| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Don't Panic [MAG6097 - 2] |
3'34 | Turbine | Electro fight, turbine techno. Suspended intro then jerky & harsh. | extreme & fighting sport aggressive & violent electroclash mechanical sport | Fm | 130 | ||||
|
Don't Panic Alternate 1 [MAG6097 - 10] |
Alt. | 3'34 | Turbine | Instrumental version. | extreme & fighting sport aggressive & violent electroclash mechanical sport | Fm | 130 | |||
|
Don't Panic Alternate 2 [MAG6097 - 11] |
Alt. | 3'33 | Turbine | Underscore version. | extreme & fighting sport aggressive & violent electroclash mechanical sport | Bbm | 130 | |||
|
Don't Panic Edit 1 (60 sec) [MAG6097 - 12] |
Alt. | 1'00 | Turbine | 60 second cut. | extreme & fighting sport aggressive & violent electroclash mechanical sport | Fm | 130 | |||
|
Don't Panic Edit 2 (30 sec) [MAG6097 - 13] |
Alt. | 0'30 | Turbine | 30 second cut. | extreme & fighting sport aggressive & violent electroclash mechanical sport | Fm | 130 | |||
|
Don't Panic Edit 3 (15 sec) [MAG6097 - 14] |
Alt. | 0'15 | Turbine | 15 second cut. | extreme & fighting sport aggressive & violent electroclash mechanical sport | Db | 130 | |||
|
Don't Panic Edit 4 (sting) [MAG6097 - 15] |
Alt. | 0'09 | Turbine | Sting. | extreme & fighting sport aggressive & violent electroclash mechanical sport | Db | 124 | |||
|
Break the Fake [CEZ4653 - 9] |
2'04 | G.Bonson | Big Beat. 1990s. Upbeat, edgy & relentless. Male vocals, drums & | mechanical sport big beat heavy extreme & fighting sport | Gm | 127 | ||||
|
Break The Fake Alternate [CEZ4653 - 134] |
Alt. | 2'03 | G.Bonson | Instrumental version | mechanical sport big beat heavy extreme & fighting sport | Gm | 127 | |||
|
Break The Fake Edit 1 (60 sec) [CEZ4653 - 135] |
Alt. | 1'00 | G.Bonson | 60 second cut | mechanical sport big beat heavy extreme & fighting sport | Gm | 127 | |||
|
Break The Fake Edit 2 (60 sec) [CEZ4653 - 136] |
Alt. | 1'00 | G.Bonson | 60 second instrumental cut | mechanical sport big beat heavy extreme & fighting sport | Gm | 127 | |||
|
Break The Fake Edit 3 (60 sec) [CEZ4653 - 137] |
Alt. | 1'00 | G.Bonson | 60 second cut 2 | mechanical sport big beat heavy extreme & fighting sport | Gm | 127 | |||
|
Break The Fake Edit 4 (60 sec) [CEZ4653 - 138] |
Alt. | 1'00 | G.Bonson | 60 second instrumental cut 2 | mechanical sport big beat heavy extreme & fighting sport | Gm | 127 | |||
|
Break The Fake Edit 5 (30 sec) [CEZ4653 - 139] |
Alt. | 0'30 | G.Bonson | 30 second cut | mechanical sport big beat heavy extreme & fighting sport | Gm | 127 | |||
|
Break The Fake Edit 6 (30 sec) [CEZ4653 - 140] |
Alt. | 0'30 | G.Bonson | 30 second instrumental cut | mechanical sport big beat heavy extreme & fighting sport | Gm | 127 | |||
|
Break The Fake Edit 7 (30 sec) [CEZ4653 - 141] |
Alt. | 0'30 | G.Bonson | 30 second cut 2 | mechanical sport big beat heavy extreme & fighting sport | Gm | 127 | |||
|
Break The Fake Edit 8 (15 sec) [CEZ4653 - 142] |
Alt. | 0'15 | G.Bonson | 15 second cut | mechanical sport big beat heavy extreme & fighting sport | Gm | 128 | |||
|
Break The Fake Edit 9 (15 sec) [CEZ4653 - 143] |
Alt. | 0'15 | G.Bonson | 15 second instrumental cut | mechanical sport big beat heavy extreme & fighting sport | Gm | 127 | |||
|
Break The Fake Edit 10 (15
