| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Negative 22 [UBM2137 - 22] |
0 | 1'19 | Bernhard Hering, Matthias Krüger-Wendel, Martin Wester | Low piano, choirs. | historical conflict spy investigation scary | D | 109 | |||
|
Ticking Machine [UBM2131 - 4] |
0 | 2'28 | Daniel Backes, Peter Moslener | Time is running out, calmly ticking clock. | spy fx timer industry inexorable | F | 130 | |||
|
Dark March [UBM2131 - 5] |
0 | 2'09 | Daniel Backes, Peter Moslener | Sinister percussion and drones. | sinister desolate investigation suspense | Db | 93 | |||
|
Bass Bubbles [UBM2131 - 8] |
0 | 2'59 | Daniel Backes, Peter Moslener | Delayed bass ostinato with weird ambient noises. | spy investigation mysterious nocturnal | Cm | 86 | |||
|
Fade To Black [UBM2131 - 14] |
0 | 2'29 | Daniel Backes, Peter Moslener | Harp arpeggios with dark and bombastic strings/choir arrangement. | spy investigation disturbing beds | D | 83 | |||
|
Psycho 06 [UBM2139 - 6] |
0 | 1'06 | Bernhard Hering, Matthias Krüger-Wendel, Martin Wester | Low-key, pensive. | interrogative investigation suspended atmosphere sparse | F | 76 | |||
|
Hidden Damage [UBM2133 - 10] |
0 | 1'31 | Anselm Kreuzer | Minimalist, pulsating, dangerous. | spy investigation time (tick-tock) beds | Dbm | 124 | |||
|
Future Plant [UBM2169 - 16] |
0 | 1'54 | Daniel Backes, Peter Moslener | Synth pattern with rhythmical pads and airy pads in the background. | desolate fx heartbeat disturbing investigation | F | 140 | |||
|
Mystic Scene [UBM2169 - 18] |
0 | 2'32 | Daniel Backes, Peter Moslener | Guitars and pianos with reverse effects and pulsating drums. | pulsation driving investigation lively | Am | 123 | |||
|
Botmodule [UBM2125 - 6] |
0 | 3'16 | Josef Bach, Arne Schumann | Atmospheric beats, weird sounds. In the laboratory... | atmospheric investigation confident lively | C | 96 | |||
|
One Note Beat [UBM2128 - 5] |
0 | 2'42 | Daniel Backes, Peter Moslener | Ominous guitar licks, introverted piano melody, slow drumbeat. | investigation airy interrogative mysterious | Cm | 124 | |||
|
One Night in Dubai [CEZ4092 - 20] |
0 | 2'05 | Hoosky | Arabic fusion. Strings, ethnic percussion, qanoun @ 0'37 & nay flute | Middle-East & Maghreb modern adventure geopolitics | Abm | 115 | |||
|
Brick Lane [CEZ4092 - 21] |
0 | 2'59 | Hoosky | Dance music with an Indian touch. Tablas, voice fx & ethnic flute @ | beat making relentless team sport modern | Dm | 125 | |||
|
Victim [CEZ4090 - 16] |
0 | 2'30 | Elisabeth Skornik, Guy Skornik | Sad & sparse. Solo piano. | social drama sparse historical narrative acoustic piano | G | 78 | |||
|
Network of Proof [CEZ4090 - 17] |
0 | 2'18 | Elisabeth Skornik, Guy Skornik | Suspended & mysterious. Pizz, electronics & string Fx. | insidious spy relentless scansion | Ebm | 76 | |||
|
Eye Witness [CEZ4090 - 18] |
0 | 2'26 | Elisabeth Skornik, Guy Skornik | Enigmatic intro. Chimes & electric guitar. Marimba @ 0'44. Faster & | sport drama social drama action movie insidious | Em | 120 | |||
|
Private Eye [CEZ4090 - 22] |
0 | 1'45 | Elisabeth Skornik, Guy Skornik | Blues like in a detective film. Solo piano. | film noir spy interrogative nocturnal | Em | 71 | |||
|
Incognito [CEZ4090 - 33] |
0 | 2'47 | Elisabeth Skornik, Guy Skornik | Throbbing & interrogative. Piano, cello @ 0'32 & string Fx @ 0'48. | romantic melancholic wandering investigation | Fm | 60 | |||
|
Outside The City Limits [CEZ4084 - 6] |
0 | 2'12 | Daniel Finot, Jean-Francois Morin, Arnaud Rozenblat | Panoramic & delicate. Electric guitar & electronics. | panorama country rock driving panoramic | G | 100 | |||
|
Dark Clouds Rolling [CEZ4084 - 14] |
0 | 2'06 | Daniel Finot, Jean-Francois Morin, Arnaud Rozenblat | Menacing & obstinate. Electric guitar. | sport drama social drama tormented steady | E | 114 |