| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
From Meditation to Motion [MAG6071 - 8] |
2'48 | Kourouk & Kimsa | Electronica/techno. 1st part hypnotic & suspended. Driving 2nd part @ | mysterious hypnotic introspective urban | Am | 113 | ||||
|
From Meditation to Motion
[MAG6071 - 14] |
Alt. | 2'59 | Kourouk & Kimsa | Alternate version without rhythmic. | contemporary series mysterious nocturnal time-lapse | Am | 148 | |||
|
A Lasting Memory [CEZ4633 - 7] |
1'52 | Isabelle Salmon, Mathieu Laurent | Storytelling. Strange, indecisive, introspective, undulating & | original score social drama mysterious cyclic | G | 152 | ||||
|
A Lasting Memory Alternate 1 [CEZ4633 - 27] |
Alt. | 1'50 | Isabelle Salmon, Mathieu Laurent | Sparse alternate version. | social drama mysterious cyclic insidious | Em | 152 | |||
|
A Lasting Memory Alternate 2 [CEZ4633 - 28] |
Alt. | 1'50 | Isabelle Salmon, Mathieu Laurent | Underscore / bed version. Only guitar. | social drama mysterious cyclic insidious | G | 143 | |||
|
Invisible Reality [CEZ4533 - 2] |
2'08 | Louis Edlinger | Underscore/bed. Organic electro. Light tension. Stubborn, hypnotic & | breaking news strict investigation relentless | Cm | 130 | ||||
|
Invisible Reality Alternate 1 [CEZ4533 - 21] |
Alt. | 2'02 | Louis Edlinger | Minimalist alternate version. Percussion & synth riff only. | contemporary dance minimal techno fashion relentless | Bbm | 130 | |||
|
Invisible Reality Alternate 2 [CEZ4533 - 22] |
Alt. | 2'08 | Louis Edlinger | Minimalist alternate version. Crystalline sound only with delay FX. | neutral beds crystalline nocturnal | Fm | 65 | |||
|
One Step Forward, One Step
[CEZ4484 - 20] |
1'36 | Louis Edlinger, Anselm Kreuzer, Andreas Suttner | Investigative, ironic & discreet almost dramedy. Electro percussion, | steady dramedy anticipation interrogative | Gm | 105 | ||||
|
One Step Forward, One Step
[CEZ4484 - 43] |
Alt. | 1'36 | Louis Edlinger, Anselm Kreuzer, Andreas Suttner | Minimalist alternate version. Investigative, ironic & discreet almost | sparse light tension interrogative patient | Gm | 105 | |||
|
I'd Like to Know Alternate [CEZ4389 - 16] |
3'32 | Woodini | Alternate version. Electro pop. Léger, robotique & arty. Synthé & | modern fashion advertising arty | Fm | 124 | ||||
|
I'd Like to Know [CEZ4389 - 1] |
Alt. | 3'34 | Woodini | Electro pop / pop song. Light, robotic & arty. Female singer, synth & Lyrics | electro pop advertising sung in English fashion | Fm | 123 | |||
|
In a Voodoo Ritual [CEG5019 - 19] |
2'21 | Michel Roche | Eerie, mystical, hypnotic & wild. Underlying brutality. Ethnic | Caribbean disturbing suspended atmosphere humid | Am | 80 | ||||
|
In a Voodoo Ritual Alternate [CEG5019 - 38] |
Alt. | 2'00 | Michel Roche | Eerie, mystical, hypnotic & wild. Ethnic percussion & sound design fx. | underground suspense Caribbean disturbing | Am | 80 | |||
|
Winter War [CEO2101 - 8] |
2'57 | Alice Guerlot Kourouklis | Reflective, pending, liquid & discontinuous. String quartet & | electro ambient atmospheric mysterious suspended atmosphere | G | 118 | ||||
|
Winter War Alternate [CEO2101 - 23] |
Alt. | 2'04 | Alice Guerlot Kourouklis | Ethereal, hazy, suspended & minimalist. Electronics. | introspective suspended atmosphere sparse mysterious | Bm | 67 | |||
|
Tiny Stitches [CEZ4369 - 6] |
