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AlbumTitleVers.StemsDurationCompo/ArtistDescriptionKeywordsKeyBPM
CCB1076 Mornings
[CCB1076 - 1]
2'38 Laurent Couson Neo-Classical. Fragile, melancholic, intimate & dreamlike. Evokes destiny moving neo-classical music opening (opening credits)Dm65
CCB1076 Mornings Alternate 1
[CCB1076 - 11]
Alt. 2'38 Laurent Couson Piano only versiondestiny moving neo-classical music opening (opening credits)Dm64
CCB1076 Mornings Alternate 2
[CCB1076 - 12]
Alt. 2'32 Laurent Couson Strings only versionneo-classical music melancholic destiny introspectiveDm64
CCB1076 Movement of Soul
[CCB1076 - 4]
2'34 Laurent Couson Neo-Classical. Serene yet tense, narrative, inspired & moving. Like a destiny uplifting neo-classical music opening (opening credits)Gm96
CCB1076 Movement of Soul Alternate 1
[CCB1076 - 17]
Alt. 2'18 Laurent Couson Piano only versionuplifting neo-classical music opening (opening credits) movingDm96
CCB1076 Movement of Soul Alternate 2
[CCB1076 - 18]
Alt. 2'34 Laurent Couson Strings only versionneo-classical music refined heritage buildingGm128
ISC120 A New Dawn
[ISC120 - 1]
3'41 Alexa Ray, Bruno Reis Cinematic pop. Trailer. Relentless, powerful, intense & exhilarating. Lyricscinematic pop powerful & imposing driving upliftingCm152
ISC120 A New Dawn Alternate
[ISC120 - 9]
Alt. 3'41 Alexa Ray, Bruno Reis Instrumental version.cinematic pop powerful & imposing driving upliftingCm152
CCB1069 Fortitude
[CCB1069 - 2]
1'59 Hiroki Ishikura Electro ambient. Inspiring, intense & obsessive. Constant destiny electronic score moving introspectiveBm130
CCB1069 Fortitude Alternate
[CCB1069 - 14]
Alt. 1'59 Hiroki Ishikura Alternate no organ.destiny electronic score moving opening (opening credits)Bm130
ISC113 Land of the First Dawn
[ISC113 - 3]
4'01 Tony Gram Orchestral trailer. Magical & awakening intro building up with uplifting opening (opening credits) epic majesticGbm120
ISC113 Land of the First Dawn
[ISC113 - 15]
Alt. 4'01 Tony Gram Version without percussion.uplifting opening (opening credits) epic majesticGb120
ISC113 Land of the First Dawn
[ISC113 - 16]
Alt. 4'01 Tony Gram Version without vocals.uplifting opening (opening credits) epic majesticGbm120
CEZ4688 Fairytale Fanfare
[CEZ4688 - 1]
0'39 Gréco Casadesus Fairy tale overture. Enchanting. Glorious & foreboding call with horn opening (opening credits) uplifting animation & cartoons brass bandB122
CEZ4688 Fairytale Fanfare Edit 1 15
[CEZ4688 - 15]
Alt. 0'15 Gréco Casadesus 15 second cut.opening (opening credits) uplifting animation & cartoons brass bandB117
CEZ4688 Fairytale Fanfare Edit 2 15
[CEZ4688 - 16]
Alt. 0'14 Gréco Casadesus 15 second cut.opening (opening credits) uplifting animation & cartoons brass bandB119
CEZ4688 Fairytale Fanfare Sting
[CEZ4688 - 17]
Alt. 0'12 Gréco Casadesus Sting.opening (opening credits) uplifting animation & cartoons brass bandB89
CEZ4688 Fairy Finale
[CEZ4688 - 14]
2'27 Gréco Casadesus Fairy tale happy ending. Brilliant intro. Narrative @ 0'20 & ending outro (end credits) final orchestral score magicalC164
CEZ4688 Fairy Finale Alternate
[CEZ4688 - 50]
Alt. 1'20 Gréco Casadesus Reduced alternate version with happy ending & climax.outro (end credits) orchestral score magical fieryC165
CEZ4685 Psychedelica
[CEZ4685 - 2]
0 2'47 Third Act Cinematic rock, film score. Explosive, relentless & powerful. Piano, destiny cinematic rock film credits seriesBm80
