| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Beach Chiller [UBM2227 - 5] |
0 | 2'06 | Daniel Backes, Peter Moslener | Contemporary electronica with a chilled vibe. Laid-back, sleek and | opening credits TV beds steady driving | Gbm | 130 | |||
|
Virtual Search A [UBM2241 - 1] |
0 | 2'22 | Bernhard Hering, Matthias Krüger-Wendel | Ticking percussion and ominous strings create suspense and an air of | suspense spy interrogative investigation | Gm | 100 | |||
|
Time is Running Out [UBM2241 - 2] |
0 | 2'15 | Bernhard Hering, Matthias Krüger-Wendel | Nervous atmosphere, vaguely threatening. Also works for scientific | interrogative suspense suspended atmosphere spy | Gbm | 103 | |||
|
Intense Investigation [UBM2241 - 5] |
0 | 2'15 | Bernhard Hering, Matthias Krüger-Wendel | Angular piano and electronic bits evolve into action-packed track | intermittent chaotic horror disturbing | Am | 152 | |||
|
The Time it Takes [CEZ4197 - 3] |
2'26 | Elisabeth Skornik, Guy Skornik | Careful & crystalline. Keyboards & electronics. | arts & crafts corporate video patient time (tick-tock) | D | 120 | ||||
|
The Time it Takes 2 [CEZ4197 - 22] |
Alt. | 2'26 | Elisabeth Skornik, Guy Skornik | Minimalist & sparse. Piano, echo fx & pads. Build-up. | peaceful arts & crafts refined childhood | D | 120 | |||
|
Modelization [CEZ4197 - 5] |
2'16 | Elisabeth Skornik, Guy Skornik | Thorough & confident. Electronics & pizzicato strings. | science arts & crafts patient electric bass | D | 130 | ||||
|
Modelization 2 [CEZ4197 - 25] |
Alt. | 2'17 | Elisabeth Skornik, Guy Skornik | Thorough & confident. Electronics & pizzicato strings. No drums. | arts & crafts patient science electric bass | D | 130 | |||
|
Modelization 3 [CEZ4197 - 26] |
Alt. | 1'09 | Elisabeth Skornik, Guy Skornik | Thorough & confident. Electronics & pizzicato strings. No drums or | arts & crafts patient science electric bass | Dm | 130 | |||
|
Modelization 4 [CEZ4197 - 27] |
Alt. | 1'09 | Elisabeth Skornik, Guy Skornik | Thorough & confident. Electronics & pizzicato strings. No drums. | patient science arts & crafts electric bass | Dm | 130 | |||
|
Modelization 5 [CEZ4197 - 28] |
Alt. | 1'01 | Elisabeth Skornik, Guy Skornik | Thorough & confident. Electronics & pizzicato strings. No drums. | arts & crafts patient science electric bass | D | 130 | |||
|
Paris at Night [MAG6007 - 13] |
0 | 1'10 | Hugo Lascoux | Chic & panoramic. String samples & rhythm. | skits modern panoramic sample | Cm | 96 | |||
|
Reflexion on the Lake [MAG6007 - 17] |
0 | 1'10 | Hugo Lascoux | Introspective & misty. Samples & rhythm. | lazy atmospheric beat making loop | Am | 72 | |||
|
Portrait of a Moment [MAG6007 - 18] |
0 | 1'26 | Hugo Lascoux | Nostalgic & regular. Samples, bell & rhythm. | modern loop social drama unstable | F | 78 | |||
|
Vapors [MAG6007 - 20] |
0 | 1'30 | Hugo Lascoux | Hip & danceable. Bass, sample & rhythm. | 1980 groovy fashion urban | Em | 106 | |||
|
Steppe Wedding [CEZ4185 - 16] |
2'16 | Alain Vankenhove, Eric Daniel | Serious & determined. Trumpet, electronics, voices & rhythm. | trumpet geopolitics mysterious strict | Bb | 110 | ||||
|
Steppe Wedding 2 [CEZ4185 - 25] |
Alt. | 2'14 | Alain Vankenhove, Eric Daniel | Mysterious & disturbing. Duduk voices, electronics & rhythm. | geopolitics mysterious strict mystical | Bb | 110 | |||
|
Sanctuary Lost [CEZ4194 - 8] |
0 | 3'00 | Luigi Marletta, Morgan Sansous | Haunting & epic. Rock band & electronics. Drum & bass intro. | horror fx distorsion dubstep metal distorted electric guitar | Em | 148 | |||
|
Straight Line [CEZ4194 - 9] |
0 | 2'41 | Luigi Marletta, Morgan Sansous | Sharp & powerful riff. Rock band & electronics. Drum & bass intro. | dubstep metal fx distorsion extreme & fighting sport distorted electric guitar | Cm | 87 | |||
|
Cargo [CEZ4191 - 2] |
0 | 2'53 | Mathias Delplanque, Denis Levaillant | Hypnotic & mysterious. Electronics, strings & rhythm. | downtempo atmospheric high seas hypnotic | Db | 134 | |||
|
Runaway Train [CEZ4191 - 3] |
0 | 3'07 | Mathias Delplanque, Denis Levaillant | Urgent & mechanical. Electronics & rhythm. | relentless cyclic industry inexorable | Bm | 120 | |||
|
Ghost Runner [CEZ4191 - 5] |
0 | 3'06 | Mathias Delplanque, Denis Levaillant | Technologic & tense. Electronics & rhythm. | investigation social drama industry disturbing | Am | 97 | |||
|
Fits and Starts [CEZ4191 - 10] |
0 | 2'28 | Mathias Delplanque, Denis Levaillant | Fractured but tenacious. Strings, synth & rhythm. | unstable intermittent electroacoustic music relentless | Dm | 112 | |||
|
Something in the Shadows [CEZ4191 - 11] |
0 | 2'57 | Mathias Delplanque, Denis Levaillant | Absent & interrogative. Pizzicato double-bass, electronics & rhythm. | wandering unstable interrogative electroacoustic music | Gbm | 68 | |||
|
Oh La La [CEZ4192 - 7] |
2'58 | Sr Ortegon, Stan Galouo | Explicit Lyrics. Latin hip-hop sung in Spanglish. Cool & sexy. Male Lyrics | sung in spanglish exotic sensual male singer | F | 95 | ||||
|
Oh La La 2 [CEZ4192 - 21] |
Alt. | 2'58 | Sr Ortegon, Stan Galouo | Latin hip-hop.Cool & sexy. Guitar & rhythm. | exotic sensual latin hip hop relaxed | Gm | 95 | |||
|
Physica Subterranea [CCB1021 - 7] |
0 | 3'48 | Bill Laswell | Suspended & sad. Synth, bass & rhythm. Fx delay & reverb. | atmospheric intermittent social drama dub | Abm | 153 |