| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Solo Tu [CEZ4200 - 8] |
2'11 | Hector Viveros, Señor Ortegón & his Orchestra | Mexican bolero. Sentimental, passionate & kitsch. Sung in Spanish. Lyrics | bolero exotic kitsch & cheesy Mexico | Dm | 100 | ||||
|
Solo Tu Instrumental [CEZ4200 - 16] |
Alt. | 2'10 | Hector Viveros, Señor Ortegón & his Orchestra | Mexican bolero. Sentimental, latin, passionate & kitsch. Orchestra | bolero Mexico kitsch & cheesy sentimental | Dm | 100 | |||
|
A Voice in the Crowd [CEZ4185 - 17] |
2'03 | Airelle Besson, Eric Daniel | Disturbing & interrogative. Muted trumpet, tablas, electronics, | interrogative muted trumpet disturbing geopolitics | Fm | 100 | ||||
|
A Voice in the Crowd 2 [CEZ4185 - 26] |
Alt. | 2'03 | Airelle Besson, Eric Daniel | Disturbing & interrogative. Percussions, tablas, electronics, rhythm | interrogative disturbing time (tick-tock) spy | Em | 100 | |||
|
Strange Encounter [CEO2025 - 13] |
0 | 2'13 | Selma Mutal | Pensive & doubtful. Fender Rhodes piano & electronics. Jew's harp fx | wandering introspective investigation relentless | Cm | 95 | |||
|
Chicha Dulce Remix [CEZ4167 - 24] |
2'40 | Pajaro Canzani, Daniel Diaz | Ethnic electronica. Electronics, ethnic drums & electric guitar. | chicha exotic electro world ethnic percussion ensemble | Gbm | 167 | ||||
|
Chicha Dulce [CEZ4167 - 3] |
Alt. | 3'16 | Pajaro Canzani | Determined & exotic. Electric guitar & ensemble. | chicha Peru exotic electric guitar | Gbm | 84 | |||
|
Emptiness [EOS14 - 10] |
0 | 3'03 | Johane Myran | Hostile & vaporous. Beds with Japonese bowls. | atmospheric wandering desolate suspended atmosphere | Dm | 108 | |||
|
The Last Duel [CEZ4163 - 28] |
2'15 | Claude Samard | Proud & mysterious. Harmonica, banjo, electric guitar, synth & | diatonic harmonica Italian western proud mysterious | Am | 150 | ||||
|
The Last Duel 2 [CEZ4163 - 29] |
Alt. | 2'27 | Claude Samard | Proud & mysterious. Harmonica, banjo, whip fx, electric guitar, synth | diatonic harmonica mysterious building Italian western | Am | 150 | |||
|
Exotic Tatoo [MAG6001 - 8] |
0 | 3'36 | Chomsk' | Ethnic electronica. Incisive & cut-up. Electronics, rhythm & female | fashion electro world exotic open air | Em | 90 | |||
|
Ayemii [CEZ4150 - 2] |
0 | 5'08 | Sékouba Bambino | Guinean song. Hypnotic & solemn. Traditional male singer with mixed | Traditional African kora traditional male soloist voice mixed ethnic choir | Gm | 96 | |||
|
Taria [CEZ4150 - 10] |
0 | 8'34 | Sékouba Bambino | Guinean song. Majestic & proud. Traditional male singer with mixed Lyrics | traditional male soloist voice Africa Traditional African mixed ethnic choir | G | 89 | |||
|
Je Suis Blédard [CEZ4150 - 12] |
0 | 4'55 | Gbessa Sékou | Guinean song. Traditional male singer with female choir, electric Lyrics | Africa traditional male soloist voice Song and theme female ethnic choir | Dbm | 163 | |||
|
Looking East [CEZ4151 - 14] |
2'25 | Elisabeth Skornik, Guy Skornik | Serious & cyclique. Asian & Indian influences. Metallophone, string | strict arts & crafts confident corporate (all) | Eb | 105 | ||||
|
Looking East 2 [CEZ4151 - 44] |
Alt. | 2'17 | Elisabeth Skornik, Guy Skornik | Peaceful & cyclic. Like an Indian raga. Solo piano. | suspended atmosphere confident cyclic intermittent | Eb | 105 | |||
|
Looking East 3 [CEZ4151 - 45] |
Alt. | 1'51 | Elisabeth Skornik, Guy Skornik | Exotic & easy going. Metallophone & string orchestra. | geopolitics time (tick-tock) calm confident | Eb | 105 | |||
|
Rosario [CCB1015 - 8] |
0 | 5'16 | Renaud Garcia-Fons | Melancholic & determined. Solo double-bass. @ 0'55 percussion & | world music bowed double bass Spain driving | Em | 131 | |||
|
Sareban [CCB1015 - 10] |
0 | 5'59 | Renaud Garcia-Fons | First melancholic then determined & serioux. Constant progression. | world music bowed double bass crescendo Spain | F | 140 | |||
|
Bolbol [CCB1014 - 6] |
0 | 5'11 | Renaud Garcia-Fons | Crossing India. Lively & fiery. Small instrumental ensemble with | world music panorama bowed double bass India | Cm | 146 | |||
|
Oriental Bass [CCB1012 - 1] |
0 | 6'38 | Renaud Garcia-Fons | Fiery, serious bus joyful. Bowed double-bass & small ensemble. | Andalusi classical music world music open air bowed double bass | C | 123 | |||
|
Oryssa [CCB1012 - 4] |
0 | 7'18 | Renaud Garcia-Fons | Mysterious & wandering. Tempo changing @ 3'41, urgent & frightful. | geopolitics world music wandering disturbing | G | 141 | |||
|
Additional Time [CEZ4147 - 13] |
0 | 1'31 | Silvano Michelino, Baptiste Thiry | Electro batucada. Fast action. Powerful & constant. Brazilian & | team sport batucada mechanical sport Brazil | Am | 130 | |||
|
Festa Brasileira [CEZ4146 - 3] |
0 | 1'32 | Silvano Michelino, Célia Reggiani | Popular samba. Festive & exciting. Choir, brass section & rhythm. | Brazil carnival exotic festive | Em | 140 | |||
|
Malandragem [CEZ4138 - 2] |
2'11 | Mintcho Garrammone | Simple & intimate. Mandolin, guitar & pandeiro (tambourine). | choro Brazil mandolins (all) ethnic & traditional (all) | Dm | 124 | ||||
|
Malandragem 2 [CEZ4138 - 16] |
Alt. | 1'10 | Mintcho Garrammone | Simple & moving. Mandolin & acoustic guitar. | choro mandolins (all) Brazil geopolitics | Dm | 124 | |||
|
Morro da Buneca [CEZ4138 - 5] |
0 | 1'55 | Pajaro Canzani | Lively & melancholic. Mandolin, acoustic guitar & percussion. Surdo & | choro Brazil exotic geopolitics | Gbm | 94 |