| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Woulakono ( part 2) [CEZ4035 - 40] |
0 | 1'31 | Rico Brinx, Baba Toumani Keita | Amusing, mischievous & unusual. Ethnic flutes & shaker. (Africa) | tropical forest Pygmy Africa ethnic flutes (all) | D | 86 | |||
|
Niama Toutout Birds [CEZ4035 - 47] |
0 | 1'09 | Rico Brinx, Baba Toumani Keita | Pygmy flute, sanza & birds chants. (Africa) | Africa tropical forest sanza fx birds | Bm | 130 | |||
|
Natural Energy [CEZ4034 - 1] |
0 | 2'24 | Elisabeth Skornik, Guy Skornik | Expectant & exciting. String section with sound design. | airy atmospheric suspended atmosphere space | Db | 73 | |||
|
Gene Coding [CEZ4034 - 24] |
0 | 1'36 | Elisabeth Skornik, Guy Skornik | Slow groove with organic vs mechanic feel. | jerky metallic robotic unclassifiable | C | 101 | |||
|
Stereoscopy [CEZ4034 - 26] |
0 | 1'45 | Elisabeth Skornik, Guy Skornik | Hopeful. Busy & exciting groove with science Fx. | industry robotic mechanical sport 1970 | Db | 120 | |||
|
Resonnance [CEZ4033 - 17] |
0 | 3'36 | Christian Zanesi | Evocative & quasi religious. Ceremony. Gentle chimes with pulse. | metallic pulsation official ceremony hypnotic | Bm | 68 | |||
|
Secret Witness [EOS150 - 3] |
0 | 1'37 | Rémi Demoen, Simon Gruwé | Enigmatic & nocturnal. Suspense. Guitars, synths, strings & | mysterious acoustic piano synthesizer confident | Dbm | 115 | |||
|
Follow the Women in Red [EOS150 - 4] |
0 | 1'47 | Rémi Demoen, Simon Gruwé | Sentimental & confident. Vocals, guitars, violin, piano & percussion. | country & garden confident folk guitar tracking shot | Em | 129 | |||
|
Another Corpse [EOS150 - 8] |
0 | 2'11 | Rémi Demoen, Simon Gruwé | Waiting, & enigmatic. Synth, dulcimer, piano, guitars & percussion. | mysterious acoustic piano investigation panoramic | Fm | 120 | |||
|
Fun in Learning [CEZ4702 - 2] |
1'55 | Louis Edlinger | Electronica bed. Positive, happy & coloured. Synth, humming voice & | teaching driving lively happy & joyful | A | 109 | ||||
|
Fun in Learning Alternate 1 [CEZ4702 - 19] |
Alt. | 1'55 | Louis Edlinger | Alternate no vocals. | A | 109 | ||||
|
Fun in Learning Alternate 2 [CEZ4702 - 20] |
Alt. | 1'44 | Louis Edlinger | Alternate underscore. | Em | 109 | ||||
|
Fun in Learning Edit 60 sec [CEZ4702 - 21] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Em | 109 | ||||
|
Fun in Learning Edit 30 sec [CEZ4702 - 22] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Em | 109 | ||||
|
Fun in Learning Edit 20 sec [CEZ4702 - 23] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Em | 109 | ||||
|
Fun in Learning Edit Sting [CEZ4702 - 24] |
Alt. | 0'11 | Louis Edlinger | Sting. | A | 108 | ||||
|
The Search Electro Version [CCB1076 - 10] |
0 | 4'18 | Laurent Couson | Post-Classical with electronic elements. Restrained, dreamy, | moving uplifting narrative building | Bbm | 100 | |||
|
Officer Bobblehead [CEZ4704 - 14] |
2'06 | Louis-Ronan Choisy | Orchestral piece. Metallic, mechanical & bouncy. Pizzicati, brass, | funny scary tragi-comic funny animation & cartoons | Dm | 110 | ||||
|
Officer Bobblehead Alternate 1 [CEZ4704 - 35] |
Alt. | 2'06 | Louis-Ronan Choisy | Alternate no theremin. | funny scary tragi-comic funny animation & cartoons | Dm | 110 | |||
|
Officer Bobblehead Alternate 2 [CEZ4704 - 36] |
Alt. | 2'03 | Louis-Ronan Choisy | Alternate no perc. | funny scary tragi-comic funny animation & cartoons | Dm | 110 | |||