2'38 | Anne-Sophie Versnaeyen | Corporate / underscore. Urgent & determined. Pizz & sequencing. | arts & crafts independent cinema beds confident | G | 100 | ||||
|
Tiny Stitches Alternate 1 [CEZ4369 - 26] |
Alt. | 2'38 | Anne-Sophie Versnaeyen | Corporate / underscore. Swarming & determined. Pizz & sound design. | science corporate (all) industry patient | G | 100 | |||
|
Tiny Stitches Alternate 2 [CEZ4369 - 27] |
Alt. | 2'38 | Anne-Sophie Versnaeyen | Underscore / electro ambient / fantasy. Minimalist, delicate & | underwater cold desert peaceful science | G | 100 | |||
|
Dark Shapes [UBM2298 - 1] |
0 | 1'57 | Elias Cadre | Dark and deep, threatening soundscape, for suspense filled foreboding | suspense electronics anticipation mysterious | B | 102 | |||
|
Blowing Light [CEZ4132 - 20] |
3'15 | Christophe Zurfluh | Suspended & wandering. Electric guitar & electronics. | atmospheric minimalist music suspended atmosphere contemporary art | D | 149 | ||||
|
Blowing Light 2 [CEZ4132 - 39] |
Alt. | 2'26 | Christophe Zurfluh | Cyclic & obsessive. Electric guitars. | minimalist music science atmospheric luminous | D | 130 | |||
|
Dreams On Tape [CEZ4707 - 4] |
0 | 3'16 | Barash Vow, quietflow | Hopecore. Introspective, constant, calming, deep & atmospheric. Loops | narrative atmospheric destiny luminous | E | 82 | |||
|
The Basics [CEZ4702 - 1] |
2'06 | Louis Edlinger | Electronica bed. Lively, playful & measured. Synth & rhythm with | lively confident driving teaching | D | 130 | ||||
|
The Basics Alternate 1 [CEZ4702 - 13] |
Alt. | 2'06 | Louis Edlinger | Alternate version. | D | 130 | ||||
|
The Basics Alternate 2 [CEZ4702 - 14] |
Alt. | 2'06 | Louis Edlinger | Alternate no bass. | D | 130 | ||||
|
The Basics Edit 60 sec [CEZ4702 - 15] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | D | 130 | ||||
|
The Basics Edit 30 sec [CEZ4702 - 16] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | D | 129 | ||||
|
The Basics Edit 20 sec [CEZ4702 - 17] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | D | 129 | ||||
|
The Basics Edit Sting [CEZ4702 - 18] |
Alt. | 0'18 | Louis Edlinger | Sting. | D | 129 | ||||
|
A Talent for Analysis [CEZ4702 - 4] |
1'51 | Louis Edlinger | Electronica bed. Relax, confident but serious. Synth & rhythm. Ideal | teaching patient beds confident | Gm | 90 | ||||
|
A Talent for Analysis
[CEZ4702 - 31] |
Alt. | 1'51 | Louis Edlinger | Alternate no perc. | Gm | 90 | ||||
|
A Talent for Analysis
[CEZ4702 - 32] |
Alt. | 1'51 | Louis Edlinger | Alternate underscore. | Fm | 90 | ||||
|
A Talent for Analysis Edit 60
[CEZ4702 - 33] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Gm | 178 | ||||
|
A Talent for Analysis Edit 30
[CEZ4702 - 34] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Gm | 90 | ||||
|
A Talent for Analysis Edit 20
[CEZ4702 - 35] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Gm | 90 | ||||
|
A Talent for Analysis Edit
[CEZ4702 - 36] |
Alt. | 0'13 | Louis Edlinger | Sting. | Gm | 178 | ||||
|
Knowledge Can Be Cool [CEZ4702 - 5] |
2'11 | Louis Edlinger | Electronica bed. Lively, cool & fun. Synth & rhythm. Ideal for | patient teaching strict beds | D | 87 | ||||
|
Knowledge Can Be Cool
[CEZ4702 - 37] |
Alt. | 2'09 | Louis Edlinger | Alternate no bass. | D | 117 | ||||
|
Knowledge Can Be Cool
[CEZ4702 - 38] |
Alt. | 2'05 | Louis Edlinger | Alternate underscore. | Em | 87 | ||||
|
Knowledge Can Be Cool Edit 60
