strings & harp. | tormented beds suspended atmosphere unstable | Bb | 92 | |||
|
The Passing of Time [CEO2007 - 4] |
1'13 | Marc-Olivier Dupin | Flowing but serious. Solo piano. | paranormal weird acoustic piano contemporary art | Cm | 105 | ||||
|
The Passing of Time 2 [CEO2007 - 8] |
Alt. | 1'14 | Marc-Olivier Dupin | Flowing & sparkling. Solo piano. | acoustic piano bustling contemporary serious music (all) paranormal | Cm | 153 | |||
|
The Passing of Time 3 [CEO2007 - 9] |
Alt. | 1'00 | Marc-Olivier Dupin | Oppressive & tragic. Solo piano. | acoustic piano historical conflict interrogative historical narrative | Cm | 155 | |||
|
The Night Watch [CEO2009 - 1] |
0 | 1'40 | Philippe Hersant | Mysterious & suspended. String quartet, clarinet & bass clarinet. | 19th century Twentieth century music string orchestra 1900 | Gm | 68 | |||
|
Offshoring [CEZ4101 - 17] |
0 | 1'40 | Arnaud de Boisfleury | Serious & moving. String ensemble. | neo-classical music historical narrative string orchestra cyclic | Bb | 120 | |||
|
Industrial Landscape [CEZ4100 - 1] |
0 | 3'18 | Mathias Delplanque | Electro-indus. Determined & serious. | electro industrial steady industry mechanical | Am | 120 | |||
|
Cycle Time Variation [CEZ4100 - 7] |
0 | 2'08 | Alice Guerlot Kourouklis | Electro-pop. Positive & mechanical progression. | industry corporate (all) suspended atmosphere cyclic | Am | 130 | |||
|
The Punching Machine [CEZ4100 - 11] |
0 | 2'36 | Mathias Delplanque | Electro-indus. Robotic & sparse. | industry robotic cyclic driving | Gm | 110 | |||
|
Wave Balance [CEZ4100 - 15] |
0 | 2'39 | Christof Déjean | Electro Glitch. Shadowy & atmospheric. | underwater science atmospheric electro ambient | Am | 68 | |||
|
Ding-A-Ling [CEZ4100 - 25] |
0 | 1'58 | Dominique Depret, Claire Vailler | Mechanical & joyful. Electronics. | sequencing robotic driving video game | Dbm | 167 | |||
|
Mixed-Up Machine [CEZ4100 - 26] |
0 | 1'42 | Laurent Rochelle | Repetitive & uplifting. Keyboard & synth. | cyclic repetitive music driving relentless | E | 150 | |||
|
Cotton Mill [CEZ4100 - 29] |
0 | 3'37 | Daniel Diaz | Fluid & obsessive. Electric guitars & delay fx. | fx delay melancholic panoramic contemporary series | G | 108 | |||
|
Metal Motion [CEZ4100 - 32] |
0 | 1'33 | Loïc Schild | Busy & bouncy. Metallophone ensemble. | metallophone industry metallic driving | C | 132 | |||
|
Source [CEZ4023 - 19] |
0 | 2'06 | Denis Levaillant | Agitated & bizarre. Piano & electronics. Chaotic finale. | unstable flowing disturbing insidious | Em | 154 | |||
|
Center City [CEZ4023 - 23] |
0 | 2'43 | Jean-Claude Mejstelman | Powerful & interrogative. Bass clarinet & percussion. | driving walking panoramic percussive | Abm | 162 |