[CEZ4653 - 144] |
Alt. | 0'15 | G.Bonson | 15 second cut 2 | mechanical sport big beat heavy extreme & fighting sport | G | 127 | |||
|
Break The Fake Edit 11 (Sting
[CEZ4653 - 145] |
Alt. | 0'09 | G.Bonson | Sting 1 | mechanical sport big beat heavy extreme & fighting sport | Bb | 128 | |||
|
Break The Fake Edit 12 (Sting
[CEZ4653 - 146] |
Alt. | 0'08 | G.Bonson | Sting instrumental 1 | mechanical sport big beat heavy extreme & fighting sport | Bb | 124 | |||
|
Break The Fake Edit 13 (Sting
[CEZ4653 - 147] |
Alt. | 0'07 | G.Bonson | Sting 2 | mechanical sport big beat heavy extreme & fighting sport | Gm | 129 | |||
|
Break The Fake Edit 14 (Sting
[CEZ4653 - 148] |
Alt. | 0'07 | G.Bonson | Sting 3 | mechanical sport big beat heavy extreme & fighting sport | Em | 130 | |||
|
Break The Fake Edit 15 (Sting
[CEZ4653 - 149] |
Alt. | 0'05 | G.Bonson | Sting instrumental 3 | mechanical sport big beat heavy extreme & fighting sport | Gm | 127 | |||
|
Random Heartbreak [MAG6096 - 2] |
2'05 | GUEGOL | Lo Fi Indie Pop ballad song sung in English. Delicate, sentimental & Lyrics | indie pop sentimental romantic pop ballad | E | 89 | ||||
|
Random Heartbreak Alternate [MAG6096 - 15] |
Alt. | 2'05 | GUEGOL | Instrumental version | indie pop sentimental romantic pop ballad | E | 178 | |||
|
Random Heartbreak Edit 1 (15
[MAG6096 - 16] |
Alt. | 0'15 | GUEGOL | 15 second cut. | indie pop sentimental romantic pop ballad | E | 90 | |||
|
Random Heartbreak Edit 2 (15
[MAG6096 - 17] |
Alt. | 0'15 | GUEGOL | Instrumental 15 second cut. | indie pop sentimental romantic pop ballad | E | 90 | |||
|
Random Heartbreak Edit 3 (30
[MAG6096 - 18] |
Alt. | 0'30 | GUEGOL | 30 second cut. | indie pop sentimental romantic pop ballad | E | 90 | |||
|
Random Heartbreak Edit 4 (30
[MAG6096 - 19] |
Alt. | 0'30 | GUEGOL | Instrumental 30 second cut. | indie pop sentimental romantic pop ballad | E | 90 | |||
|
Random Heartbreak Edit 5 (60
[MAG6096 - 20] |
Alt. | 1'00 | GUEGOL | 60 second cut. | indie pop sentimental romantic pop ballad | E | 185 | |||
|
Random Heartbreak Edit 6 (60
[MAG6096 - 21] |
Alt. | 1'00 | GUEGOL | Instrumental 60 second cut. | indie pop sentimental romantic pop ballad | E | 178 | |||
|
Random Heartbreak Edit 7
[MAG6096 - 22] |
Alt. | 0'11 | GUEGOL | Sting cut. | indie pop sentimental romantic pop ballad | E | 172 | |||
|
Random Heartbreak Edit 8
[MAG6096 - 23] |
Alt. | 0'08 | GUEGOL | Sting cut 2 | indie pop sentimental romantic pop ballad | E | 90 | |||
|
Random Heartbreak Edit 9
[MAG6096 - 24] |
Alt. | 0'11 | GUEGOL | Sting cut 3 | indie pop sentimental romantic pop ballad | B | 120 | |||
|
All Eyes On You [MPMA0040 - 1] |
1'53 | Patrick Bolster, Scott Steven | Highlighted by pulsating guitar riffs, dynamic kick drum beats, and | walking bluesy cinematic rock proud | Dm | 65 | ||||
|
All Eyes On You - Instrumental [MPMA0040 - 7] |
Alt. | 1'53 | Patrick Bolster, Scott Steven | Highlighted by pulsating guitar riffs, dynamic kick drum beats, and | walking bluesy cinematic rock proud | Dm | 65 | |||
|
You've Got The Spark [MPMA0040 - 2] |
1'28 | Patrick Bolster, Scott Steven | Highlighted by pulsating guitar riffs, dynamic kick drum beats, and | proud advertising anthemic rock / stadium rock male singer | Em | 100 | ||||
|
You've Got The Spark -
