| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Crazy Eyes [MAG6030 - 5] |
0 | 2'58 | Fulgeance | Abstract hip-hop. Hypnotic, quirky & constant. | abstract hip-hop hypnotic video game relentless | Em | 105 | |||
|
Morons on the March [MAG6030 - 6] |
0 | 3'03 | Fulgeance | Abstract hip-hop. Mechanical, obstinate & bouncy. Synth, sampled | mechanical relentless abstract hip-hop steady | Am | 105 | |||
|
Equilibrium [MAG6030 - 7] |
0 | 2'53 | Fulgeance | Abstract hip-hop. Unsteady, suspended & percussive. Synth & rhythm. | abstract hip-hop unstable arty patient | Abm | 90 | |||
|
Rush Hour [UBM2274 - 12] |
0 | 2'07 | Sebastian Parche | Stop and go are also heard in this track, as is the switch of traffic | time (tick-tock) interrogative cyclic crime movie | Fm | 89 | |||
|
A Golden Revival [CEZ4340 - 2] |
0 | 2'43 | Bruno Alexiu | Ethereal, reflective, transparent & dreamy. Orchestra with piano. | dreamy moving space atmospheric | Bb | 108 | |||
|
Scuba Diving [MAG6029 - 8] |
0 | 2'35 | Hugo Lascoux | Abstract hip-hop. Unreal, fantastic yet determined. Synth & rhythm. | atmospheric electro chill out underwater electro organic | Gbm | 102 | |||
|
Rainbow Cocktail [CEZ4330 - 15] |
0 | 2'13 | Minimatic | Lounge music, underscore. Dreamy, kitsch & quirky. Synth, electric | kitsch & cheesy chill-out music open air interiors & cooking | D | 61 | |||
|
Jacuzzi Chill [CEZ4330 - 18] |
2'33 | Minimatic | Lounge music, underscore. Relax, jazzy & classy. Fender Rhodes, | daytime TV chill-out music relaxed interiors & cooking | Gm | 120 | ||||
|
Jacuzzi Chill 2 [CEZ4330 - 25] |
Alt. | 2'32 | Minimatic | Lounge music, underscore. Relax, jazzy & classy. Fender Rhodes, | chill-out music daytime TV relaxed interiors & cooking | Cm | 120 | |||
|
Victory is Ours Alternate 2 [CET9005 - 19] |
2'07 | Gabriel Saban, Philippe Briand | Alternate without guitar. Strong & percussive drums. Wild, solid & | team sport trailer mechanical sport action movie | Em | 84 | ||||
|
Victory is Ours [CET9005 - 4] |
Alt. | 2'07 | Gabriel Saban, Philippe Briand | Strong & percussive guitar riff. Wild, solid & stiff. Rock band & | cinematic rock team sport trailer distorted electric guitar | Em | 84 | |||
|
Live for Today [MAG6027 - 6] |
0 | 2'39 | Jumo | Electro / future beat. Energetic, festive & uplifting. Synth, pitched | future beat lively advertising modern | Gm | 150 | |||
|
Daydreamers [MAG6027 - 7] |
0 | 3'30 | Jumo | Electro / future beat. Carefree, shiny & crystalline. Bass, synth, | future beat modern arty confident | Am | 105 | |||
|
Ice Pick [MAG6027 - 9] |
2'49 | Jumo | Electro / future beat. Incisive, percussive & arty. Pitched voices, | future beat percussive modern advertising | Fm | 145 | ||||
|
Ice Pick (extended) [MAG6027 - 13] |
Alt. | 2'05 | Jumo | Electro / future beat. Incisive, percussive & arty. Pitched voices, | future beat percussive modern arty | Fm | 144 | |||
|
Iridescent [MAG6027 - 10] |
0 | 2'57 | Jumo | Electro / future beat. Nervous, rhythmic & driving. Synth, pitched | modern future beat fashion celebs | Fm | 162 | |||
|
Just the Facts [CEO2064 - 4] |
0 | 2'12 | Elisabeth Skornik, Guy Skornik | Regular, mysterious & interrogative. Sequence with reverse fx, piano, | investigation strict steady mysterious | A | 128 | |||
|
Bad Boys and Politics [CEO2064 - 8] |
1'57 | Elisabeth Skornik, Guy Skornik | Tense, serious & narrative. Electronics & strings. | suspended atmosphere crime movie disturbing suspense | Cm | 120 | ||||
|
Bad Boys and Politics
[CEO2064 - 18] |
Alt. | 1'22 | Elisabeth Skornik, Guy Skornik | Jerky, dark & threatening. Electronics & staccato strings. | investigation nocturnal suspense crime movie | Cm | 120 | |||
|
Impulse and Repulsion [CEO2064 - 9] |
0 | 1'12 | Elisabeth Skornik, Guy Skornik | Regular pulsation in a hip hop mood. Constant & narrative. | fx heartbeat investigation suspense social drama | Am | 100 | |||
|
Surrounded on all Sides [CEO2064 - 16] |
0 | 2'13 | Elisabeth Skornik, Guy Skornik | Questioning, insistent & narrative. Electronics, staccato strings & | crime movie disturbing suspense investigation | D | 140 | |||
|
The Eyes of the Shaman [CEG5002 - 9] |
3'09 | Abaji | Tibet. Geopolitics. Mystical & desolate. Low throat singing, gong, | lost civilizations geopolitics mystical introspective | Ab | 81 | ||||
|
The Eyes of the Shaman 2 [CEG5002 - 29] |
Alt. | 3'09 | Abaji | Geopolitics. TV series. Aftermath. Mystical & desolate. Gong, synths | lost civilizations mystical geopolitics introspective | Ab | 123 | |||
|
The Eyes of the Shaman 3 [CEG5002 - 30] |
Alt. | 3'09 | Abaji | Geopolitics. Mystical & desolate. Low throat singing, gong, synths & | lost civilizations mystical geopolitics introspective | Ab | 111 | |||
|
The Eyes of the Shaman 4 [CEG5002 - 31] |
Alt. | 3'08 | Abaji | Geopolitics. Mystical & desolate. Guzheng, low throat singing, gong, | lost civilizations mystical geopolitics introspective | Abm | 84 | |||
|
Human After All [CEZ4329 - 10] |
0 | 2'27 | Martin Duru, Jean-Sebastien Nouveau | Electro corporate. Energetic, sustained & optimistic. Crescendo & | medecine driving confident corporate (all) | Abm | 150 | |||
|
The Screen is a Mirror [CEZ4329 - 15] |
0 | 2'38 | Thomas Didier | Electronica. Dreamy, pure & simple. Synth & rhythm. | science crystalline cyclic electronica | C | 100 |