| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Plastic Islands [CEZ4091 - 14] |
0 | 3'03 | Gangpol & Mit | Exotic & nocturnal suspense. Electronics. | funny scary mysterious modern changing | Ab | 101 | |||
|
The Manor Level [CEZ4091 - 16] |
0 | 1'40 | Gangpol & Mit | Interrogative suspense. Electronics. | funny scary paranormal video game kitsch & cheesy | Bb | 133 | |||
|
Paper Crown [CEZ4091 - 21] |
0 | 2'03 | Gangpol & Mit | Carefree & positive. Constant progression. Electronics. | animation & cartoons old-fashioned modern country & garden | Bbm | 89 | |||
|
Crepe Paper Moon [CEZ4091 - 22] |
0 | 1'34 | Gangpol & Mit | Soft & dreamy. Fender Rhodes & flute @ 0'46. | childhood country & garden Fender rhodes intimate | Gm | 129 | |||
|
Vernissage [CEZ4092 - 7] |
0 | 2'59 | Hoosky | Acid jazz. Filtered fast beat & vintage synth. | architecture & design jazzy acid jazz fx filter | Gm | 82 | |||
|
Time's Running Out [CEZ4090 - 5] |
0 | 2'08 | Elisabeth Skornik, Guy Skornik | Obsessive tick-tock. Electronics, electric guitar & strings @ 0'34 | crime movie time (tick-tock) investigation relentless | Dm | 102 | |||
|
Paparazzi [CEZ4090 - 13] |
0 | 2'00 | Elisabeth Skornik, Guy Skornik | Suspense. Insidious. Electronics, tremolo strings & camera shutter Fx. | anticipation spy fx camera insidious | Em | 128 | |||
|
Paparazzi Part 2 [CEZ4090 - 14] |
0 | 2'00 | Elisabeth Skornik, Guy Skornik | Suspense. Insidious. Electronics & tremolo strings. | urban landscape investigation news politics | Em | 128 | |||
|
Word of Mouth [CEZ4090 - 25] |
2'06 | Elisabeth Skornik, Guy Skornik | Unusual. Whispering voices. Pizz, keyboards, strings & percussion. | whispering insidious mysterious pizzicato | Bm | 112 | ||||
|
Word of Mouth 2 [CEZ4090 - 35] |
Alt. | 2'04 | Elisabeth Skornik, Guy Skornik | Interrogative & mysterious. Strings. | time (tick-tock) interrogative pizzicato insidious | Bm | 112 | |||
|
Poison Pen [CEZ4090 - 32] |
0 | 2'21 | Elisabeth Skornik, Guy Skornik | Inexorable, tense & mysterious. Twangy guitar & electronics. | insidious investigation spy mysterious | Dm | 75 | |||
|
Rainy Day In Tokyo [CEV3025 - 1] |
0 | 1'44 | Silvain Vanot | Peaceful & simple. Electronics. (Japan) | Asia blossoming geopolitics peaceful | Dm | 65 | |||
|
Kwun Tong District [CEV3025 - 2] |
0 | 2'08 | Dominique Depret, Claire Vailler | Industrial & repetitive. Electronics. (Asia) | geopolitics crystalline electro ambient industry | Gb | 107 | |||
|
Cosmogony [CEV3021 - 3] |
0 | 3'22 | Pierre Bernard | Cosmic & bewitching. Voice, harp & electro-acoustic. | space prehistory atmospheric lost civilizations | Fm | 61 | |||
|
Neptune [CEV3021 - 28] |
0 | 2'28 | Daniel Diaz | Nocturnal & disquieting. Flute & electro-acoustic. | lost civilizations underwater prehistory suspended atmosphere | Abm | 117 | |||
|
Aeolus [CEV3021 - 31] |
0 | 2'13 | Mathias Delplanque | Mysterious & unstable. Wind. Electro-acoustic & percussion. | lost civilizations desolate prehistory antiquity | Bb | 120 | |||
|
Spirits [CEV3021 - 33] |
0 | 2'01 | Pierre Bernard | Hesitant & restrained. Violin & drone. | lost civilizations insidious antiquity contemporary serious music (all) | G | 111 | |||
|
The Hunters [CEV3021 - 34] |
0 | 3'01 | José Barrachina, Thierry Gomar | Anguished & urgent. Percussion & electro-acoustic. | prehistory lost civilizations wild chase | Em | 107 | |||
|
Night Trap [CEV3021 - 36] |
0 | 2'05 | Silvano Michelino | Menacing & suspended, heavy & accentuated @ 0'56. Percussion & | prehistory lost civilizations scary disturbing | Dm | 143 | |||
|
Such a Quiet Place [CEZ4084 - 1] |
0 | 2'22 | Daniel Finot, Jean-Francois Morin, Arnaud Rozenblat | Positive & resolute. Slow intro @ 0'22. Electric guitar & | panorama panoramic contemporary series calm | E | 106 | |||
|
Always on the Run [CEZ4084 - 7] |
0 | 1'54 | Daniel Finot, Jean-Francois Morin, Arnaud Rozenblat | Airy & repetitive. Electric guitar & electronics. | cyclic hypnotic social drama clean electric guitar | D | 105 |