[MPMA0040 - 8] |
Alt. | 1'28 | Patrick Bolster, Scott Steven | Highlighted by pulsating guitar riffs, dynamic kick drum beats, and | proud advertising anthemic rock / stadium rock lively | Em | 100 | |||
|
Echoes of the Silk Road [CEC8058 - 3] |
2'11 | Zhang Hao, Peng Qu | Dreamy, undulating, ethereal & contemplative. Saz, ney, darbuka, | hot desert hypnotic Middle-East & Maghreb contemporary middle-eastern music | Fm | 140 | ||||
|
Echoes of the Silk Road
[CEC8058 - 10] |
Alt. | 2'09 | Zhang Hao, Peng Qu | Instrumental version | hot desert hypnotic Middle-East & Maghreb mystical | Fm | 140 | |||
|
Last Laugh [MPMA0034 - 4] |
4'14 | Francis Mackey | Sad yet rhythmic melodies merging in bittersweet tracks, resonating | teen drama cinematic pop climax uplifting | Dbm | 103 | ||||
|
Last Laugh - Instrumental [MPMA0034 - 11] |
Alt. | 4'14 | Francis Mackey | Sad yet rhythmic melodies merging in bittersweet tracks, resonating | cinematic pop teen drama climax uplifting | Dbm | 103 | |||
|
Last Laugh - Short [MPMA0034 - 12] |
Alt. | 0'57 | Francis Mackey | Sad yet rhythmic melodies merging in bittersweet tracks, resonating | cinematic pop teen drama climax uplifting | Dbm | 103 | |||
|
Digital Enigma [ISC087 - 3] |
2'38 | Norbert Gobor | Cinematic score. Emotional, intriguing & building. Moving piano & | atmospheric legal drama anticipation investigation | D | 132 | ||||
|
Digital Enigma Alternate [ISC087 - 13] |
Alt. | 2'38 | Norbert Gobor | Underscore | atmospheric legal drama anticipation investigation | D | 131 | |||
|
Codebreaker [ISC087 - 5] |
2'19 | Norbert Gobor | Cinematic score. Mysterious, edgy & futuristic. Slowly building with | crime movie steady electro beat investigation | Dm | 99 | ||||
|
Codebreaker Alternate [ISC087 - 16] |
Alt. | 2'19 | Norbert Gobor | Version without percussion | steady electro beat investigation relentless | D | 99 | |||
|
Granular Drone SFX 10 From A
[CSDL1022 - 73] |
2'34 | Salvador Casais, Thomas Dubreuil | Sound design element. Distorted granular drone with synth chord & | synth choir drones by key fx distorsion disturbing | Am | 164 | ||||
|
Granular Drone SFX 10 in A [CSDL1022 - 74] |
Alt. | 0'22 | Salvador Casais, Thomas Dubreuil | Distorted granular drone in A | synth choir drones by key fx distorsion disturbing | A | 115 | |||
|
Granular Drone SFX 10 in B [CSDL1022 - 75] |
Alt. | 0'22 | Salvador Casais, Thomas Dubreuil | Distorted granular drone in B | synth choir drones by key fx distorsion disturbing | B | 118 | |||
|
Granular Drone SFX 10 in C [CSDL1022 - 76] |
Alt. | 0'22 | Salvador Casais, Thomas Dubreuil | Distorted granular drone in C | synth choir drones by key fx distorsion disturbing | C | 123 | |||
|
Granular Drone SFX 10 in D [CSDL1022 - 77] |
Alt. | 0'22 | Salvador Casais, Thomas Dubreuil | Distorted granular drone in D | synth choir drones by key fx distorsion disturbing | D | 86 | |||
|
Granular Drone SFX 10 in E [CSDL1022 - 78] |
Alt. | 0'22 | Salvador Casais, Thomas Dubreuil | Distorted granular drone in E | synth choir drones by key fx distorsion disturbing | E | 144 | |||
|
Granular Drone SFX 10 in F [CSDL1022 - 79] |
Alt. | 0'22 | Salvador Casais, Thomas Dubreuil | Distorted granular drone in F | synth choir drones by key fx distorsion disturbing | F | 149 | |||
|
