| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Streetwise [CEZ4092 - 13] |
0 | 2'35 | Hoosky | Hip-hop beat with a catchy synth bass line & scratch @ 0'42. | attitude urban beat making confident | Fm | 90 | |||
|
Who Do Voodoo [CEZ4092 - 19] |
0 | 1'30 | Hoosky | Haunting & tribal. Ethnic & electronic percussion. Breath fx. | wild electro world mystical modern | Dbm | 114 | |||
|
One Night in Dubai [CEZ4092 - 20] |
0 | 2'05 | Hoosky | Arabic fusion. Strings, ethnic percussion, qanoun @ 0'37 & nay flute | Middle-East & Maghreb modern adventure geopolitics | Abm | 115 | |||
|
The Editorial Line [CEZ4090 - 2] |
0 | 1'04 | Elisabeth Skornik, Guy Skornik | Serious & cyclic. Electronics & strings. Progression. | investigation sport drama industry cyclic | Dm | 127 | |||
|
Public Profile [CEZ4090 - 6] |
0 | 2'22 | Elisabeth Skornik, Guy Skornik | Confident & serious. Piano & electronics. Break @ 1'06. | investigation news sport drama anticipation | Cm | 88 | |||
|
Paparazzi [CEZ4090 - 13] |
0 | 2'00 | Elisabeth Skornik, Guy Skornik | Suspense. Insidious. Electronics, tremolo strings & camera shutter Fx. | anticipation spy fx camera insidious | Em | 128 | |||
|
A Road to Nowhere [CEZ4084 - 11] |
0 | 2'12 | Daniel Finot, Jean-Francois Morin, Arnaud Rozenblat | Sombre & tense. Electric guitar & electronics. | investigation nocturnal hypnotic beds | Bm | 104 | |||
|
Lero Lero [CEZ4076 - 1] |
0 | 2'34 | Silvano Michelino | Song. Modern repente. Female voice, viola & rhythm. | sung in Brasilian Portuguese lively Brazil groovy | C | 94 | |||
|
Noticias [CEZ4076 - 28] |
0 | 1'36 | Silvano Michelino, Dino de Lucca Jr | Brazilian news. Urgent & serious. Percussion & electronics | breaking news politics rhythmic urgent | Em | 132 | |||
|
Champagne [CEZ4075 - 14] |
0 | 2'19 | André Charlier, Benoît Sourisse | Private club atmosphere. Sexy & late night. Hammond organ, vibes, | jazz club Hammond organ police comedy crime movie | Gm | 112 | |||
|
Champs-Elysées [CEZ4075 - 20] |
0 | 1'36 | André Charlier, Benoît Sourisse | Bebop. Movie swing. Tenor sax, vibes, piano, bongos & rhythm. | crime movie new wave (cinema) tenor saxophone jazz be-bop | Gm | 84 | |||
|
Coming Round [CEZ4067 - 15] |
0 | 2'10 | Nicolas Mizrachi, Jean-Francois Morin | Confident & determined. Electric guitar, electronics & rhythm. | rock ballad social drama distorted electric guitar lazy | D | 60 | |||
|
Illegal Aliens [CEZ4067 - 28] |
0 | 2'10 | Silvain Vanot | Obstinate but melancholic. Sanza, electric guitar & rhythm. | beat making social drama melancholic wandering | Am | 97 | |||
|
La Pétanque [CEZ4063 - 20] |
0 | 2'56 | Pierre-André Athané | A gentle happy waltz. Accordion, saxophone, flute, vibes & | 1950 country ball swaying old-fashioned | A | 95 | |||
|
On Strike [CEZ4062 - 32] |
0 | 2'46 | Renaud Garcia-Fons | Determined, energetic & serious. Neo-classical. Bowed double-bass | politics double basses (all) driving corporate video | Am | 139 | |||
|
Trans Action [CEZ4059 - 3] |
0 | 3'00 | Arnaud Rebotini | Edgy synth pattern with insistent & unsettled feel. Intensifies with | industry cybernetics sequencing strict | Fm | 145 | |||
|
Muted Desire [CEZ4059 - 28] |
0 | 2'49 | Romuald Tual, Christian Zanesi | Collage of samples & human sounds with filtered low groove. Sensual. | 2000 architecture & design electro minimalism disturbing | Abm | 120 | |||
|
Locked Door [CEZ4056 - 11] |
0 | 2'10 | Nicolas Mizrachi, Jean-Francois Morin | Claustrophobic & dark. Tuned filtered drums with ambient chords. | muffled crime movie investigation social drama | Ebm | 84 | |||
|
Clubbed [CEZ4056 - 25] |
0 | 1'33 | Nicolas Mizrachi, Jean-Francois Morin | Sensory overload. Confused layers of loops & guitars with melodic | heavy aggressive & violent action movie synthesizer | Bbm | 107 | |||
|
Shotgun Shack [CEZ4054 - 4] |
0 | 2'06 | Nicolas Mizrachi, Jean-Francois Morin | Confused & empty. Dark nihilist grunge guitars with drum loops. | muffled grunge relentless social drama | Em | 134 |