| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Dance with Jamie [CEZ4227 - 12] |
0 | 2'54 | Plaisir de France | Synth pop. Inevitable & tense. Synth & rhythm. | 1980 electro pop driving synthesizer | Gm | 127 | |||
|
Trialieti Range [CEZ4184 - 3] |
0 | 2'15 | Eric Daniel | Desolate & urgent. Duduk, rhythm & electronics. | geopolitics world music electro world duduk | Bb | 110 | |||
|
The Guardians of the Temple [CEO2027 - 18] |
0 | 3'28 | Frédéric Dunis, Bernard Grimaldi | Tribal & mystical. Flute, ethnic percussion & viola da gamba. | hot desert docu fiction geopolitics Maghreb | F | 144 | |||
|
Can't Stay Here [CEZ4176 - 1] |
0 | 1'48 | Baptiste Thiry | Urgent & interrogative. Small instrumental ensemble. | dramedy ironical & mischievous bustling mysterious | Dm | 135 | |||
|
Danger Most Real [CEZ4174 - 2] |
0 | 1'33 | Silvano Michelino | Nervous & disturbing. Djembe & beds. | shamanistic ethnic percussion ensemble beds natural disaster | C | 123 | |||
|
Urban Treadmill [CEZ4174 - 24] |
0 | 2'09 | Silvano Michelino | Powerful & industrial. Drum & treated percussion ensemble. | percussion ensemble percussive steady beds | Am | 129 | |||
|
Mecano Mix [CEZ4174 - 25] |
0 | 2'15 | Silvano Michelino | Industrial & cycling. Constant progression. Congas, drum & treated | ethnic percussion ensemble percussive beds contemporary art | Bm | 90 | |||
|
Cumbia De Botellas [CEZ4167 - 22] |
0 | 1'49 | Pajaro Canzani | traditional cumbia. Percussion ensemble with bottles & udu. | fx glass talking drums udu Colombia | B | 78 | |||
|
Falling Rain 2 [CEZ4151 - 40] |
1'45 | Elisabeth Skornik, Guy Skornik | Obstinate, constant & cyclic. Marimba & string orchestra. | science relentless steady cyclic | Dm | 120 | ||||
|
Falling Rain [CEZ4151 - 12] |
Alt. | 2'17 | Elisabeth Skornik, Guy Skornik | Obsinated & cyclic. Marimba & string orchestra. Builds up gradually. | crescendo relentless corporate (all) cyclic | Dm | 120 | |||
|
Infony (part 10) [CEZ4014 - 10] |
0 | 0'16 | Bernard Parmegiani | Link. Percussion & electronic sound. | link metallic suspense industry | Abm | 110 | |||
|
Towards Victory 2 [CEZ4114 - 14] |
3'16 | Baptiste Thiry | Frightening & fantastical. Symphony orchestra & percussion. | historical conflict powerful & imposing triumphant adventure | Gm | 96 | ||||
|
Towards Victory [CEZ4114 - 5] |
Alt. | 3'16 | Baptiste Thiry | Frightening & fantastical. Symphony orchestra, choeur @ 2'20 & | historical conflict powerful & imposing adventure epic | Gm | 96 | |||
|
Pacific Time [CEZ4113 - 3] |
2'08 | Daniel Diaz | Determined & serious. Electric guitar, rhythm, electronics, tick tock | time (tick-tock) fx tick-tock fx stopwatch industry | Em | 144 | ||||
|
Time Runs Out [CEZ4113 - 4] |
Alt. | 2'08 | Daniel Diaz | Determined & serious. Synth, electronics, tick tock fx & alarm clock | time (tick-tock) fx tick-tock corporate (all) industry | Em | 144 | |||
|
Time Runs Out 2 [CEZ4113 - 30] |
Alt. | 2'04 | Daniel Diaz | Determined & serious. Rhythm, electronics, tick tock fx & alarm clock | time (tick-tock) fx tick-tock fx stopwatch industry | Em | 144 | |||
|
The Setup [CEZ4109 - 10] |
1'40 | Daniel Diaz | Decided & relax. Snaps & double bass. | snap striptease walking bass walking | Em | 108 | ||||
|
The Setup 2 [CEZ4109 - 11] |
Alt. | 1'15 | Daniel Diaz | Decided & relax. Snaps & double bass. | snap walking bass rising striptease | Em | 88 | |||
|
Close Shadow [CEZ4109 - 15] |
0 | 1'21 | Daniel Diaz | Urgent & tense. Walking bass & drums. | walking bass snare drum with brushes film noir chase | Gm | 95 | |||
|
Film Noir [CEZ4107 - 1] |
0 | 0'45 | Paul Martin Pritchard | Mysterious & sophisticated. Saxophone, trumpet, vibes & rhythm. | film noir tenor saxophone nocturnal B movie | Gm | 108 | |||
|
By Analogy [CEZ4103 - 3] |
0 | 2'18 | Elisabeth Skornik, Guy Skornik | Urgent & serious. Electronics & piano. Break @ 1'04 | beds breaking news corporate (all) industry | Ebm | 120 | |||
|
A Litlle Patience [CEZ4103 - 13] |
0 | 2'28 | Elisabeth Skornik, Guy Skornik | Ralentendo fx. Constant. Electronics & strings. | patient beds unclassifiable science | Bbm | 65 | |||
|
A Vague Idea [CEZ4103 - 15] |
2'24 | Elisabeth Skornik, Guy Skornik | Bizarre & interrogative. Piano, harp & strange voices. | unclassifiable architecture & design fx voice interrogative | Cm | 82 | ||||
|
A Vague Idea 2 [CEZ4103 - 16] |
Alt. | 2'24 | Elisabeth Skornik, Guy Skornik | Weird & interrogative. Piano, harp & strings. | arts & crafts suspended atmosphere undulating underwater | Cm | 82 | |||
|
An Iota of Science [CEZ4103 - 27] |
0 | 2'49 | Elisabeth Skornik, Guy Skornik | Constant & mysterious. Loop, string fx & strange voices. | time (tick-tock) contemporary art steady architecture & design | Em | 130 | |||
|
Industry on the Move [CEZ4101 - 15] |
0 | 1'40 | Gilles Maugenest | Brutal, inoxerable & powerful. Piano & orchestra. | disturbing historical narrative relentless string orchestra | Em | 98 |