| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Voyage of No Return [CEZ4161 - 25] |
0 | 2'09 | David Reyes | Sad, emotional & inexorable. String orchestra with piano. | moving steady string orchestra sad | Dbm | 99 | |||
|
Play the Game [EOS12 - 1] |
1'00 | David Poirier | Catchy & triumphant. Electronics, vocoder & rhythm. | fx vocoder team sport synthesizer triumphant | Gm | 135 | ||||
|
Play the Game 2 [EOS12 - 6] |
Alt. | 0'14 | David Poirier | Link. Lively. Electronics, vocoder & rhythm. | link catchy steady lively | Gm | 135 | |||
|
Play the Game 3 [EOS12 - 7] |
Alt. | 0'16 | David Poirier | Link. Triumphant. Electronics, vocoder & rhythm. | link catchy steady lively | Gm | 135 | |||
|
Play the Game 4 [EOS12 - 8] |
Alt. | 0'16 | David Poirier | Link. Progression. Electronics & rhythm. | link lively instrumental medium | Gm | 135 | |||
|
Play the Game 5 [EOS12 - 9] |
Alt. | 0'17 | David Poirier | Link. Suspended. Electronics, vocoder & rhythm. | link suspended atmosphere festive fx vocoder | Gm | 135 | |||
|
Street Balls of Fire [EOS12 - 2] |
1'43 | Mathieu Harlaut | Driving & obstinate. Electronics & rhythm. | team sport driving intermittent open air | Gm | 124 | ||||
|
Street Balls of Fire 2 [EOS12 - 10] |
Alt. | 0'08 | Mathieu Harlaut | Loop. Patient. Electronics, electric guitar & rhythm. | loop driving electric guitar instrumental | Bb | 128 | |||
|
Street Balls of Fire 3 [EOS12 - 11] |
Alt. | 0'04 | Mathieu Harlaut | Loop. Obstinate. Rhythm. | extreme & fighting sport loop driving instrumental | Bbm | 126 | |||
|
Street Balls of Fire 4 [EOS12 - 12] |
Alt. | 0'04 | Mathieu Harlaut | Loop. Triumphant. Synth. | loop driving instrumental medium | Dm | 164 | |||
|
Street Balls of Fire 5 [EOS12 - 13] |
Alt. | 0'02 | Mathieu Harlaut | Loop. Triumphant. Synth & electric piano. | loop instrumental medium undulating | Dm | 167 | |||
|
Street Balls of Fire 6 [EOS12 - 14] |
Alt. | 0'02 | Mathieu Harlaut | Loop. Jerky. Electric guitar & rhythm. | loop lively electric guitar instrumental | Ebm | 123 | |||
|
Street Balls of Fire 7 [EOS12 - 15] |
Alt. | 0'03 | Mathieu Harlaut | One shot. Sudden. Electric piano & rhythm. | sting lively corporate video instrumental | F | 131 | |||
|
Street Balls of Fire 8 [EOS12 - 16] |
Alt. | 0'15 | Mathieu Harlaut | Loop. Triumphant. Synth, electric piano & rhythm. | loop driving intermittent uplifting | Gm | 126 | |||
|
Union Team [EOS12 - 3] |
0'55 | Eric Volpatti | Determined & confident. Snare roll, electric piano & synth. | drum roll snare driving team sport | Ab | 120 | ||||
|
Union Team 2 [EOS12 - 17] |
Alt. | 0'22 | Eric Volpatti | Link. Confident. Snare roll, electric piano & synth. | link snare drum roll arpeggiator | Ab | 119 | |||
|
Union Team 3 [EOS12 - 18] |
Alt. | 0'09 | Eric Volpatti | Link. Suspended. Electric piano & arpeggiator. | link arpeggiator confident driving | Db | 105 | |||
|
Union Team 4 [EOS12 - 19] |
Alt. | 0'32 | Eric Volpatti | Loop. Interrogative. Snare roll & arpeggiator. | suspended atmosphere jingle drum roll arpeggiator | Ab | 118 | |||
|
Union Team 5 [EOS12 - 20] |
Alt. | 0'04 | Eric Volpatti | One shot. Filter. | sting muffled cold fx filter | Bm | 100 | |||
|
Union Team 6 [EOS12 - 21] |
