| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Tutorial [CEZ4702 - 7] |
1'52 | Louis Edlinger | Electronica bed. Interrogative, kind & simple. Synth & rhythm. Ideal | teaching confident driving neutral | C | 114 | ||||
|
The Tutorial Alternate 1 [CEZ4702 - 49] |
Alt. | 1'52 | Louis Edlinger | Alternate version. | C | 114 | ||||
|
The Tutorial Alternate 2 [CEZ4702 - 50] |
Alt. | 1'51 | Louis Edlinger | Alternate underscore. | Gm | 114 | ||||
|
The Tutorial Edit 60 sec [CEZ4702 - 51] |
Alt. | 0'59 | Louis Edlinger | 60 second cut. | C | 113 | ||||
|
The Tutorial Edit 30 sec [CEZ4702 - 52] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | C | 114 | ||||
|
The Tutorial Edit 20 sec [CEZ4702 - 53] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | C | 113 | ||||
|
The Tutorial Edit Sting [CEZ4702 - 54] |
Alt. | 0'11 | Louis Edlinger | Sting. | C | 113 | ||||
|
The Critical Question [CEZ4702 - 9] |
2'32 | Louis Edlinger | Electronica bed. Suspenseful, discontinuous & aery. Synth & rhythm. | interrogative patient suspense airy | Dm | 156 | ||||
|
The Critical Question
[CEZ4702 - 61] |
Alt. | 2'31 | Louis Edlinger | Alternate no bells. | Dm | 156 | ||||
|
The Critical Question
[CEZ4702 - 62] |
Alt. | 2'31 | Louis Edlinger | Alternate version. | Dm | 162 | ||||
|
The Critical Question Edit 60
[CEZ4702 - 63] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Dm | 157 | ||||
|
The Critical Question Edit 30
[CEZ4702 - 64] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Dm | 156 | ||||
|
The Critical Question Edit 20
[CEZ4702 - 65] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Dm | 155 | ||||
|
The Critical Question Edit
[CEZ4702 - 66] |
Alt. | 0'13 | Louis Edlinger | Sting. | Dm | 155 | ||||
|
Orchestral Pieces No6 [AUD052 - 1] |
2'54 | Bruno Letort | Avant-garde classical. Mysterious, esoteric & unsettling. String | historical conflict sinister wandering disturbing | Dm | 60 | ||||
|
Orchestral Pieces No6 (Short
[AUD052 - 6] |
Alt. | 0'38 | Bruno Letort | Short edit version | historical conflict sinister wandering disturbing | Dm | 91 | |||
|
Orchestral Pieces No10 (Short
[AUD052 - 10] |
0'36 | Bruno Letort | Short edit version | post-classical suspense historical conflict disturbing | G | 105 | ||||
|
Orchestral Pieces No10 [AUD052 - 5] |
Alt. | 2'03 | Bruno Letort | Avant-garde classical. Edgy, adventurous & tense. String orchestra & | suspense historical conflict disturbing atonal music | G | 60 | |||
|
The Stringer Profession [CEG5061 - 7] |
2'27 | Jon Du | Cinematic. Broody intro. Suspicious, ethereal, evolving & dynamic. | cinematic investigation mysterious politics | Gm | 120 | ||||
|
The Stringer Profession
[CEG5061 - 24] |
Alt. | 2'27 | Jon Du | Version without percussion | cinematic investigation mysterious politics | Gm | 120 | |||
|
The Stringer Profession
[CEG5061 - 25] |
Alt. | 2'27 | Jon Du | Underscore version | cinematic investigation mysterious politics | Gm | 120 | |||
|
Keep Scrolling [ISC119 - 3] |
2'07 | Beat making. Groovy, chill but lively & sunny. Beat, piano, brass, | confident daytime TV lively celebs | Em | 102 | |||||
|
Keep Scrolling Alternate 1 [ISC119 - 15] |
Alt. | 2'07 | Version without percussion. | confident daytime TV lively celebs | Em | 102 | ||||
|
Keep Scrolling Alternate 2 [ISC119 - 16] |
Alt. | 2'07 | Light version. | confident daytime TV lively celebs | Em | 102 | ||||
|
Polaroid Memories [AMS5069 - 2] |
2'13 | Dario Ferrante, Jure Jerebic | Cinematic Synthwave. Dreamlike, melancholic, luminous, unifying & | radiant electronic score unifying luminous | Am | 156 | ||||
|
Polaroid Memories Alternate 1 [AMS5069 - 13] |
Alt. | 2'13 | Dario Ferrante, Jure Jerebic | Version without lead synth. | radiant electronic score unifying luminous | Am | 156 | |||
|
Polaroid Memories Alternate 2 [AMS5069 - 14] |
Alt. | 2'13 | Dario Ferrante, Jure Jerebic | Underscore version. | radiant electronic score unifying luminous | Dm | 104 | |||
|
Polaroid Memories Edit 1 30
[AMS5069 - 15] |
Alt. | 0'30 | Dario Ferrante, Jure Jerebic | 30 second cut. | radiant electronic score unifying luminous | Am | 156 | |||
|
Polaroid Memories Edit 2 15
[AMS5069 - 16] |
Alt. | 0'15 | Dario Ferrante, Jure Jerebic | 15 second cut. | radiant electronic score unifying luminous | Am | 156 | |||
|
Elios And Selene [AMS5069 - 8] |
2'03 | Dario Ferrante, Jure Jerebic | Cinematic Synthwave. Shimmering, carefree, and exhilarating. Analog | driving sci-fi analog synth 1980 | C | 130 | ||||
