| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Bark [EOS13 - 2] |
0 | 3'06 | Olivier Samouillan | Suspended & interrogative. Piano, strings, synth & tanbur @ 1'34. | suspended atmosphere wandering Twentieth century music contemporary art | D | 111 | |||
|
Dovecote [EOS13 - 8] |
0 | 2'32 | Anthony Mowat | Weird & mysterious. Piano, strings & flute. | Twentieth century music dissonant suspended atmosphere contemporary art | G | 90 | |||
|
Wounded Nature [CEZ4161 - 7] |
0 | 5'37 | David Reyes | Melancholic & poignant. Symphony orchestra, celesta & piano @ 3'01. | moving poignant crescendo majestic | Fm | 82 | |||
|
Sentinel Rock [CEZ4161 - 10] |
0 | 2'58 | David Reyes | Sispended atmosphere & panoramic. Changing. Symphony orchestra with | majestic symphony orchestra peaceful panorama | Fm | 113 | |||
|
Goblin Chit Chat [CEZ4161 - 14] |
0 | 2'20 | David Reyes | Stange & wondering. Children onomatopeia, celestial voice, orchestra | onomatopoeias interrogative panoramic building | E | 120 | |||
|
The Pitiless Sand [CEZ4161 - 20] |
0 | 3'36 | David Reyes | En suspens & threatening. Drone, ngoni (African guitar), cora & | suspended atmosphere wandering steady interrogative | Bbm | 111 | |||
|
Industrial Icon [CEZ4151 - 11] |
2'24 | Elisabeth Skornik, Guy Skornik | Serious & linear. Staccato strings, piano & electronics. | strict corporate (all) industry inexorable | Dm | 110 | ||||
|
Industrial Icon 2 [CEZ4151 - 38] |
Alt. | 1'31 | Elisabeth Skornik, Guy Skornik | Serious & linear. Staccato strings & electronics. | steady strict inexorable string orchestra | D | 110 | |||
|
Industrial Icon 3 [CEZ4151 - 39] |
Alt. | 2'40 | Elisabeth Skornik, Guy Skornik | Sparse & suspended. Electric guitar, piano & electronics @ 0'52. | desolate social drama suspended atmosphere investigation | D | 110 | |||
|
Falling Rain [CEZ4151 - 12] |
2'17 | Elisabeth Skornik, Guy Skornik | Obsinated & cyclic. Marimba & string orchestra. Builds up gradually. | crescendo relentless corporate (all) cyclic | Dm | 120 | ||||
|
Falling Rain 2 [CEZ4151 - 40] |
Alt. | 1'45 | Elisabeth Skornik, Guy Skornik | Obstinate, constant & cyclic. Marimba & string orchestra. | science relentless steady cyclic | Dm | 120 | |||
|
Falling Rain 3 [CEZ4151 - 41] |
Alt. | 1'11 | Elisabeth Skornik, Guy Skornik | Obstinated & constant. String orchestra playing staccato. | historical conflict rising inexorable relentless | Dm | 120 | |||
|
Looking East 2 [CEZ4151 - 44] |
2'17 | Elisabeth Skornik, Guy Skornik | Peaceful & cyclic. Like an Indian raga. Solo piano. | suspended atmosphere confident cyclic intermittent | Eb | 105 | ||||
|
Looking East [CEZ4151 - 14] |
Alt. | 2'25 | Elisabeth Skornik, Guy Skornik | Serious & cyclique. Asian & Indian influences. Metallophone, string | strict arts & crafts confident corporate (all) | Eb | 105 | |||
|
Meeting in Heaven (Radio Edit) [CEZ4158 - 5] |
0 | 3'30 | Chomsk' | RnB. Urban & dreamy. Piano, electronics, pitched voice & rhythm @ Lyrics | nocturnal dreamy pitched voice wandering | E | 72 | |||
|
Food Shacks Area [EOS10 - 3] |
0 | 2'39 | Mathieu Harlaut | Confident & constant. Piano, eelctronics & rhythm. | confident calm steady architecture & design | F | 120 | |||
|
Diving Board [EOS10 - 5] |
0 | 3'34 | Mathieu Harlaut | Confident & patient. Electric guitar, piano, strings & vibraphone. | tremolo confident swaying architecture & design | E | 110 | |||
|
The Bright Garden [EOS10 - 6] |
0 | 2'42 | Mathieu Harlaut | Relaxed & serene. Piano, bass & glockenspiel. | calm architecture & design confident arts & crafts | E | 76 | |||
|
The Eastern Terrace [EOS10 - 9] |
0 | 2'39 | Mathieu Harlaut | Interrogative but confident. Electronics, piano & rhythm. | vintage electronic drums confident architecture & design lively | C | 144 | |||
|
The Dark Garden [EOS10 - 10] |
0 | 2'36 | Mathieu Harlaut | Mysterious & unstable. Piano, electric guitar & rhythm. | electronic percussion architecture & design electric guitar mysterious | Dm | 86 | |||
|
Morning Rebirth [EOS09 - 2] |
0 | 1'37 | Eric Volpatti | Obsessive & carefree. Piano, glockenspiel & strings. | relentless steady cyclic childhood | D | 154 | |||
|
Megalithe [EOS09 - 12] |
0 | 2'27 | Johane Myran | Weird & obsessive. Strings & piano. | dissonant scary complex disturbing | Am | 120 | |||
|
Dotted Time [EOS08 - 9] |
0 | 3'11 | Eric Volpatti | Desolate & hypnotic. Piano & electronics. Fx reverse. | flash back fx backwards suspended atmosphere atmospheric | Cm | 123 | |||
|
Taste Everything [CCB1009 - 12] |
0 | 4'17 | Tales & Remedies | Pop/folk. Sensual & dreamy. Female singer, acoustic guitar, piano, Lyrics | female singer electric violin folk ballad fx delay | E | 92 | |||
|
Metric Mania [UBM2208 - 7] |
0 | 2'17 | Reinhard Schaub | Time is ticking away. A subtly mad, bizarre orchestral tune. Complete | patient percussive time (tick-tock) strict | Fm | 102 |