Alt. | 0'04 | Eric Volpatti | One shot. Cymbal. | sting atmospheric cymbal horror | Bm | 117 | |||
|
Union Team 7 [EOS12 - 22] |
Alt. | 0'03 | Eric Volpatti | One shot. Interrogative. Electric piano. | sting daytime TV suspended atmosphere sparse | Ab | 143 | |||
|
Rock the Ball [EOS12 - 4] |
1'29 | David Poirier | Happy & rhythmic. Electric guitar, Hammond organ, agogo & rhythm. | team sport triumphant agogo lively | E | 95 | ||||
|
Rock the Ball 2 [EOS12 - 23] |
Alt. | 0'10 | David Poirier | Loop. Lively. Electric guitar, Hammond organ, agogo & rhythm. | loop agogo electric bass drums | E | 95 | |||
|
Rock the Ball 3 [EOS12 - 24] |
Alt. | 0'25 | David Poirier | Jingle. Rhythmic. Electric guitar, Hammond organ, agogo & rhythm. | jingle agogo electric bass drums | E | 95 | |||
|
Rock the Ball 4 [EOS12 - 25] |
Alt. | 0'23 | David Poirier | Loop. Percussive & sparse. Solo drum. | loop beds drums hi hat | Dbm | 95 | |||
|
One Step Above [EOS12 - 5] |
1'29 | David Poirier | Urban & powerful. Electronics, synths & rhythm. | introduction electronic percussion jerky triumphant | Gm | 140 | ||||
|
One Step Above 2 [EOS12 - 26] |
Alt. | 0'27 | David Poirier | Loop. Tense. Rhythm & sleigh bell. | loop fx alarm drums crystalline | Dbm | 140 | |||
|
One Step Above 3 [EOS12 - 27] |
Alt. | 0'27 | David Poirier | Loop. Heavy & jerky. Electronics & rhythm. | loop dubstep lively instrumental | Dm | 93 | |||
|
One Step Above 4 [EOS12 - 28] |
Alt. | 0'27 | David Poirier | Loop. Triumphant. Synths. | loop suspended atmosphere festive fx delay | Bb | 140 | |||
|
One Step Above 5 [EOS12 - 29] |
Alt. | 0'55 | David Poirier | Loop. Heavy & jerky. Electronics & rhythm. | loop dubstep glitch (texture) instrumental | Gm | 140 | |||
|
Time Flies [CEZ4151 - 1] |
2'10 | Elisabeth Skornik, Guy Skornik | Repetitive, serious & determined. Builds up gradually. String | neo-classical music repetitive music politics corporate video | Am | 136 | ||||
|
Time Flies 2 [CEZ4151 - 15] |
Alt. | 2'10 | Elisabeth Skornik, Guy Skornik | Repetitive, serious & determined. Fast piano arpeggios & string | repetitive music politics corporate video acoustic piano | Am | 136 | |||
|
Time Flies 3 [CEZ4151 - 16] |
Alt. | 1'51 | Elisabeth Skornik, Guy Skornik | Repetitive, serious & determined. String orchestra playing staccato. | steady corporate video neo-classical music politics | Am | 136 | |||
|
Time Flies 4 [CEZ4151 - 17] |
Alt. | 2'10 | Elisabeth Skornik, Guy Skornik | Repetitive & flowing. Fast piano arpeggios. | arpeggio cyclic corporate video flowing | Am | 136 | |||
|
A Step Forward [CEZ4151 - 2] |
2'21 | Elisabeth Skornik, Guy Skornik | Confident & emotional. Piano & string orchestra. Builds up gradually. | corporate (all) arpeggio confident uplifting | G | 112 | ||||
|
A Step Forward 2 [CEZ4151 - 18] |
Alt. | 2'38 | Elisabeth Skornik, Guy Skornik | Bizarre & répétitive. Sampled guitar & string orchestra. Builds up | arts & crafts relentless complex unclassifiable | G | 112 | |||
|
A Step Forward 3 [CEZ4151 - 19] |
Alt. | 2'04 | Elisabeth Skornik, Guy Skornik | Repetitive & emotional. String orchestra. Builds up gradually. | relentless politics decrescendo driving | Bm | 167 | |||
|
A Step Forward 4 [CEZ4151 - 20] |
