| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
For So Many Reasons [MAG6018 - 3] |
0 | 3'25 | Helper | Electro / Bass music. Rigorous, mysterious & dark. Progression. | modern Bass music relentless urban landscape | Db | 95 | |||
|
Floating Point [MAG6018 - 9] |
3'32 | Puzupuzu | Electro / Future beat. Constant, obstinate & rigorous. Synth, pitched | modern relentless arty steady | F | 60 | ||||
|
Floating Point 2 [MAG6018 - 17] |
Alt. | 3'34 | Puzupuzu | Electro / Future beat. Constant, obstinate & rigorous. Synth & rhythm. | modern relentless arty steady | F | 60 | |||
|
Fallin [MAG6018 - 15] |
0 | 3'59 | Rémo | Electro / Future beat. Dark, intense & melancholic. Synth, rhythm & | modern future beat social drama disturbing | Cm | 70 | |||
|
Grandpa's Story [CEZ4266 - 24] |
0 | 2'51 | Gilles Maugenest | Tender & funny. Mandolin, accordion, pizz & funny instruments. | happy & joyful carefree pets tragi-comic | Gm | 130 | |||
|
Timbuktucson [CEZ4264 - 15] |
1'50 | Eric Lohrer, Baptiste Thiry | An African taste. Electric & acoustic guitars, keyboard & rhythm. | tracking shot panorama panoramic lively | G | 120 | ||||
|
Timbuktucson instrumental [CEZ4264 - 40] |
Alt. | 1'42 | Eric Lohrer | An African taste. Electric & acoustic guitars & keyboard. | panorama panoramic confident contemporary series | G | 120 | |||
|
Cross-Culture [CEZ4263 - 10] |
0 | 2'33 | Plaisir de France | Electro. Hard, percussive & melancholic. Strings, synth, electric | modern nocturnal urban driving | Em | 100 | |||
|
Ferris Wheel [CEZ4263 - 13] |
2'55 | Samanta Flex | Electro. Cyclic, confident & dreamy. Synth & rhythm @ 1'37. | modern arpeggiator cyclic arty | Gb | 86 | ||||
|
Ferris Wheel (edit) [CEZ4263 - 21] |
Alt. | 1'21 | Samanta Flex | Electro. Cyclic, confident & dreamy. Synth & rhythm. | modern cyclic dreamy confident | Gb | 166 | |||
|
Bright and Early [CEZ4263 - 15] |
0 | 3'23 | Philippe Bozec | Hip-hop / Future beat. Urban, obstinate & intense. Synth, sampled | modern future beat fashion relentless | Am | 120 | |||
|
Fluorescence [CEZ4263 - 16] |
0 | 2'33 | Jeremy Levy | Synthwave. Driving, uplifting & strong. Synth & rhythm. | heavy relentless urban landscape synthwave | Abm | 103 | |||
|
Midsummer Magic [CEZ4261 - 16] |
0 | 3'12 | Loher ,Eric | Melancholic & panoramic. Folk guitars & percussion. | folk guitar folk ballad North America country & garden | Em | 107 | |||
|
Looking Around Instrumental [CEZ4261 - 28] |
3'05 | Loher ,Eric | Catchy & groovy. Folk & electric guitars, percussion & rhythm. | North America electric guitar panorama driving | G | 130 | ||||
|
Looking Around [CEZ4261 - 14] |
Alt. | 2'35 | Loher ,Eric, Patrick Taieb | Folk song. Dreamy & determined. Male voice, folk & electric guitars, | sung in English male singer folk song 1970 | G | 130 | |||
|
Enjoy the Zoo [UBM2235 - 19] |
0 | 0'19 | Vincent Nguyen, Sebastian Parche | Classy jazz interlude with piano and slinky bassline. | police comedy double bass short animation & cartoons | Dm | 130 | |||
|
Cradle the Baby [UBM2235 - 32] |
0 | 0'54 | Vincent Nguyen, Sebastian Parche | Peaceful lullaby played on acoustic guitars. | folk guitar acoustic country & garden childhood | C | 151 | |||
|
Am I Good [UBM2235 - 49] |
0 | 0'32 | Vincent Nguyen, Sebastian Parche | Bar jazz with saxophone and vibraphone, between kitschy and classy. | short talk-show opening credits TV jazz club | Bb | 126 | |||
|
Enjoy Samba [UBM2235 - 61] |
0 | 0'41 | Vincent Nguyen, Sebastian Parche | Playful samba with acoustic guitar and flute. | charming exotic everyday life confident | Am | 119 | |||
|
Busy Week [UBM2251 - 11] |
0 | 1'52 | Daniel Backes, Peter Moslener | Busy track with fast synthesizer, hectic, fast, positive and dynamic. | arpeggiator loop steady retrogaming | Am | 127 | |||
|
Mechanical Timelapse [UBM2251 - 17] |
0 | 1'53 | Daniel Backes, Peter Moslener | Music for images of business, industry and economic growth: hectic, | arpeggiator retrogaming steady industry | Bm | 135 | |||
|
Melancholic Timelapse [UBM2251 - 18] |
0 | 1'51 | Daniel Backes, Peter Moslener | Music for human portraits, career plans and images of industry as | arpeggiator retrogaming steady industry | Em | 100 | |||
|
It Just is [UBM2248 - 5] |
0 | 1'49 | Luke Davoll | Serious mood, deep sound, medium tempo. Ideal for society, | post-classical melancholic simple calm | C | 89 | |||
|
A Glimmer of Hope [UBM2248 - 10] |
0 | 1'36 | Luke Davoll | Positive, hopeful; ideal for pictures of a new beginning. | post-classical relentless acoustic piano introspective | C | 90 |