| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
129 Seconds [CEZ4062 - 27] |
0 | 2'09 | Jean-François Vrod | Repetitive movement. Industrial & weird. Electro-acoustic. | steady unclassifiable robotic industry | Am | 126 | |||
|
Autonoman [CEZ4062 - 28] |
0 | 1'34 | Vincent Leibovitz | Linear & spasmodic. Electronica. | robotic steady industry relentless | Db | 129 | |||
|
Total News [CEZ4059 - 4] |
0 | 2'23 | Alexandre Bazin | Futuristic & informative. Random percussion groove with filtered FX. | steady industry sequencing 2000 | Ebm | 85 | |||
|
XLR 8 [CEZ4059 - 12] |
0 | 2'23 | Romuald Tual | Light & swirling. Fast rhythmic synth cascades with digital FX. | corporate video breaking news cybernetics industry | Ebm | 138 | |||
|
Soul of the Underground [CEZ4059 - 15] |
0 | 2'48 | Romuald Tual | Resonant & unworldly. Dark & mysterious pads with simple digital | disturbing underground 2000 atmospheric | Ab | 162 | |||
|
Muted Desire [CEZ4059 - 28] |
0 | 2'49 | Romuald Tual, Christian Zanesi | Collage of samples & human sounds with filtered low groove. Sensual. | 2000 architecture & design electro minimalism disturbing | Abm | 120 | |||
|
Ouragan [CEZ4058 - 23] |
0 | 2'33 | Denis Levaillant | Powerful waves of sound. Latent force. Synth soundscape. | underwater muffled sinister natural disaster | Bm | 129 | |||
|
Surveillance State [CEZ4056 - 17] |
0 | 1'53 | Nicolas Mizrachi, Jean-Francois Morin | They are watching. Slow atmospheric drums & drone with brass chords. | relentless sinister disturbing investigation | Gm | 80 | |||
|
Empty Ghetto [CEZ4056 - 20] |
0 | 2'06 | Nicolas Mizrachi, Jean-Francois Morin | Soulless & sad. Reflective arpeggio guitar with ambient fx. | distorted electric guitar interrogative investigation wandering | Am | 89 | |||
|
Pervert [CEZ4056 - 27] |
0 | 2'39 | Nicolas Mizrachi, Jean-Francois Morin | Uncomfortable & creepy. Filtered drums & slow interweaved drone notes. | urban landscape distorted electric guitar investigation relentless | G | 84 | |||
|
Shotgun Shack [CEZ4054 - 4] |
0 | 2'06 | Nicolas Mizrachi, Jean-Francois Morin | Confused & empty. Dark nihilist grunge guitars with drum loops. | muffled grunge relentless social drama | Em | 134 | |||
|
Listed Seveso [CEZ4051 - 31] |
0 | 2'06 | Jean-Philippe Dutheil | Swelling intensity. Heavy & vibrating mechanical drone. | rumbling drone toxic scary | B | 153 | |||
|
Train 46 [CEZ4046 - 16] |
0 | 2'35 | Christof Déjean | Gentle & pulsing lo-fi loop. Simple melodic glockenspiel & keyboard. | corporate video patient science social drama | Bb | 108 | |||
|
Transition [CEZ4034 - 30] |
0 | 1'27 | Elisabeth Skornik, Guy Skornik | Dark & heavy. Mechanical sound wash with Fx. | abyss strict robotic sound design | B | 91 | |||
|
Sequential Experiment [CEZ4034 - 31] |
1'48 | Elisabeth Skornik, Guy Skornik | Experimental & pulsing with melodic counterpoint & voice Fx. | industry unclassifiable 1980 1990 | F | 136 | ||||
|
Sequential Experiment 2 [CEZ4034 - 32] |
Alt. | 1'46 | Elisabeth Skornik, Guy Skornik | Alternate version of tr 31 without voice. | robotic 1970 1980 confident | F | 136 | |||
|
Knowledge Can Be Cool [CEZ4702 - 5] |
2'11 | Louis Edlinger | Electronica bed. Lively, cool & fun. Synth & rhythm. Ideal for | patient teaching strict beds | D | 87 | ||||
|
Knowledge Can Be Cool
[CEZ4702 - 37] |
Alt. | 2'09 | Louis Edlinger | Alternate no bass. | D | 117 | ||||
|
Knowledge Can Be Cool
[CEZ4702 - 38] |
Alt. | 2'05 | Louis Edlinger | Alternate underscore. | Em | 87 | ||||
|
Knowledge Can Be Cool Edit 60
[CEZ4702 - 39] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Em | 87 | ||||
|
Knowledge Can Be Cool Edit 30
