| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Never the Same [UBM2248 - 8] |
0 | 1'29 | Luke Davoll | Contemporary track with similarities to Erik Satie in the beginning, | acoustic piano post-classical driving confident | Dbm | 110 | |||
|
The Awakening [UBM2248 - 9] |
0 | 1'30 | Luke Davoll | Touching, evokes a feeling of hope. Perfect for images of the | acoustic piano post-classical everyday life tormented | Am | 70 | |||
|
The Way Forward [UBM2248 - 11] |
0 | 1'41 | Luke Davoll | A playful, modern track for topics about children and families; | acoustic piano post-classical jerky happy & joyful | Gb | 142 | |||
|
Fearless Regression [UBM2248 - 12] |
0 | 1'47 | Luke Davoll | Contemplative, serious melody; medium tempo. Innocent effect and | acoustic piano post-classical calm simple | Abm | 140 | |||
|
Changes [UBM2248 - 13] |
0 | 1'53 | Luke Davoll | Modern start, fitting for serious and sad topics. Warm, meaningful | acoustic piano post-classical melancholic simple | Gbm | 90 | |||
|
Allowed Assumptions [UBM2248 - 15] |
0 | 1'42 | Luke Davoll | Melancholic piano melodies; repetitive; ideal for movie trailers or | acoustic piano post-classical arpeggio simple | F | 117 | |||
|
No Time Like the Present [UBM2248 - 16] |
0 | 1'24 | Luke Davoll | Fast tempo, energetic, solo piano, works good for quick cuts, fast | arpeggio whirling industry cyclic | C | 140 | |||
|
Childhood [UBM2248 - 17] |
0 | 1'39 | Luke Davoll | Ideal for typical "movies on movies" situations when the protagonist | acoustic piano post-classical melancholic calm | F | 164 | |||
|
A Quiet Descends [UBM2248 - 18] |
0 | 1'42 | Luke Davoll | Hesitant solo piano piece; repetitive; positive; works for images of | acoustic piano post-classical country & garden confident | Dm | 120 | |||
|
My First Promise [UBM2248 - 19] |
0 | 1'52 | Luke Davoll | Modern and fast piano piece, avant-garde, energetic; ideal for arts, | acoustic piano post-classical jerky steady | Ebm | 100 | |||
|
Coincidence [UBM2248 - 20] |
0 | 1'31 | Luke Davoll | Subtle, flowing melody; loopable; ideal for serious and meaningful | acoustic piano post-classical steady everyday life | Am | 140 | |||
|
Deep Down Inside [CEZ4252 - 13] |
2'28 | Guy Skornik, Elisabeth Skornik | Obstinate, patient & classy. Staccato strings & electronics. | arts & crafts corporate video neo-classical music patient | Cm | 124 | ||||
|
Deep Down Inside 2 [CEZ4252 - 29] |
Alt. | 1'42 | Elisabeth Skornik, Guy Skornik | Obstinate, mysterious & mischievous. Bassoon & strings. | arts & crafts corporate video neo-classical music patient | Cm | 125 | |||
|
La Sirena [CEO2033 - 1] |
2'08 | Selma Mutal | Refined & sensitive waltz with an Andeean touch. Solo piano. | salon music acoustic piano refined charming | Gm | 113 | ||||
|
La Sirena [CEO2033 - 18] |
Alt. | 1'58 | Selma Mutal | Remastered version. Refined & sensitive waltz with an Andeean touch. | salon music acoustic piano refined waltz | Abm | 123 | |||
|
Joanne's Theme [CEO2033 - 10] |
0 | 2'25 | Selma Mutal | Reflective & sparse. Piano & cello. | suspended atmosphere acoustic piano sparse intimate | C | 93 | |||
|
Love Craft [CEZ4224 - 4] |
0 | 1'59 | Thierry Caroubi | Corporate. Peaceful & moving. Piano, electronics, violin & woodwinds. | arts & crafts delicate neo-classical music corporate video | F | 120 | |||
|
Tough Trial [UBM2220 - 5] |
0 | 2'05 | Daniel Backes, Peter Moslener | Emotional & nostalgic. Solo piano. | melancholic social drama moving introspective | Am | 112 | |||
|
A Step Forward [CEZ4151 - 2] |
2'21 | Elisabeth Skornik, Guy Skornik | Confident & emotional. Piano & string orchestra. Builds up gradually. | corporate (all) arpeggio confident uplifting | G | 112 | ||||
|
A Step Forward 2 [CEZ4151 - 18] |
Alt. | 2'38 | Elisabeth Skornik, Guy Skornik | Bizarre & répétitive. Sampled guitar & string orchestra. Builds up | arts & crafts relentless complex unclassifiable | G | 112 | |||
|
A Step Forward 3 [CEZ4151 - 19] |
Alt. | 2'04 | Elisabeth Skornik, Guy Skornik | Repetitive & emotional. String orchestra. Builds up gradually. | relentless politics decrescendo driving | Bm | 167 | |||
|
A Step Forward 4 [CEZ4151 - 20] |
Alt. | 1'45 | Elisabeth Skornik, Guy Skornik | Repetitive & emotional. Solo piano playing arpeggio. | corporate video cyclic repetitive music politics | G | 112 | |||
|
Evolutionary Ecology [CEZ4151 - 6] |
2'04 | Elisabeth Skornik, Guy Skornik | Confident & peaceful. Piano & string orchestra @ 0'35. Build up | arts & crafts acoustic piano confident corporate video | Ebm | 115 | ||||
|
Evolutionary Ecology 2 [CEZ4151 - 28] |
Alt. | 1'50 | Elisabeth Skornik, Guy Skornik | Tense & insistent. Electric guitar, piano & strings. | architecture & design news science steady | Ebm | 115 | |||
|
Evolutionary Ecology 3 [CEZ4151 - 29] |
Alt. | 2'07 | Elisabeth Skornik, Guy Skornik | Calm, confident & cyclic. Solo piano. | everyday life country & garden acoustic piano rain | Eb | 115 | |||
|
A Sunbeam in the Clouds [CEZ4145 - 17] |
0 | 1'31 | Jean-Michel Vallet, Patrick Chartol, Daniel Finot, Claire Michael | Pure, elegant & flowing. Solo piano. | country & garden delicate gardening acoustic piano | Cm | 130 | |||
|
Springtime Meadows [CEZ4145 - 22] |
0 | 1'27 | Christian Mesmin | Charming, dreamy & refined. Solo piano. | acoustic piano whirling rain spring | Bb | 100 |