| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Bossa Antigua [CEZ4049 - 25] |
0 | 2'40 | Daniel Diaz | Bossa Nova. Melancholic, sensual & elegant. Acoustic guitar, 6 string | bossa nova Brazil sensual romantic | Am | 108 | |||
|
Train 46 [CEZ4046 - 16] |
0 | 2'35 | Christof Déjean | Gentle & pulsing lo-fi loop. Simple melodic glockenspiel & keyboard. | corporate video patient science social drama | Bb | 108 | |||
|
Running Free [CEZ4042 - 2] |
0 | 2'11 | Silvano Michelino | Busy, time sensitive. Fast & rolling tom-toms & sticks, with singing | Africa geopolitics undefined percussion wild | Em | 151 | |||
|
Snake in the Grass [CEZ4042 - 26] |
0 | 2'37 | Silvano Michelino | Slow groove. Seductive & dangerous. Log drums, metallic guiro & | undefined percussion anticipation idiophone insects | Cm | 92 | |||
|
Dirty Business [CEZ4040 - 6] |
0 | 2'13 | Guy Skornik, Elisabeth Skornik | Uneasy. Solo double bass with light drums & strings/ synths. | spy investigation patient double bass | Gbm | 152 | |||
|
The Rat [CEZ4040 - 13] |
0 | 2'00 | Elisabeth Skornik, Guy Skornik | Echoing bells and heavy cello with tension strings/ FX. | suspense anticipation investigation nocturnal | G | 64 | |||
|
N.Y.C. Awakes [CEZ4031 - 4] |
0 | 2'36 | Grégory Malherbe, Didier Malherbe | Urban. Pursuite. Bass clarinet, flute & electronic percussion. | abstract art architecture & design nocturnal chase | Bbm | 98 | |||
|
Ten Steps [POG003 - 9] |
0 | 3'48 | Reece, James | Upbeat and quirky instrumental jazz piece, reminiscent of a Jacques | cinema history mysterious main version | 99 | ||||
|
Seeking The Light (30 Second
[SUPRA016 - 29] |
0'30 | Nicolas Boscovic | 30 sec edit. 120 BPM. Ambient electronic soundtrack, Lo Fi. Calm, | atmospheric suspended atmosphere dreamy airy | 120 | |||||
|
Seeking The Light [SUPRA016 - 4] |
Alt. | 2'10 | Nicolas Boscovic | 120 BPM. Ambient electronic soundtrack, Lo Fi. Calm, meditating. From | atmospheric suspended atmosphere airy mysterious | 120 | ||||
|
Human History (30 Second edit) [MYD023 - 28] |
0'30 | 154 BPM. Cheerful, bright orchestra score. Fast, thirlling. Graceful | driving uplifting building main version | 154 | ||||||
|
Human History [MYD023 - 7] |
Alt. | 3'02 | 154 BPM. Cheerful, bright orchestra score. Fast, thirlling. Graceful | 154 | ||||||
|
Stellaride (30 Second edit) [MYD005 - 31] |
0'30 | Tom Hillock | 30 secs version, repetitive inter-stellar waves, wide open and dreamy | atmospheric suspended atmosphere mysterious synth pad | 43 | |||||
|
Stellaride [MYD005 - 13] |
Alt. | 3'15 | Tom Hillock | Repetitive inter-stellar waves, wide open and dreamy spaces, slow and | 43 | |||||
|
Clochetone (Underscore
[MYD005 - 50] |
2'32 | Francois Dumeaux | Light version, windswept waves, bells and synth notes, backed up by | suspended atmosphere atmospheric interrogative introspective | 60 | |||||
|
Clochetone [MYD005 - 7] |
Alt. | 3'01 | Francois Dumeaux | Windswept waves, bells and synth notes, backed up by slow bass | suspended atmosphere mysterious atmospheric sequencing | 60 | ||||
|
Mystic Times (Underscore
[MYD001 - 39] |
2'51 | Pierre Diaz | Underscore version, no duduk. Floating world orchestral score. | suspended atmosphere mysterious atmospheric disturbing | 0 | |||||
|
Mystic Times [MYD001 - 4] |
Alt. | 2'52 | Pierre Diaz | Floating world orchestral score. Orient, desert. Mystical & | suspended atmosphere wandering mysterious panoramic | 0 | ||||
|
The Malta Affair [EOS150 - 1] |
0 | 1'58 | Rémi Demoen, Simon Gruwé | Positive, lively & bright. Guitars, piano & percussion. | confident carefree country & garden driving | Bbm | 115 | |||
|
Make a Move [EOS150 - 9] |