Granular Drone SFX 10 in G [CSDL1022 - 80] |
Alt. | 0'22 | Salvador Casais, Thomas Dubreuil | Distorted granular drone in G | synth choir drones by key fx distorsion disturbing | G | 87 | |||
|
Guitar Bend SFX 1 From A to G [CSDL1021 - 1] |
0'56 | Philippe Briand, Salvador Casais | Sound design element. Clean & floating guitar bends with delay from A | fx delay guitar fx distorted electric guitar mysterious | Em | 155 | ||||
|
Guitar Bend SFX 1 in A [CSDL1021 - 2] |
Alt. | 0'08 | Philippe Briand, Salvador Casais | Clean & floating guitar bend with delay in A | fx delay guitar fx distorted electric guitar mysterious | A | 153 | |||
|
Guitar Bend SFX 1 in B [CSDL1021 - 3] |
Alt. | 0'08 | Philippe Briand, Salvador Casais | Clean & floating guitar bend with delay in B | fx delay guitar fx distorted electric guitar mysterious | B | 151 | |||
|
Guitar Bend SFX 1 in C [CSDL1021 - 4] |
Alt. | 0'08 | Philippe Briand, Salvador Casais | Clean & floating guitar bend with delay in C | fx delay guitar fx distorted electric guitar mysterious | C | 149 | |||
|
Guitar Bend SFX 1 in D [CSDL1021 - 5] |
Alt. | 0'08 | Philippe Briand, Salvador Casais | Clean & floating guitar bend with delay in D | fx delay guitar fx distorted electric guitar mysterious | Dm | 157 | |||
|
Guitar Bend SFX 1 in E [CSDL1021 - 6] |
Alt. | 0'08 | Philippe Briand, Salvador Casais | Clean & floating guitar bend with delay in E | fx delay guitar fx distorted electric guitar mysterious | Em | 162 | |||
|
Guitar Bend SFX 1 in F [CSDL1021 - 7] |
Alt. | 0'08 | Philippe Briand, Salvador Casais | Clean & floating guitar bend with delay in F | fx delay guitar fx distorted electric guitar mysterious | F | 161 | |||
|
Guitar Bend SFX 1 in G [CSDL1021 - 8] |
Alt. | 0'08 | Philippe Briand, Salvador Casais | Clean & floating guitar bend with delay in G | fx delay guitar fx distorted electric guitar mysterious | G | 161 | |||
|
Guitar Bend SFX 2 From A to G [CSDL1021 - 9] |
0'42 | Philippe Briand, Salvador Casais | Sound design element. Fast & vibrating guitar bends with delay from A | fx delay guitar fx distorted electric guitar insidious | G | 81 | ||||
|
Guitar Bend SFX 2 in A [CSDL1021 - 10] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Fast & vibrating guitar bend with delay in A | fx delay guitar fx distorted electric guitar insidious | A | 148 | |||
|
Guitar Bend SFX 2 in B [CSDL1021 - 11] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Fast & vibrating guitar bend with delay in B | fx delay guitar fx distorted electric guitar insidious | B | 151 | |||
|
Guitar Bend SFX 2 in C [CSDL1021 - 12] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Fast & vibrating guitar bend with delay in C | fx delay guitar fx distorted electric guitar insidious | C | 155 | |||
|
Guitar Bend SFX 2 in D [CSDL1021 - 13] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Fast & vibrating guitar bend with delay in D | fx delay guitar fx distorted electric guitar insidious | D | 161 | |||
|
Guitar Bend SFX 2 in E [CSDL1021 - 14] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Fast & vibrating guitar bend with delay in E | fx delay guitar fx distorted electric guitar insidious | E | 149 | |||
|
