| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Myxomathosis [CEO2082 - 16] |
0 | 0'42 | Stéphane Lopez | Australia. Threatening & restrained. Didjeridoo & sequencing. | disturbing didjeridoo suspended atmosphere mysterious | B | 125 | |||
|
Raindrops [CEZ4354 - 8] |
0 | 2'10 | Sham Makdessi, Léo Natale, Morgan Sansous | Dream pop. Organic, determined & panoramic. Synth, electric guitar & | luminous modern driving dream pop | Am | 150 | |||
|
Though the Clouds [CEZ4354 - 14] |
0 | 1'29 | Sham Makdessi, Léo Natale, Morgan Sansous | Dream pop / ambient. Peaceful, airy & panoramic. Synth, bass & | weather report peaceful patient dreamy | B | 110 | |||
|
No Quiere Soltar [CEG5008 - 4] |
0 | 2'03 | José Miguel Ortegon Tovar | Attitude & urban. Trap. Synths, electronic & latin percussion & fx. | investigation latin electro urban landscape urban | Eb | 74 | |||
|
Moombahton [CEG5008 - 10] |
0 | 2'03 | Mansang, Sr Ortegon | Moombahton. Determined, urban & dancing. Synths, electronic & latin | club Andean reggaeton mechanical sport | Dm | 108 | |||
|
Manoeuvre Warfare [CEO2080 - 16] |
0 | 2'39 | Alice Guerlot Kourouklis | Urgent, feverish & constant. Percussion ensemble & electronics. | relentless adventure mysterious electronic percussion | Db | 120 | |||
|
An Impossible Choice [CEO2079 - 7] |
2'22 | Thomas Dappelo | Road movie / underscore. Restrained, suspended & bluesy. Electric | road movie arid suspended atmosphere wandering | E | 61 | ||||
|
An Impossible Choice 2 [CEO2079 - 19] |
Alt. | 1'31 | Thomas Dappelo | Road movie / underscore. Suspended, bluesy & heavy. Electric guitar, | road movie arid hot desert suspended atmosphere | E | 82 | |||
|
Springs and Wheels [CEO2078 - 18] |
0 | 1'29 | Gréco Casadesus | Underscore / corporate. Delicate, crystalline & mechanical. String | fx tick-tock childhood arts & crafts crystalline | A | 100 | |||
|
Death of a Loved One [EOS30 - 3] |
0 | 1'36 | Johane Myran | Horror movie / fantasy / underscore. Mournful, mysterious & gloomy. | funereal horror halloween mysterious | Am | 102 | |||
|
Alone in the Dark [EOS30 - 5] |
0 | 1'42 | Johane Myran | Horror movie / crime movie / underscore. Scary, insidious & | halloween scary suspense suspended atmosphere | E | 86 | |||
|
In Another Space [CEZ4351 - 6] |
2'44 | Elisabeth Skornik, Guy Skornik | Punctuated, narrative, vibrating & constant. Electronics with delay | corporate (all) anticipation ironical & mischievous electronics | C | 60 | ||||
|
In Another Space Alternate [CEZ4351 - 36] |
Alt. | 2'12 | Elisabeth Skornik, Guy Skornik | Alternate version. Strings & sampled voice only. | interrogative steady fantasy nocturnal | Gm | 60 | |||
|
In Perfect Time [CEZ4351 - 18] |
2'30 | Elisabeth Skornik, Guy Skornik | Patient, narrative, serious but confident. Electronics, timer & | strict cyclic contemporary history relentless | Gm | 80 | ||||
|
In Perfect Time Alternate [CEZ4351 - 44] |
Alt. | 2'29 | Elisabeth Skornik, Guy Skornik | Alternate version without timer. | contemporary history time (tick-tock) cyclic strict | Gm | 80 | |||
|
In Perfect Time Alternate 2 [CEZ4351 - 45] |
Alt. | 2'02 | Elisabeth Skornik, Guy Skornik | Alternate rhythm version with timer & acceleration. Faster & faster. | contemporary history inexorable time (tick-tock) driving | Cm | 172 | |||
|
In Perfect Time Alternate 3 [CEZ4351 - 46] |
Alt. | 2'52 | Elisabeth Skornik, Guy Skornik | Alternate rhythm version with timer & acceleration. Faster & faster. | time (tick-tock) inexorable driving relentless | Cm | 105 | |||
|
Stolen Space [CEZ4351 - 23] |
2'29 | Elisabeth Skornik, Guy Skornik | Worrying, suspended & mysterious. Cello, piano, percussion & | desolate fx backwards insidious acoustic piano | Am | 67 | ||||
|
Stolen Space Alternate [CEZ4351 - 51] |
Alt. | 2'28 | Elisabeth Skornik, Guy Skornik | Sparse alternative version & with reverse fx. | desolate sparse wandering insidious | A | 67 | |||
|
A Place in Time [CEZ4351 - 24] |
2'47 | Elisabeth Skornik, Guy Skornik | Patient, careful & confident. Constant pulsation but with | patient corporate (all) weather report panoramic | C | 120 | ||||
|
A Place in Time Alternate [CEZ4351 - 52] |
Alt. | 2'46 | Elisabeth Skornik, Guy Skornik | Alternate version without timer. | confident suspended atmosphere weather report steady | C | 60 | |||
|
A Place in Time Alternate 2 [CEZ4351 - 53] |
Alt. | 2'08 | Elisabeth Skornik, Guy Skornik | Galloping rhythm alternate version. | steady driving weather report panorama | C | 140 | |||
|
A Place in Time Alternate 3 [CEZ4351 - 54] |
Alt. | 2'08 | Elisabeth Skornik, Guy Skornik | Galloping rhythm alternate version. | driving suspended atmosphere confident panorama | C | 140 | |||
|
Hibernation [CEO2073 - 12] |
0 | 1'14 | Underscore. Patient, delicate & cyclic. Piano & string ensemble. | animal documentary introspective natural disaster cold | G | 110 | ||||
|
County Jail [CEO2075 - 6] |
0 | 1'59 | Selma Mutal | Investigation. Social Drama. Sad & desolate. Piano, strings & | sad calm desolate sparse | Dbm | 113 | |||
|
Poison [UBM2287 - 5] |
0 | 2'51 | Aint, Tobias Zwiefler | Uplifting fresh dance track with a vocal chop melody. | club catchy EDM open air | Fm | 126 | |||
|
Es Samba [UBM2287 - 6] |
0 | 2'28 | Aint, Tobias Zwiefler | Great classic twerking sounds to bring life to the parties. | club EDM festive carnival | A | 126 | |||
|
Difference [UBM2287 - 9] |
0 | 2'40 | Aint, Tobias Zwiefler | Frivolous growling dubstep to light up the dance floor. | club aggressive & violent extreme & fighting sport mechanical sport | Ebm | 124 | |||
|
Let it Drop [UBM2287 - 10] |
0 | 2'35 | Aint, Tobias Zwiefler | Electronic workout music to animate all sport activities. | club EDM powerful & imposing driving | D | 127 |