| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Ripples of Spring [CCB1034 - 5] |
0 | 2'19 | Anne-Sophie Versnaeyen | Vibrating, cold & anticipation. Piano, viola & sequencing. | suspended atmosphere post-classical calm delicate | Bb | 60 | |||
|
Flowers on the Atacama [CCB1032 - 2] |
0 | 2'15 | Eric Daniel | Travel. Landscape. Peaceful & panoramic. Acoustic guitar, percussion | country & garden acoustic guitar panorama open air | G | 107 | |||
|
Pluie de Plumes [CEO2060 - 4] |
0 | 0'50 | Alice Guerlot Kourouklis | Interlude. Bizarre & mysterious. Electronics with reverse fx. | electroacoustic music contemporary dance electro minimalism mysterious | Bm | 80 | |||
|
Distorted Reality [CET9001 - 5] |
3'31 | Gabriel Saban, Philippe Briand | Trailer music. Spacey pads & teeming synth sequence intro progressing | space trailer cybernetics cinematic orchestra | A | 116 | ||||
|
Distorted Reality Alternate [CET9001 - 20] |
Alt. | 3'31 | Gabriel Saban, Philippe Briand | Trailer music. Spacey pads & teeming synth sequence intro progressing | space trailer epic cinematic orchestra | A | 115 | |||
|
Distorted Reality Alternate 2 [CET9001 - 21] |
Alt. | 3'31 | Gabriel Saban, Philippe Briand | Trailer music. Spacey pads & teeming synth sequence intro progressing | space trailer epic cinematic orchestra | A | 116 | |||
|
Vortex [CET9001 - 8] |
3'03 | Gabriel Saban, Philippe Briand | Trailer music. Brutal & punctuated percussive intro. Ominous, | trailer powerful & imposing cinematic epic | Dm | 140 | ||||
|
Vortex Alternate [CET9001 - 25] |
Alt. | 3'03 | Gabriel Saban, Philippe Briand | Trailer music. Massive & punctuated intro. Ominous, relentless & | trailer powerful & imposing cinematic epic | Dm | 140 | |||
|
Vortex Alternate 2 [CET9001 - 26] |
Alt. | 3'03 | Gabriel Saban, Philippe Briand | Trailer music. Massive & punctuated percussive intro. Ominous, | trailer powerful & imposing cinematic epic | Dm | 140 | |||
|
Mirror of Time [EOS24 - 4] |
0 | 2'35 | Clinton Charles, Sandy Mahut | Dreamy & introspective. Acoustic guitar, female choir, piano, synth, | airy suspended atmosphere panorama dreamy | E | 65 | |||
|
Based on Trust [CEZ4314 - 15] |
0 | 3'18 | Thierry Caroubi | Corporate. Patient but obstinate & unifying. Constant progression. | corporate (all) unifying driving industry | Cm | 120 | |||
|
Mystic Castle [UBM2271 - 5] |
0 | 2'56 | Daniel Backes, Peter Moslener | Mysterious track that fits any abandoned place with a majestic touch. | airy neutral dreamy sparse | D | 136 | |||
|
Wide and Lost [UBM2271 - 10] |
0 | 1'20 | Daniel Backes, Peter Moslener | Slow, mysterious track with a dark undertone. Perfect for abandoned | desolate ufo abyss horror | Bbm | 101 | |||
|
Bitter Facts [UBM2271 - 16] |
0 | 1'42 | Daniel Backes, Peter Moslener | Steady ticking creates a creepy vibe combined with dark tunes. Eerie. | slow motion airy neutral sound design | Cm | 73 | |||
|
Frozen Ages [UBM2271 - 20] |
0 | 2'00 | Daniel Backes, Peter Moslener | Cold, wintry sound that creates a chilly feeling. Synthesizer, | airy neutral sound design synth choir | Gbm | 83 | |||
|
Clouds [UBM2267 - 10] |
0 | 1'46 | Karsten Lipp, Andre Matov | Electronic Track with synthesizer and spheres, electronics. Ideal for | weather report neutral patient sound design | Fm | 115 | |||
|
Eerie Wind [UBM2266 - 6] |
0 | 1'27 | Achim Zweschper | Cold, dark sound that conveys the impression of a bitter wind. Saz. | hot desert desolate sound design beds | F | 88 | |||
|
Scary Darkness [UBM2266 - 21] |
0 | 3'04 | Achim Zweschper | Total eclipse and bleakness. Desperate, surrendering. | sci-fi abyss desolate horror | Gm | 88 | |||
|
Loneliness [UBM2266 - 22] |
0 | 2'04 | Achim Zweschper | Dreary, sinister. The threat is omnipresent. Creepy ticking. | sci-fi abyss desolate horror | Gm | 88 | |||
|
Fish Conversations [CEZ4241 - 16] |
0 | 2'52 | Mathias Delplanque | Minimalist & sparse. Electronics & water fx. | atmospheric sparse space fx water | Abm | 118 | |||
|
Première Prise [CEO2034 - 1] |
0 | 2'50 | Vincent Leibovitz | Intro with fade in. Suspended, lonely & sparse. Electric guitar, | suspended atmosphere contemporary series electro ambient post-classical | Em | 81 | |||
|
Unexpected Apparition [CEZ4221 - 10] |
0 | 2'32 | Michel Redolfi | Strange, sparse & abstract. Theremin & sci-fi sound design. | ufo paranormal cosmic music theremin | Am | 103 | |||
|
Scorched Earth [CEO2020 - 37] |
0 | 1'29 | Gréco Casadesus | Desolate & poignant. Violin, string & electronics. | desolate sinister natural disaster disturbing | C | 85 | |||
|
Hacking [CEZ4090 - 10] |
0 | 2'12 | Elisabeth Skornik, Guy Skornik | Insistent & mysterious. Electronics & Fx. Break @ 1'04. | investigation cybernetics mysterious anticipation | C | 116 |