Guitar Bend SFX 2 in F [CSDL1021 - 15] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Fast & vibrating guitar bend with delay in F | fx delay guitar fx distorted electric guitar insidious | F | 161 | |||
|
Guitar Bend SFX 2 in G [CSDL1021 - 16] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Fast & vibrating guitar bend with delay in G | fx delay guitar fx distorted electric guitar insidious | G | 118 | |||
|
Guitar Bend SFX 4 From A to G [CSDL1021 - 25] |
0'42 | Philippe Briand, Salvador Casais | Sound design element. Fast tremolo guitar bends with delay from A to | fx delay guitar fx distorted electric guitar mysterious | Em | 162 | ||||
|
Guitar Bend SFX 4 in A [CSDL1021 - 26] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Fast tremolo guitar bend with delay in A | fx delay guitar fx distorted electric guitar mysterious | Am | 154 | |||
|
Guitar Bend SFX 4 in B [CSDL1021 - 27] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Fast tremolo guitar bend with delay in B | fx delay guitar fx distorted electric guitar mysterious | Bm | 152 | |||
|
Guitar Bend SFX 4 in C [CSDL1021 - 28] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Fast tremolo guitar bend with delay in C | fx delay guitar fx distorted electric guitar mysterious | C | 151 | |||
|
Guitar Bend SFX 4 in D [CSDL1021 - 29] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Fast tremolo guitar bend with delay in D | fx delay guitar fx distorted electric guitar mysterious | Dm | 151 | |||
|
Guitar Bend SFX 4 in E [CSDL1021 - 30] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Fast tremolo guitar bend with delay in E | fx delay guitar fx distorted electric guitar mysterious | Em | 154 | |||
|
Guitar Bend SFX 4 in F [CSDL1021 - 31] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Fast tremolo guitar bend with delay in F | fx delay guitar fx distorted electric guitar mysterious | F | 152 | |||
|
Guitar Bend SFX 4 in G [CSDL1021 - 32] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Fast tremolo guitar bend with delay in G | fx delay guitar fx distorted electric guitar mysterious | Gm | 135 | |||
|
Guitar Bend SFX 10 From A to G [CSDL1021 - 73] |
0'42 | Philippe Briand, Salvador Casais | Sound design element. Clean & floating guitar bends from A to G. | confident fx reverb guitar fx distorted electric guitar | Am | 152 | ||||
|
Guitar Bend SFX 10 in A [CSDL1021 - 74] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Clean & floating guitar bend in A | confident fx reverb guitar fx distorted electric guitar | B | 144 | |||
|
Guitar Bend SFX 10 in B [CSDL1021 - 75] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Clean & floating guitar bend in B | confident fx reverb guitar fx distorted electric guitar | Ab | 152 | |||
|
Guitar Bend SFX 10 in C [CSDL1021 - 76] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Clean & floating guitar bend in C | confident fx reverb guitar fx distorted electric guitar | A | 152 | |||
|
Guitar Bend SFX 10 in D [CSDL1021 - 77] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Clean & floating guitar bend in D | confident fx reverb guitar fx distorted electric guitar | Eb | 185 | |||
|
Guitar Bend SFX 10 in E [CSDL1021 - 78] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Clean & floating guitar bend in E | confident fx reverb guitar fx distorted electric guitar | Fm | 152 | |||
|