[CEZ4702 - 40] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | D | 87 | ||||
|
Knowledge Can Be Cool Edit 20
[CEZ4702 - 41] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | D | 87 | ||||
|
Knowledge Can Be Cool Edit
[CEZ4702 - 42] |
Alt. | 0'12 | Louis Edlinger | Sting. | D | 87 | ||||
|
Yes or No [CEZ4702 - 6] |
2'03 | Louis Edlinger | Electronica bed. Bouncy, curious & jerky. Synth & rhythm. Ideal for | beds interrogative teaching strict | Bb | 115 | ||||
|
Yes or No Alternate 1 [CEZ4702 - 43] |
Alt. | 2'03 | Louis Edlinger | Alternate version. | Bb | 115 | ||||
|
Yes or No Alternate 2 [CEZ4702 - 44] |
Alt. | 2'03 | Louis Edlinger | Alternate version. | Bb | 115 | ||||
|
Yes or No Edit 60 sec [CEZ4702 - 45] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Bb | 115 | ||||
|
Yes or No Edit 30 sec [CEZ4702 - 46] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Bb | 115 | ||||
|
Yes or No Edit 20 sec [CEZ4702 - 47] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Bb | 115 | ||||
|
Yes or No Edit Sting [CEZ4702 - 48] |
Alt. | 0'09 | Louis Edlinger | Sting. | Bb | 117 | ||||
|
The Tutorial [CEZ4702 - 7] |
1'52 | Louis Edlinger | Electronica bed. Interrogative, kind & simple. Synth & rhythm. Ideal | teaching confident driving neutral | C | 114 | ||||
|
The Tutorial Alternate 1 [CEZ4702 - 49] |
Alt. | 1'52 | Louis Edlinger | Alternate version. | C | 114 | ||||
|
The Tutorial Alternate 2 [CEZ4702 - 50] |
Alt. | 1'51 | Louis Edlinger | Alternate underscore. | Gm | 114 | ||||
|
The Tutorial Edit 60 sec [CEZ4702 - 51] |
Alt. | 0'59 | Louis Edlinger | 60 second cut. | C | 113 | ||||
|
The Tutorial Edit 30 sec [CEZ4702 - 52] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | C | 114 | ||||
|
The Tutorial Edit 20 sec [CEZ4702 - 53] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | C | 113 | ||||
|
The Tutorial Edit Sting [CEZ4702 - 54] |
Alt. | 0'11 | Louis Edlinger | Sting. | C | 113 | ||||
|
The Critical Question [CEZ4702 - 9] |
2'32 | Louis Edlinger | Electronica bed. Suspenseful, discontinuous & aery. Synth & rhythm. | interrogative patient suspense airy | Dm | 156 | ||||
|
The Critical Question
[CEZ4702 - 61] |
Alt. | 2'31 | Louis Edlinger | Alternate no bells. | Dm | 156 | ||||
|
The Critical Question
[CEZ4702 - 62] |
Alt. | 2'31 | Louis Edlinger | Alternate version. | Dm | 162 | ||||
|
The Critical Question Edit 60
[CEZ4702 - 63] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Dm | 157 | ||||
|
The Critical Question Edit 30
[CEZ4702 - 64] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Dm | 156 | ||||
|
The Critical Question Edit 20
[CEZ4702 - 65] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Dm | 155 | ||||
|
The Critical Question Edit
[CEZ4702 - 66] |
Alt. | 0'13 | Louis Edlinger | Sting. | Dm | 155 | ||||
|
Training the Mind [CEZ4702 - 10] |
2'03 | Louis Edlinger | Electronica bed. Animated, intellectual & focused. Synth & rhythm. | patient teaching strict beds | C | 100 | ||||
|
Training the Mind Alternate 1 [CEZ4702 - 67] |
Alt. | 2'03 | Louis Edlinger | Alternate no percs. | C | 100 | ||||
|
Training the Mind Alternate 2 [CEZ4702 - 68] |
Alt. | 1'39 | Louis Edlinger | Underscore version. | C | 100 | ||||
|
Training the Mind Edit 60 sec [CEZ4702 - 69] |
Alt. | 0'59 | Louis Edlinger | 60 second cut. | C | 100 | ||||
|
Training the Mind Edit 30 sec [CEZ4702 - 70] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | C | 100 | ||||
|
Training the Mind Edit 20 sec [CEZ4702 - 71] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | C | 100 | ||||
|
Training the Mind Edit Sting [CEZ4702 - 72] |
Alt. | 0'14 | Louis Edlinger | Sting. | C | 133 |