|
Happy Fool [CEZ4701 - 1] |
2'04 | Jérémy Dirat | Zany, staggering, mischievous & playful. Played clumsily. Recorder, | ironical & mischievous mockumentary naive animation & cartoons | D | 97 | ||||
|
Happy Fool Alternate [CEZ4701 - 15] |
Alt. | 2'04 | Jérémy Dirat | Version without percussion | ironical & mischievous mockumentary naive animation & cartoons | D | 97 | |||
|
Pretend Everything’s Fine [CEZ4701 - 6] |
2'02 | Jérémy Dirat | Played out of tune. Eccentric, poorly constructed, incongruous, | blooper ironical & mischievous animation & cartoons childhood | C | 138 | ||||
|
Pretend Everything’s Fine
[CEZ4701 - 19] |
Alt. | 2'04 | Jérémy Dirat | Version without percussion | blooper ironical & mischievous animation & cartoons childhood | C | 138 | |||
|
Pretend Everything’s Fine
[CEZ4701 - 20] |
Alt. | 2'02 | Jérémy Dirat | Version without percussion | blooper ironical & mischievous animation & cartoons childhood | C | 137 | |||
|
Clumsy Tango [CEZ4701 - 7] |
1'55 | Alain Bernard Denis | Humorous & parodic tango. Clumsy, comical & mischievous. Sound of | tragi-comic blooper comical mockumentary | Cm | 118 | ||||
|
Clumsy Tango Alternate [CEZ4701 - 21] |
Alt. | 1'54 | Alain Bernard Denis | Version without percussion & fx | tragi-comic blooper comical mockumentary | G | 120 | |||
|
Bad Liar [CEZ4701 - 9] |
0 | 2'00 | Jérémy Dirat | Hesitant, curious, clumsy & furtive. Comic suspense. Tuba, piano, | animation & cartoons ironical & mischievous tragi-comic mockumentary | Gm | 95 | |||
|
Embarrassment Is Key [CEZ4701 - 13] |
1'32 | Jon Du | Clumsy, quirky & talkative. Flute, woodwind, muted trombone, | mockumentary animation & cartoons swaying lively | Cm | 115 | ||||
|
Embarrassment Is Key Alternate [CEZ4701 - 26] |
Alt. | 1'32 | Jon Du | Version without percussion | mockumentary animation & cartoons swaying lively | Cm | 115 | |||
|
Going to Press [CEG5061 - 4] |
2'27 | Jon Du | Cinematic. Pressing, reflextive & light tension. Break @ 0'57 with | original score crime movie insidious investigation | Bbm | 135 | ||||
|
Going to Press Alternate 1 [CEG5061 - 18] |
Alt. | 2'27 | Jon Du | Version without beat | original score crime movie insidious investigation | Bbm | 135 | |||
|
Going to Press Alternate 2 [CEG5061 - 19] |
Alt. | 2'28 | Jon Du | Underscore version | original score crime movie insidious investigation | Bbm | 135 | |||
|
Peeling Back the Layers [CEG5061 - 9] |
2'11 | Thomas Didier | Cinematic. Dramatic, unavoidable & obsessive. Repetitive piano, clock | anticipation investigation patient cinematic | Em | 120 | ||||
|
Peeling Back the Layers
[CEG5061 - 28] |
Alt. | 2'11 | Thomas Didier | Version without percussion | anticipation investigation patient cinematic | Em | 120 | |||
|
Peeling Back the Layers
[CEG5061 - 29] |
Alt. | 2'11 | Thomas Didier | Underscore version | anticipation investigation patient cinematic | Em | 120 | |||
|
Truth Matters More [CEG5061 - 10] |
2'42 | Nill O'maha | Cinematic. Melancholic, repetitive & obsessive. Ethereal electric | cinematic cyclic moving hypnotic | Bm | 128 | ||||
|
Truth Matters More Alternate 1 [CEG5061 - 30] |
Alt. | 2'42 | Nill O'maha | Version without percussion | cinematic cyclic moving hypnotic | Bm | 129 | |||
|
Truth Matters More Alternate 2 [CEG5061 - 31] |
Alt. | 2'41 | Nill O'maha | Underscore version | cinematic cyclic moving hypnotic | Bm | 128 |