| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Treaty [UBM2278 - 17] |
0 | 2'23 | Lars Jebsen | Positive, serious piano, decisive electronic sound, suitable for | suspense anticipation spy interrogative | Cm | 162 | |||
|
Complot [UBM2278 - 19] |
0 | 2'15 | Lars Jebsen | Sneak attacks, threatening, unforseeable moves, suitable for dynamic | suspense investigation anticipation spy | Cm | 100 | |||
|
Echelon [UBM2278 - 21] |
0 | 2'12 | Lars Jebsen | Cineastic music with strings for images of turning points in dramatic | suspense anticipation spy inexorable | Am | 110 | |||
|
Bluff [UBM2278 - 22] |
0 | 2'19 | Lars Jebsen | Dramatic echoing with sounds of strings, suitable for images of dawn | suspense anticipation spy interrogative | Cm | 137 | |||
|
Headcrash [UBM2278 - 23] |
0 | 3'02 | Lars Jebsen | Loopable, cyclical increasing tension, gloomy, terrifying sound, | suspense insidious anticipation spy | C | 60 | |||
|
Sorting Out the Facts [CEZ4344 - 3] |
0 | 2'41 | Sophia Domancich, Raphaël Marc | Investigation. Crime. TV Series. Mysterious & desolate. Piano & | suspense investigation mysterious desolate | C | 88 | |||
|
Only the Facts [CEZ4344 - 4] |
0 | 2'51 | Sophia Domancich, Raphaël Marc | Investigation. Crime. TV Series. Sad & desolate. Piano, electronics & | investigation desolate suspense wandering | Bm | 62 | |||
|
Freedom of the Press [CEZ4344 - 5] |
0 | 3'08 | Sophia Domancich, Raphaël Marc | Investigation. Crime. TV Series. Serious & melancholic. Piano, | interrogative investigation suspense anticipation | Bm | 95 | |||
|
On the Spot Reporting [CEZ4344 - 13] |
0 | 2'03 | Sophia Domancich, Simon Goubert | Investigation. Crime. TV Series. Jerky & urgent. Piano, electronics & | suspense investigation relentless percussive | Cm | 88 | |||
|
The Clock of Doom [CEO2064 - 2] |
0 | 1'54 | Elisabeth Skornik, Guy Skornik | Insidious, tense & obstinate. Baritone electric guitar, clock & | investigation relentless suspense time (tick-tock) | G | 112 | |||
|
Widening Fault [CEO2052 - 9] |
0 | 1'12 | Baptiste Thiry | Urgent & threatening. Staccato strings & sequencing. | adventure investigation disturbing panorama | Cm | 125 | |||
|
Caribbean Cop [CEZ4315 - 17] |
0 | 2'15 | Grand David | Lively, cheesy & catchy. Organ & rhythm. | spy kitsch & cheesy electronic organ English retro TV serie | Fm | 84 | |||
|
Zombie Nation [CEZ4305 - 1] |
0 | 2'34 | Franck Fossey | Rock. Driving, evil & efficient. Distorted electric guitar, theremin, | B movie nocturnal ufo horror | Em | 129 | |||
|
Return of the Living Dead [CEZ4305 - 16] |
0 | 2'08 | The Mean Pandas | Surf rock. Rhythmic, driving & lively. Twangy guitar, organ & rhythm. | retro American serie mysterious driving spy | Em | 140 | |||
|
On the Corners [CEZ4295 - 6] |
0 | 3'04 | Lionel Lothe, Morgan Sansous | Hip hop / trap. Urban, tense & heavy. Synth & rhythm. | dirty south urban disturbing investigation | Gm | 130 | |||
|
On the Run [CEZ4295 - 12] |
0 | 2'34 | Colo Colo | Electro. Tense, inevitable & urgent. Synth, piano & rhythm. | disturbing investigation action movie inexorable | Am | 144 | |||
|
The Death Toll Alternate
[CEZ4288 - 47] |
2'07 | Julien Vega | Dark, heavy & inexorable. Cinematic strings & electronics. | natural disaster sequencing social drama spy | Gm | 74 | ||||
|
The Death Toll [CEZ4288 - 19] |
Alt. | 2'09 | Julien Vega | Dark, heavy & inexorable. Cinematic strings & electronics. | social drama investigation tragic desolate | Gm | 70 | |||
|
An Ill Wind [CEZ4267 - 14] |
0 | 1'12 | Laurent Couson | Disturbing & nocturnal. String orchestra & woodwind. Constant | changing building hollywood classic spy | Dm | 62 | |||
|
Reluctant Witness [CEO2036 - 6] |
0 | 2'14 | Gréco Casadesus | Interrogative & sparse then suspenseful & tense @ 0'40. Strings, | disturbing French TV serie fx heartbeat crescendo | Bm | 62 | |||
|
A Matter of Fact [CEZ4254 - 8] |
0 | 2'09 | Lucas Napoleone | Sudden & disturbing suspense. Electronics. | beds investigation suspense steady | F | 161 |