|
Elios And Selene Alternate 1 [AMS5069 - 37] |
Alt. | 2'03 | Dario Ferrante, Jure Jerebic | Version without lead synth. | driving sci-fi analog synth 1980 | C | 130 | |||
|
Elios And Selene Alternate 2 [AMS5069 - 38] |
Alt. | 2'03 | Dario Ferrante, Jure Jerebic | Underscore version. | driving sci-fi analog synth 1980 | C | 130 | |||
|
Elios And Selene Edit 1 30 sec [AMS5069 - 39] |
Alt. | 0'30 | Dario Ferrante, Jure Jerebic | 30 second cut. | driving sci-fi analog synth 1980 | C | 130 | |||
|
Elios And Selene Edit 2 15 sec [AMS5069 - 40] |
Alt. | 0'15 | Dario Ferrante, Jure Jerebic | 15 second cut. | driving sci-fi analog synth 1980 | C | 129 | |||
|
Healing the Earth [CEG5063 - 7] |
1'50 | The Quantum | Ambient. Bubbly, bouncing & soothing. Synth & strings. Ideal for | electro ambient medecine dreamy calm | D | 85 | ||||
|
Healing the Earth Alternate [CEG5063 - 20] |
Alt. | 1'50 | The Quantum | Alternate no strings. | electro ambient medecine dreamy calm | D | 85 | |||
|
Pure Water [CEG5063 - 10] |
2'04 | Claude Samard | Ambient. Assured, determined & spacey. Analog synth. Ideal for | relaxed relaxation suspended atmosphere neutral | Cm | 140 | ||||
|
Pure Water Alternate 1 [CEG5063 - 23] |
Alt. | 2'04 | Claude Samard | Alternate no rhythm. | relaxed relaxation suspended atmosphere neutral | Cm | 140 | |||
|
Pure Water Alternate 2 [CEG5063 - 24] |
Alt. | 2'04 | Claude Samard | Alternate underscore. | relaxed relaxation suspended atmosphere neutral | Cm | 140 | |||
|
Tears among the Fallen
[CEC8067 - 10] |
3'47 | Zhang Hao, Qingfeng Mu | Soothing, poetic & delicate. Piano, guzheng, dizi, celesta, erhu, | chinese cinema cinematic destiny moving | Dm | 63 | ||||
|
Tears among the Fallen
[CEC8067 - 19] |
Alt. | 3'47 | Zhang Hao, Qingfeng Mu | Version without percussion | chinese cinema destiny moving airy | Dm | 63 | |||
|
Tears among the Fallen
[CEC8067 - 20] |
Alt. | 3'49 | Zhang Hao, Qingfeng Mu | Piano solo version | moving narrative romantic destiny | Dm | 63 | |||
|
Ambient I [EOS148 - 2] |
0 | 2'54 | Mathieu Harlaut | Deep, floating & toxic. Analog synth soundscape & sequence. | space analog synth Ambient (all) wandering | Cm | 112 | |||
|
Ambient II [EOS148 - 6] |
0 | 2'06 | Mathieu Harlaut | Wandering, floating & nocturnal. Layers of analog synth. | contemporary series Ambient (all) analog synth atmospheric | Ab | 62 | |||
|
Resurgence [CEG5060 - 8] |
2'32 | Arttu Silvast | Hybrid Scoring. Cold, sinister, insidious & dark. Relentless deep | insidious horror cold toxic | Dm | 80 | ||||
|
Resurgence Alternate [CEG5060 - 26] |
Alt. | 2'31 | Arttu Silvast | Underscore version | insidious horror cold toxic | Dm | 107 | |||
|
Antibody [CEG5060 - 9] |
2'58 | Arttu Silvast | Hybrid Scoring. Intro with clinical, investigative & constant | relentless inexorable social drama industry | Em | 122 | ||||
|
Antibody Alternate 1 [CEG5060 - 27] |
Alt. | 2'57 | Arttu Silvast | Version without percussion | relentless inexorable social drama industry | Em | 122 | |||
|
Antibody Alternate 2 [CEG5060 - 28] |
Alt. | 2'58 | Arttu Silvast | Underscore version with percussion | relentless inexorable social drama industry | Em | 122 | |||
|
Smart Camera [CEG5064 - 12] |
0 | 2'07 | Claude Samard | Ambient. Atmospheric, cyclic & evasive. Synth. Ideal for | suspense cyclic cybernetics electronic score | Em | 100 | |||
|
Los Llanos [CEL7047 - 11] |
2'33 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Mysterious, narrative, exotic & suspenseful. 10-string guitar, | geopolitics investigation narrative interrogative | Am | 92 | ||||
|
Los Llanos Alternate [CEL7047 - 52] |
Alt. | 2'20 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Version guitars only | geopolitics investigation narrative interrogative | Am | 92 | |||
|
Patience my Dear - Electro
[CEZ4700 - 27] |
0 | 2'19 | Elisabeth Skornik, Guy Skornik | Electronic version. Tense, mysterious, investigative & constant. | investigation electronic score mysterious interrogative | D | 104 | |||
|
Maybe I'm Dreaming - Electro
[CEZ4700 - 30] |
0 | 2'05 | Elisabeth Skornik, Guy Skornik | Electronic version. Corporate, confident & steady. Processed piano, | steady electronic score investigation suspense | Bbm | 89 | |||
|
Cue On The Side [UBM2603 - 7] |
0 | 2'04 | Branimir Lovric | Minimalist, percussive track for zoo programs and children's shows. | interrogative mysterious driving ironical & mischievous | Dm | 100 |