| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Black and White [CEZ4044 - 26] |
0 | 4'04 | Manuel Galvin, Jean Gobinet, Benoît Sourisse | "Like a good old ""whodunit"". Flugelhorn, keyboards & guitar." | flugel horn nocturnal new wave (cinema) jazz ballad | Dm | 61 | |||
|
Happy Ending [CEZ4044 - 33] |
0 | 1'43 | Didier Goret | Serene & hopeful. String quartet with piano. | intimate sentimental romantic destiny | F | 87 | |||
|
Backstreet Stomp [CEZ4042 - 3] |
0 | 2'15 | Silvano Michelino | Unison street stomp. Urban. Metal cans as percussion. | can (instrument) metallic rhythmic wild | Gbm | 110 | |||
|
Black thoughts [CEZ4041 - 20] |
0 | 2'21 | Christofer Bjurström | Simple lament gets slower & more hopless. Solo piano. | shy social drama sparse introspective | Eb | 130 | |||
|
Closing In [CEZ4040 - 11] |
0 | 2'09 | Elisabeth Skornik, Guy Skornik | Intriguing Rhodes & strings over insistent rhythm. | investigation spy action movie interrogative | Dm | 100 | |||
|
Barca Solaris [CEZ4039 - 6] |
0 | 3'06 | Didier Malherbe, Loy Ehrlich | With the sun as a guide... Duduk, cora, percussion & electronics... | tracking shot world music duduk geopolitics | Gbm | 123 | |||
|
Homeward Bound [CEZ4039 - 28] |
0 | 2'49 | Manuel Galvin, Benoît Sourisse | Ever faster... Harmonica, guitar and drums... | trains adventure confident country rock | G | 156 | |||
|
Tory ê [CEZ4035 - 4] |
0 | 2'25 | Rico Brinx, Anne Rakotofiringa | Unusual, confident & light. Onomatopeia, vocal percussion & claps @ | Africa female ethnic choir ethnic & traditional (all) everyday life | B | 136 | |||
|
Den Kadi [CEZ4035 - 10] |
0 | 1'34 | Rico Brinx, Baba Toumani Keita | Simple, tender & naive. Acoustic guitar & ngouni. (Africa) | world music ngouni Africa pastoral | Fm | 94 | |||
|
Wind Farm [CEZ4034 - 5] |
0 | 1'16 | Elisabeth Skornik, Guy Skornik | Light arpeggiating harp with string section. | airy crystalline Brittany cyclic | Cm | 72 | |||
|
Artificial Intelligence [CEZ4034 - 23] |
0 | 1'32 | Elisabeth Skornik, Guy Skornik | Cool & strange groove, the machines are talking... | industry robotic quirky video game | Ebm | 120 | |||
|
First Day of Investigation [EOS150 - 2] |
0 | 1'58 | Rémi Demoen, Simon Gruwé | Mysterious & narrative. Tracking shot. Guitars, synth & percussion. | country & garden confident folk guitar intimate | Bm | 100 | |||
|
Shadowing on a Vespa [EOS150 - 7] |
0 | 2'13 | Rémi Demoen, Simon Gruwé | Light, tender & nostalgic. Like a ballad. Guitar, piano & percussion. | country & garden confident folk guitar acoustic piano | Bm | 105 | |||
|
Ghosts of the Afternoon [CEZ4707 - 10] |
0 | 1'54 | Benjamin Doherty, quietflow | Hopecore. Bright, melancholic & sensitive. Guitar loops, long reverb | airy independent cinema introspective destiny | Bm | 132 | |||
|
Knowledge Can Be Cool [CEZ4702 - 5] |
2'11 | Louis Edlinger | Electronica bed. Lively, cool & fun. Synth & rhythm. Ideal for | patient teaching strict beds | D | 87 | ||||
|
Knowledge Can Be Cool
[CEZ4702 - 37] |
Alt. | 2'09 | Louis Edlinger | Alternate no bass. | D | 117 | ||||
|
Knowledge Can Be Cool
[CEZ4702 - 38] |
Alt. | 2'05 | Louis Edlinger | Alternate underscore. | Em | 87 | ||||
|
Knowledge Can Be Cool Edit 60
[CEZ4702 - 39] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Em | 87 | ||||
|
Knowledge Can Be Cool Edit 30
[CEZ4702 - 40] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | D | 87 | ||||
|
Knowledge Can Be Cool Edit 20
[CEZ4702 - 41] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | D | 87 | ||||
|
Knowledge Can Be Cool Edit
[CEZ4702 - 42] |
Alt. | 0'12 | Louis Edlinger | Sting. | D | 87 | ||||
|
Groove Operator [AUD053 - 2] |
2'12 | Frederic Sicart | French Touch. Groovy, bouncy & glossy. Male vocals, funky guitar, | lively celebs confident danceable | Dm | 116 | ||||
|
Groove Operator (Short Edit) [AUD053 - 7] |
Alt. | 0'25 | Frederic Sicart | Short edit version | lively celebs confident danceable | Dm | 115 | |||
|
Groove Operator (No Theme) [AUD053 - 12] |
Alt. | 2'12 | Frederic Sicart | Underscore version | lively celebs confident danceable | Dm | 116 | |||
|
Suddenly I Love You [CEC8068 - 9] |
2'10 | Zhang Hao, Peng Qu | Catchy yet nostalgic, dreamy & romantic. Piano, drums, synths, | kitsch & cheesy confident opening credits TV romantic | Em | 105 | ||||
|
Suddenly I Love You Alternate [CEC8068 - 22] |
Alt. | 2'10 | Zhang Hao, Peng Qu | No lead synth version | kitsch & cheesy confident opening credits TV romantic | Em | 105 | |||
|
Wild Grass Mazurka [EOS145 - 8] |
0 | 2'19 | Laurent Rochelle | Tender & nostalgic. Accordion, bass clarinet, trumpet. | chromatic accordion swaying strings (all) danceable | G | 142 | |||
|
Silencio [CEL7047 - 6] |
2'01 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Quiet, lazy & slightly enigmatic. Based on a slow & disjointed reggae | shy contemporan reggae simple intimate | G | 96 | ||||
|
Silencio Alternate [CEL7047 - 44] |
Alt. | 2'00 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Version without celesta | shy contemporan reggae simple intimate | G | 96 | |||
|
Relaxing by the Sea [CEL7047 - 7] |
2'08 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Exotic ballad. Peaceful, soothing, smooth, dreamy & relaxing. | ballad exotic peaceful dreamy | B | 86 | ||||
|
Relaxing by the Sea Alternate
[CEL7047 - 45] |
Alt. | 2'08 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Version without percussion | ballad exotic peaceful dreamy | B | 165 | |||
|
Relaxing by the Sea Alternate
[CEL7047 - 46] |
Alt. | 2'08 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Version without flute | ballad exotic peaceful dreamy | B | 166 |