Guitar Bend SFX 10 in F [CSDL1021 - 79] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Clean & floating guitar bend in F | confident fx reverb guitar fx distorted electric guitar | Gb | 80 | |||
|
Guitar Bend SFX 10 in G [CSDL1021 - 80] |
Alt. | 0'06 | Philippe Briand, Salvador Casais | Clean & floating guitar bend in G | confident fx reverb guitar fx distorted electric guitar | G | 152 | |||
|
Mashed Potatoes Time [CEZ4643 - 6] |
2'10 | Grand David | 1970s Rhythm & Blues goes mash potatoes. Playful, impish, groovy & | rhythm and blues 1970 police comedy confident | Gbm | 116 | ||||
|
Mashed Potatoes Time
[CEZ4643 - 46] |
Alt. | 2'10 | Grand David | Version without drums | rhythm and blues 1970 police comedy confident | A | 116 | |||
|
Mashed Potatoes Time
[CEZ4643 - 47] |
Alt. | 2'03 | Grand David | Underscore version (without horns & keys) | rhythm and blues 1970 police comedy confident | Gbm | 117 | |||
|
Mashed Potatoes Time Edit 1
[CEZ4643 - 48] |
Alt. | 0'14 | Grand David | 15 second cut | rhythm and blues 1970 police comedy confident | Em | 115 | |||
|
Mashed Potatoes Time Edit 2
[CEZ4643 - 49] |
Alt. | 0'30 | Grand David | 30 second cut | rhythm and blues 1970 police comedy confident | Gbm | 115 | |||
|
Mashed Potatoes Time Edit 3
[CEZ4643 - 50] |
Alt. | 1'00 | Grand David | 60 second cut | rhythm and blues 1970 police comedy confident | Gbm | 116 | |||
|
Mashed Potatoes Time Edit 4
[CEZ4643 - 51] |
Alt. | 0'13 | Grand David | Sting 1 | rhythm and blues 1970 police comedy confident | A | 117 | |||
|
Mashed Potatoes Time Edit 5
[CEZ4643 - 52] |
Alt. | 0'06 | Grand David | Sting 2 | rhythm and blues 1970 police comedy confident | Em | 109 | |||
|
Empty City [AMS5043 - 1] |
3'17 | Aleksandar Dimitrijevic | Post-apocalyptic cinematic rock. 1st part with melancholic guitar & | post-rock tragic climax melancholic | Gbm | 80 | ||||
|
Empty City Alternate 1 [AMS5043 - 11] |
Alt. | 3'17 | Aleksandar Dimitrijevic | Version without bass & drums | post-rock tragic climax melancholic | Gbm | 81 | |||
|
Empty City Alternate 2 [AMS5043 - 12] |
Alt. | 3'17 | Aleksandar Dimitrijevic | Version without melody | post-rock tragic climax melancholic | Gbm | 80 | |||
|
Empty City Edit 1 (30 sec) [AMS5043 - 13] |
Alt. | 0'26 | Aleksandar Dimitrijevic | 30 seconds cut | post-rock tragic climax melancholic | Gbm | 80 | |||
|
Empty City Edit 2 (15 sec) [AMS5043 - 14] |
Alt. | 0'11 | Aleksandar Dimitrijevic | 15 seconds cut | post-rock tragic climax melancholic | Bm | 80 | |||
|
Forward-Thinking [ISC085 - 6] |
0 | 2'15 | Sandia | Neoclassical. Narrative, elegant & inspirational. Piano theme. | unifying destiny uplifting corporate video | Db | 97 | |||
|
Lost Everything [UBM2557 - 4] |
0 | 3'35 | Andreas Schulz | Reverberated piano leaves room for reflection and empathy. Despite | original score suspended atmosphere introspective historical narrative | C | 78 | |||
|
Ocean Vibes [UBM2557 - 6] |
0 | 1'30 | Andreas Schulz | Artistic atmosphere for scenes of loneliness, devastation or dark | introspective acoustic piano original score docu fiction | Eb | 78 | |||
|
Melancholy [UBM2557 - 7] |
0 | 0'58 | Andreas Schulz | Soundscape with gentle solo piano for sad scenes. Thoughtful, | suspended atmosphere acoustic piano atmospheric original score | A | 61 |