CEZ4683 Mind in Bits
[CEZ4683 - 5]
0 2'15 Third Act Post-classical music, neo-classical music, film score. Lonely, introspective docu fiction melancholic outro (end credits)Dbm80
CEC8064 Blood and Honor
[CEC8064 - 4]
0 2'43 Zhang Hao, Qingfeng Mu Suspended then epic, heroic, solemn & dramatic. Piano, string destiny uplifting historical movie orchestral scoreAm86
MAG6098 Free Together
[MAG6098 - 5]
1'40 Fille Unique Synth pop interlude. Fulfilling, dreamy, sentimental & progressive. uplifting chillwave opening (opening credits) independent cinemaA140
MAG6098 Free Together Edit 1 60 sec
[MAG6098 - 29]
Alt. 1'00 Fille Unique 60 seconds instrumental cut.uplifting chillwave opening (opening credits) independent cinemaA140
MAG6098 Free Together Edit 2 30 sec
[MAG6098 - 30]
Alt. 0'30 Fille Unique 30 seconds instrumental cut.uplifting chillwave opening (opening credits) independent cinemaA140
MAG6098 Free Together Edit 3 20 sec
[MAG6098 - 31]
Alt. 0'20 Fille Unique 20 seconds instrumental cut.uplifting chillwave opening (opening credits) independent cinemaA140
MAG6098 Free Together Edit 4 Sting
[MAG6098 - 32]
Alt. 0'12 Fille Unique Sting.uplifting chillwave opening (opening credits) independent cinemaA139
CEZ4665 The Christmas Rush
[CEZ4665 - 5]
2'15 Louis-Ronan Choisy Orchestral. Urgent, joyful & mischievous. Orchestra with oboe, flute animation & cartoons film credits orchestral score fantasyE151
CEZ4665 The Christmas Rush Alternate
[CEZ4665 - 33]
Alt. 2'14 Louis-Ronan Choisy Alternate no percussion.animation & cartoons film credits orchestral score fantasyE151
CEZ4665 The Christmas Rush Edit 60 sec
[CEZ4665 - 34]
Alt. 1'00 Louis-Ronan Choisy 60 second cut.animation & cartoons film credits orchestral score fantasyE151
CEZ4665 The Christmas Rush Edit 30 sec
[CEZ4665 - 35]
Alt. 0'30 Louis-Ronan Choisy 30 second cut.animation & cartoons film credits orchestral score fantasyA151
CEZ4665 The Christmas Rush Edit 20 sec
[CEZ4665 - 36]
Alt. 0'20 Louis-Ronan Choisy 20 second cut.animation & cartoons film credits orchestral score fantasyA152
CEZ4665 The Christmas Rush Edit Sting
[CEZ4665 - 37]
Alt. 0'16 Louis-Ronan Choisy Sting.animation & cartoons film credits orchestral score fantasyA151
CEZ4700 What Tomorrow Holds
[CEZ4700 - 16]
0 2'45 Elisabeth Skornik, Guy Skornik Neo-classical. Upbeat, optimistic, punctuated, easy & regular. String anticipation everyday life steady orchestral scoreF110
CEZ4680 Good Good Times
[CEZ4680 - 9]
2'51 Scott Bricklin, Baptiste Thiry Pop song, late 1960s mood. Feel-good, catchy & uplifting. Male voice Lyricsromantic comedy pop rock outro (end credits) confidentA145
CEZ4680 Good Good Times Alternate
[CEZ4680 - 52]
Alt. 2'51 Scott Bricklin, Baptiste Thiry Instrumental versionromantic comedy outro (end credits) pop rock confidentA145
CEZ4680 Good Good Times Edit 1 (60
[CEZ4680 - 53]
Alt. 1'00 Scott Bricklin, Baptiste Thiry 60 second cutromantic comedy outro (end credits) pop rock confidentA145
CEZ4680 Good Good Times Edit 2 (30
[CEZ4680 - 54]
Alt. 0'30 Scott Bricklin, Baptiste Thiry 30 second cutromantic comedy outro (end credits) pop rock confidentA145
CEZ4680 Good Good Times Edit 3 (20
[CEZ4680 - 55]
Alt. 0'19 Scott Bricklin, Baptiste Thiry 20 second cutromantic comedy outro (end credits) pop rock confidentA144
CEZ4680 Good Good Times Edit 4 (Sting)
