| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Marcevol [CCB1018 - 4] |
0 | 6'23 | Renaud Garcia-Fons | Virtuoso & inspired. Solo double bass. | panorama melancholic virtuoso wandering | G | 123 | |||
|
Bajo de Guia [CCB1018 - 5] |
0 | 6'40 | Renaud Garcia-Fons | Nostalgic & dreamy then fiery & proud @ 2'34. Solo double bass. | Spain danceable fiery melancholic | Gm | 144 | |||
|
Megalithe [EOS09 - 12] |
0 | 2'27 | Johane Myran | Weird & obsessive. Strings & piano. | dissonant scary complex disturbing | Am | 120 | |||
|
Crossing the Border [CEZ4145 - 19] |
0 | 1'51 | Daniel Diaz | Calm & panomramic. Charango, acoustic guitars & double-bass. | charango panoramic contemporary western intimate | A | 109 | |||
|
Paso de la Arena [CEZ4140 - 17] |
0 | 0'58 | Pierre-André Athané | Paso doble. Proud & dancing. Trumpets, organ, castanets & rhythm | paso doble country ball danceable corrida | Em | 118 | |||
|
Nahuel Ruca [CCB1007 - 9] |
2'26 | Daniel Diaz, Raùl Barboza | Mysterious & malicious. Accordion, double bass & percussion. | Argentina tropical forest chromatic accordion mysterious | Em | 88 | ||||
|
Ruca Mapuche [CCB1007 - 27] |
Alt. | 1'29 | Daniel Diaz, Raùl Barboza | Mysterious & malicious. Double bass & percussion. | ethnic percussion ensemble tropical forest mysterious insidious | Bm | 88 | |||
|
Los Pirinchos [CCB1007 - 17] |
0 | 2'33 | Daniel Diaz, Raùl Barboza | Mysterious & insolite. Accordion, birdcall, double bass & electronics. | South America birdcall mysterious wandering | Em | 115 | |||
|
Tafi Del Valle [CCB1007 - 20] |
0 | 2'25 | Daniel Diaz, Raùl Barboza | Peaceful & mysterious. Accordion, birdcall & percussion. | tropical forest South America mysterious atmospheric | E | 66 | |||
|
Aurora Mendocina [CCB1007 - 23] |
0 | 2'51 | Daniel Diaz, Raùl Barboza | Dreamy & interrogative. Accordion & bowed double bass. | panorama chromatic accordion atmospheric calm | A | 117 | |||
|
Le Temps Compose [CEZ4014 - 51] |
0 | 1'05 | Denis Levaillant | Frightening & violent. Chase. Footsteps & breath. | scary horror fx footsteps B movie | Fm | 130 | |||
|
Groovy [CEZ4014 - 69] |
0 | 0'32 | Denis Levaillant | Link. Rough & unstable. Drums & double-bass. | drums quirky contemporary art link | Cm | 132 | |||
|
Call of the Open Road [CEO2019 - 1] |
0 | 3'32 | Bebop. Groovy & positive. Jazz quartet with alto sax & guitar solo @ | jazz be-bop jazz club tenor saxophone jazz quartet | Bbm | 152 | ||||
|
Moses [CEO2017 - 2] |
0 | 2'51 | Armand Frydman, Didier Malherbe | Haunting & mysterious. Flute, harmonic flute, double-bass and | hot desert alto flute walking Middle-East & Maghreb | Em | 124 | |||
|
The Moses Legacy [CEO2017 - 10] |
0 | 2'19 | Armand Frydman | Oriental theme. Sensual & swaying. Soprano sax, darbuka & double-bass. | Middle-East & Maghreb docu fiction Judaism derbouka | E | 126 | |||
|
Babel [CEO2017 - 16] |
0 | 1'42 | Armand Frydman | Carefree & confident. Soprano sax, vibraphone & cello. | confident geopolitics carefree Israel | Cm | 113 | |||
|
Venus [EOS01 - 2] |
0 | 2'39 | Anthony Mowat | Interrogative but confident. Double-bass, viola, marimba, cristal | swaying confident cyclic industry | Gbm | 130 | |||
|
Bamboozle [CEZ4110 - 19] |
0 | 2'52 | Daniel Diaz, Daniel Finot, Arnaud Rozenblat | Catchy, exotic & relax. Bass guitars with percussion fx . | electric bass exotic industry scansion | G | 118 | |||
|
An Alarming Idea [CEZ4112 - 11] |
0 | 0'35 | Piotr Moss | Obstinate & curious. Piano, double-bass & cymbals. | horror interrogative science sudden | Fm | 107 | |||
|
End of the Dream [CEO2014 - 2] |
0 | 1'23 | Elisabeth Skornik, Guy Skornik | Changing. Positive & then dramatic. Piano, percussion & electronics. | historical conflict horn crescendo inexorable | C | 64 | |||
|
Economic Conflict [CEO2014 - 7] |
0 | 1'43 | Elisabeth Skornik, Guy Skornik | Tragical & suspensul. Piano, electronics & percussion. | tragic final investigation politics | Ebm | 98 |