| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Glitch [CEZ4074 - 18] |
0 | 2'09 | Elisabeth Skornik, Guy Skornik | Insidious & menacing. Ending with rallentando. | cybernetics spy disturbing investigation | Gm | 119 | |||
|
Boom and Burst [CEZ4074 - 19] |
0 | 2'35 | Elisabeth Skornik, Guy Skornik | Heavy & accentuated. Electric guitar @ 1'31. | suspense disturbing pulsation anticipation | Cm | 95 | |||
|
House for Sale [CEZ4074 - 20] |
0 | 1'58 | Elisabeth Skornik, Guy Skornik | Sad & desolate. | natural disaster cold insidious grating | Cm | 100 | |||
|
Out of Work [CEZ4074 - 21] |
2'33 | Elisabeth Skornik, Guy Skornik | Inexorable & sad. | destiny social drama walking historical narrative | Gm | 90 | ||||
|
Out of Work 2 [CEZ4074 - 35] |
Alt. | 2'35 | Elisabeth Skornik, Guy Skornik | Sinister & inexorable. | sad inexorable interrogative walking | Bb | 90 | |||
|
Self Esteem? [CEZ4074 - 22] |
0 | 2'36 | Elisabeth Skornik, Guy Skornik | Wandering & odd. | social drama wandering action movie disturbing | Em | 81 | |||
|
In Memoriam [CEZ4074 - 23] |
0 | 2'10 | Elisabeth Skornik, Guy Skornik | Dark, desolate & mournful. | funereal sinister suspended atmosphere historical narrative | B | 76 | |||
|
The Empty City [CEZ4074 - 24] |
0 | 2'04 | Elisabeth Skornik, Guy Skornik | Frightening & desolate. | rumbling disturbing dissonant drone | Gm | 117 | |||
|
Crash [CEZ4074 - 25] |
0 | 2'21 | Elisabeth Skornik, Guy Skornik | Inexorable & morbid. Death knell effect. | pulsation funereal disturbing anticipation | Gbm | 131 | |||
|
Moral Hazard [CEZ4074 - 26] |
0 | 2'24 | Elisabeth Skornik, Guy Skornik | Frightening & violent. | disturbing historical conflict unstable sinister | Dbm | 80 | |||
|
Straw Man [CEZ4074 - 28] |
0 | 1'58 | Elisabeth Skornik, Guy Skornik | Threatening & uncomfortable. Wandering & thoughtful @ 1'02. | disturbing investigation social drama wandering | Bbm | 78 | |||
|
Time is Money [CEZ4074 - 29] |
0 | 1'56 | Elisabeth Skornik, Guy Skornik | Determined & punctuated. | fx heartbeat suspense sport drama spy | Fm | 111 | |||
|
Waiting for Better Days [CEZ4074 - 30] |
0 | 2'25 | Elisabeth Skornik, Guy Skornik | Suspended & uncertain. | social drama disturbing investigation sinister | C | 90 | |||
|
No Changes [CEZ4074 - 31] |
0 | 2'34 | Elisabeth Skornik, Guy Skornik | Hopeful & confident. Constant progression. | crescendo building confident acoustic piano | F | 85 | |||
|
Up or Down ? [CEZ4074 - 32] |
0 | 1'49 | Elisabeth Skornik, Guy Skornik | Sudden & determined with black thoughts. Rhythm @ 0'17. | driving retro American serie sudden intermittent | Ebm | 99 | |||
|
The End of the Tunnel [CEZ4074 - 34] |
0 | 2'02 | Elisabeth Skornik, Guy Skornik | Part 1 tuning & crescendo Orchestra. Part 2 @ 0'57 determined | fx orchestra tuning up complex disturbing rising | Gm | 128 | |||
|
The Good Life [CEZ4067 - 1] |
0 | 1'55 | Vincent Leibovitz | Light & relaxed but melancholic. Acoustic guitar, keyboard & rhythm. | urban social drama open air team sport | Bm | 93 | |||
|
The Wasteland [CEZ4067 - 7] |
0 | 1'50 | Alice Guerlot Kourouklis | Wandering, dreamy & lonely. Electric guitars with delay. | wandering suspended atmosphere calm social drama | E | 62 | |||
|
Alcool [CEZ4067 - 20] |
0 | 2'37 | Alice Guerlot Kourouklis | Wandering, unearthly & repetitive. Hammond organ, xylophone & | social drama dreamy atmospheric suspended atmosphere | Am | 100 | |||
|
The Gibbons [CEZ4066 - 25] |
0 | 1'34 | Elisabeth Skornik, Guy Skornik | Ethnic & determined. Ethnic flute, gambri, voice & percussion. | driving exotic birds world music | Am | 113 | |||
|
Surveillance State [CEZ4056 - 17] |
0 | 1'53 | Nicolas Mizrachi, Jean-Francois Morin | They are watching. Slow atmospheric drums & drone with brass chords. | relentless sinister disturbing investigation | Gm | 80 |