0 | 2'11 | Rémi Demoen, Simon Gruwé | Determined & moving forward. Travelling. Guitars, piano, synth & | confident driving panoramic rhythm section | Dbm | 95 | |||
|
Resolution [EOS150 - 10] |
0 | 1'58 | Rémi Demoen, Simon Gruwé | Waiting, mysterious & narrative. Guitars, piano, synth & percussion. | confident driving folk guitar rhythm section | Dm | 110 | |||
|
Knowledge Can Be Cool [CEZ4702 - 5] |
2'11 | Louis Edlinger | Electronica bed. Lively, cool & fun. Synth & rhythm. Ideal for | patient teaching strict beds | D | 87 | ||||
|
Knowledge Can Be Cool
[CEZ4702 - 37] |
Alt. | 2'09 | Louis Edlinger | Alternate no bass. | D | 117 | ||||
|
Knowledge Can Be Cool
[CEZ4702 - 38] |
Alt. | 2'05 | Louis Edlinger | Alternate underscore. | Em | 87 | ||||
|
Knowledge Can Be Cool Edit 60
[CEZ4702 - 39] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Em | 87 | ||||
|
Knowledge Can Be Cool Edit 30
[CEZ4702 - 40] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | D | 87 | ||||
|
Knowledge Can Be Cool Edit 20
[CEZ4702 - 41] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | D | 87 | ||||
|
Knowledge Can Be Cool Edit
[CEZ4702 - 42] |
Alt. | 0'12 | Louis Edlinger | Sting. | D | 87 | ||||
|
The Tutorial [CEZ4702 - 7] |
1'52 | Louis Edlinger | Electronica bed. Interrogative, kind & simple. Synth & rhythm. Ideal | teaching confident driving neutral | C | 114 | ||||
|
The Tutorial Alternate 1 [CEZ4702 - 49] |
Alt. | 1'52 | Louis Edlinger | Alternate version. | C | 114 | ||||
|
The Tutorial Alternate 2 [CEZ4702 - 50] |
Alt. | 1'51 | Louis Edlinger | Alternate underscore. | Gm | 114 | ||||
|
The Tutorial Edit 60 sec [CEZ4702 - 51] |
Alt. | 0'59 | Louis Edlinger | 60 second cut. | C | 113 | ||||
|
The Tutorial Edit 30 sec [CEZ4702 - 52] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | C | 114 | ||||
|
The Tutorial Edit 20 sec [CEZ4702 - 53] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | C | 113 | ||||
|
The Tutorial Edit Sting [CEZ4702 - 54] |
Alt. | 0'11 | Louis Edlinger | Sting. | C | 113 | ||||
|
Training Centre [CEZ4702 - 8] |
2'01 | Louis Edlinger | Electronica bed. Atmospheric, futuristic & groovy. Synth & rhythm. | confident teaching science interiors & cooking | Gm | 120 | ||||
|
Training Centre Alternate 1 [CEZ4702 - 55] |
Alt. | 2'02 | Louis Edlinger | Alternate no rhythm. | Cm | 156 | ||||
|
Training Centre Alternate 2 [CEZ4702 - 56] |
Alt. | 2'02 | Louis Edlinger | Underscore version. | Gm | 120 | ||||
|
Training Centre Edit 60 sec [CEZ4702 - 57] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Gm | 120 | ||||
|
Training Centre Edit 30 sec [CEZ4702 - 58] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Gm | 120 | ||||
|
Training Centre Edit 20 sec [CEZ4702 - 59] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Gm | 120 | ||||
|
Training Centre Edit Sting [CEZ4702 - 60] |
Alt. | 0'18 | Louis Edlinger | Sting. | Gm | 120 | ||||
|
Training the Mind [CEZ4702 - 10] |
2'03 | Louis Edlinger | Electronica bed. Animated, intellectual & focused. Synth & rhythm. | patient teaching strict beds | C | 100 | ||||
|
Training the Mind Alternate 1 [CEZ4702 - 67] |
Alt. | 2'03 | Louis Edlinger | Alternate no percs. | C | 100 | ||||
|
Training the Mind Alternate 2 [CEZ4702 - 68] |
Alt. | 1'39 | Louis Edlinger | Underscore version. | C | 100 | ||||
|
Training the Mind Edit 60 sec [CEZ4702 - 69] |
Alt. | 0'59 | Louis Edlinger | 60 second cut. | C | 100 | ||||
|
Training the Mind Edit 30 sec [CEZ4702 - 70] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | C | 100 | ||||
|
Training the Mind Edit 20 sec [CEZ4702 - 71] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | C | 100 | ||||
|
Training the Mind Edit Sting [CEZ4702 - 72] |
Alt. | 0'14 | Louis Edlinger | Sting. | C | 133 |