[CEZ4680 - 56]
Alt. 0'14 Scott Bricklin, Baptiste Thiry Stingromantic comedy outro (end credits) pop rock confidentC144
CEZ4688 Mystery Revealed
[CEZ4688 - 13]
1'01 Gréco Casadesus Mysterious then building up gradually to a magical finale. Suggested building outro (end credits) mysterious orchestral scoreC89
CEZ4688 Mystery Revealed Edit 20 sec
[CEZ4688 - 48]
Alt. 0'20 Gréco Casadesus 20 second cut.building outro (end credits) magical mysteriousGm62
CEZ4688 Mystery Revealed Alternate 2
[CEZ4688 - 49]
Alt. 0'43 Gréco Casadesus 40 second cut with reveal.building outro (end credits) magical mysteriousC86
CCB1069 Epilogue
[CCB1069 - 8]
1'58 Hiroki Ishikura Electro ambient. Doomed, nocturne & sad. Electronic piano, strings & electronic score sad social drama nocturnalGm81
CCB1069 Epilogue Alternate 1
[CCB1069 - 18]
Alt. 1'57 Hiroki Ishikura Extended version no rhythm.electronic score sad social drama nocturnalGm86
CCB1069 Epilogue Alternate 2
[CCB1069 - 19]
Alt. 1'56 Hiroki Ishikura Alternate solo piano.sad nocturnal beds independent cinemaGm60
CEZ4351 Time is on the Move
[CEZ4351 - 3]
2'37 Guy Skornik, Elisabeth Skornik ☆ Nominated "Best Use - Digital / Online Advertising" @Production social drama fx tick-tock strict anticipationCm120
CEZ4351 Time is on the Move Alternate
[CEZ4351 - 31]
Alt. 2'00 Elisabeth Skornik, Guy Skornik Alternate underscore rhythm version.only relentless investigation strict drivingC120
CEZ4351 Time is on the Move Alternate
[CEZ4351 - 32]
Alt. 2'37 Elisabeth Skornik, Guy Skornik Alternate version without timer.relentless destiny contemporary history strictCm120
CEZ4351 Time is on the Move Alternate
[CEZ4351 - 33]
Alt. 1'40 Elisabeth Skornik, Guy Skornik Alternate underscore only rhythm version.relentless disturbing investigation time (tick-tock)C120
CCB1076 A Fine Day
[CCB1076 - 7]
2'21 Laurent Couson Neo-Classical. Simple, bright, peaceful, optimistic & friendly. charming delicate childhood upliftingD124
CCB1076 A Fine Day Alternate 1
[CCB1076 - 23]
Alt. 2'21 Laurent Couson Piano only versioncharming delicate childhood upliftingD124
CCB1076 A Fine Day Alternate 2
[CCB1076 - 24]
Alt. 2'17 Laurent Couson Strings only versioncharming delicate childhood upliftingD124
AMS5069 Neon Horizon
[AMS5069 - 1]
2'08 Dario Ferrante, Jure Jerebic Cinematic Synthwave. Airy, dreamy & progressing. Subtle drum machine beds uplifting opening (opening credits) radiantAm89
AMS5069 Neon Horizon Alternate 1
[AMS5069 - 9]
Alt. 2'08 Dario Ferrante, Jure Jerebic Version without lead synth.beds uplifting opening (opening credits) radiantAm89
AMS5069 Neon Horizon Alternate 2
[AMS5069 - 10]
Alt. 2'08 Dario Ferrante, Jure Jerebic Underscore version.beds uplifting opening (opening credits) radiantAm89
AMS5069 Neon Horizon Edit 1 30 sec
[AMS5069 - 11]
Alt. 0'30 Dario Ferrante, Jure Jerebic 30 second cut.beds uplifting opening (opening credits) radiantAm86
AMS5069 Neon Horizon Edit 2 15 sec
[AMS5069 - 12]
Alt. 0'15 Dario Ferrante, Jure Jerebic 15 second cut.beds uplifting opening (opening credits) radiantAm89
CEZ4685 A Voice From Out There
[CEZ4685 - 1]
0 2'09 Third Act Cinematic, post-classical music, neo-classical music, film score. space cinematic weird fantasyBm162
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BPM
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300
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KEYS