[CEZ4702 - 39] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Em | 87 | ||||
|
Knowledge Can Be Cool Edit 30
[CEZ4702 - 40] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | D | 87 | ||||
|
Knowledge Can Be Cool Edit 20
[CEZ4702 - 41] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | D | 87 | ||||
|
Knowledge Can Be Cool Edit
[CEZ4702 - 42] |
Alt. | 0'12 | Louis Edlinger | Sting. | D | 87 | ||||
|
Training the Mind [CEZ4702 - 10] |
2'03 | Louis Edlinger | Electronica bed. Animated, intellectual & focused. Synth & rhythm. | patient teaching strict beds | C | 100 | ||||
|
Training the Mind Alternate 1 [CEZ4702 - 67] |
Alt. | 2'03 | Louis Edlinger | Alternate no percs. | C | 100 | ||||
|
Training the Mind Alternate 2 [CEZ4702 - 68] |
Alt. | 1'39 | Louis Edlinger | Underscore version. | C | 100 | ||||
|
Training the Mind Edit 60 sec [CEZ4702 - 69] |
Alt. | 0'59 | Louis Edlinger | 60 second cut. | C | 100 | ||||
|
Training the Mind Edit 30 sec [CEZ4702 - 70] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | C | 100 | ||||
|
Training the Mind Edit 20 sec [CEZ4702 - 71] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | C | 100 | ||||
|
Training the Mind Edit Sting [CEZ4702 - 72] |
Alt. | 0'14 | Louis Edlinger | Sting. | C | 133 | ||||
|
Peeling Back the Layers [CEG5061 - 9] |
2'11 | Thomas Didier | Cinematic. Dramatic, unavoidable & obsessive. Repetitive piano, clock | anticipation investigation patient cinematic | Em | 120 | ||||
|
Peeling Back the Layers
[CEG5061 - 28] |
Alt. | 2'11 | Thomas Didier | Version without percussion | anticipation investigation patient cinematic | Em | 120 | |||
|
Peeling Back the Layers
[CEG5061 - 29] |
Alt. | 2'11 | Thomas Didier | Underscore version | anticipation investigation patient cinematic | Em | 120 | |||
|
Atmospheric Release [CEG5063 - 9] |
3'02 | Sylvain Pelier | Ambient. Cosmic, dreamy & hypnotic. Analog synth. Ideal for space, | space mysterious dreamy introspective | Am | 120 | ||||
|
Atmospheric Release Alternate [CEG5063 - 22] |
Alt. | 3'02 | Sylvain Pelier | Alternate underscore. | space mysterious dreamy introspective | F | 162 | |||
|
Pure Water [CEG5063 - 10] |
2'04 | Claude Samard | Ambient. Assured, determined & spacey. Analog synth. Ideal for | relaxed relaxation suspended atmosphere neutral | Cm | 140 | ||||
|
Pure Water Alternate 1 [CEG5063 - 23] |
Alt. | 2'04 | Claude Samard | Alternate no rhythm. | relaxed relaxation suspended atmosphere neutral | Cm | 140 | |||
|
Pure Water Alternate 2 [CEG5063 - 24] |
Alt. | 2'04 | Claude Samard | Alternate underscore. | relaxed relaxation suspended atmosphere neutral | Cm | 140 | |||
|
Tracked [CEG5064 - 11] |
2'17 | analog_anxiety | Electronica. Aerial, jerky & nostalgic. Synth, piano & rhythm. Ideal | urban landscape vibrating electronica introspective | Am | 150 | ||||
|
Tracked Alternate 1 [CEG5064 - 24] |
Alt. | 2'17 | analog_anxiety | Alternate no drums. | urban landscape vibrating electronica introspective | Am | 149 | |||
|
Tracked Alternate 2 [CEG5064 - 25] |
Alt. | 2'10 | analog_anxiety | Alternate underscore. | urban landscape vibrating electronica introspective | Am | 75 | |||
|
Maybe I'm Dreaming - Electro
[CEZ4700 - 30] |
0 | 2'05 | Elisabeth Skornik, Guy Skornik | Electronic version. Corporate, confident & steady. Processed piano, | steady electronic score investigation suspense | Bbm | 89 |