Alt. | 1'45 | Elisabeth Skornik, Guy Skornik | Repetitive & emotional. Solo piano playing arpeggio. | corporate video cyclic repetitive music politics | G | 112 | |||
|
The Emotion of Movement [CEZ4151 - 3] |
1'48 | Guy Skornik, Elisabeth Skornik | Passionate & determined. Intro 0'24. String orchestra & woodwind | string orchestra corporate (all) moving neo-classical music | Dbm | 162 | ||||
|
The Emotion of Movement 2 [CEZ4151 - 21] |
Alt. | 2'13 | Elisabeth Skornik, Guy Skornik | Passionate & determined. String orchestra & woodwind ensemble. | politics neo-classical music repetitive music steady | E | 162 | |||
|
The Emotion of Movement 3 [CEZ4151 - 22] |
Alt. | 2'06 | Elisabeth Skornik, Guy Skornik | Constant, lyrical & determined. Piano & string orchestra. | moving corporate video politics strict | Dbm | 162 | |||
|
Think Tank [CEZ4151 - 4] |
2'04 | Elisabeth Skornik, Guy Skornik | Patient & punctuated. Piano & string orchestra. | geopolitics relentless steady corporate (all) | Em | 167 | ||||
|
Think Tank 2 [CEZ4151 - 23] |
Alt. | 2'03 | Elisabeth Skornik, Guy Skornik | Strange & stubborn. Piano, electronics & string orchestra. | industry time (tick-tock) walking repetitive music | Em | 84 | |||
|
Think Tank 3 [CEZ4151 - 24] |
Alt. | 2'03 | Elisabeth Skornik, Guy Skornik | Insistent & stubborn. Four hand piano. | arts & crafts do-it-yourself confident driving | Em | 167 | |||
|
Change and Continuity [CEZ4151 - 5] |
2'09 | Elisabeth Skornik, Guy Skornik | Constant & insistent. String orchestra, pizz & electronics. | corporate (all) driving neo-classical music politics | Ab | 120 | ||||
|
Change and Continuity 2 [CEZ4151 - 25] |
Alt. | 2'07 | Elisabeth Skornik, Guy Skornik | Constant & determined. Piano & string orchestra. Pizz. | cyclic uplifting corporate video acoustic piano | Ab | 120 | |||
|
Change and Continuity 3 [CEZ4151 - 26] |
Alt. | 1'36 | Elisabeth Skornik, Guy Skornik | Constant & determined. String orchestra. Pizz. | neo-classical music politics strict corporate convention | Ab | 120 | |||
|
Change and Continuity 4 [CEZ4151 - 27] |
Alt. | 2'07 | Elisabeth Skornik, Guy Skornik | Constant & determined. Solo piano. | cyclic architecture & design corporate video neo-classical music | Cm | 120 | |||
|
Evolutionary Ecology [CEZ4151 - 6] |
2'04 | Elisabeth Skornik, Guy Skornik | Confident & peaceful. Piano & string orchestra @ 0'35. Build up | arts & crafts acoustic piano confident corporate video | Ebm | 115 | ||||
|
Evolutionary Ecology 2 [CEZ4151 - 28] |
Alt. | 1'50 | Elisabeth Skornik, Guy Skornik | Tense & insistent. Electric guitar, piano & strings. | architecture & design news science steady | Ebm | 115 | |||
|
Evolutionary Ecology 3 [CEZ4151 - 29] |
Alt. | 2'07 | Elisabeth Skornik, Guy Skornik | Calm, confident & cyclic. Solo piano. | everyday life country & garden acoustic piano rain | Eb | 115 | |||
|
The Future Past [CEZ4151 - 7] |
1'47 | Guy Skornik, Elisabeth Skornik | Urgent, mysterious & determined. String orchestra & woodwind | neo-classical music corporate (all) driving string orchestra | Am | 167 | ||||
|
The Future Past 2 [CEZ4151 - 30] |
Alt. | 2'02 | Elisabeth Skornik, Guy Skornik | Urgent & determined. Piano, string orchestra & woodwind enesemble @ | neo-classical music trains repetitive music acoustic piano | Am | 172 | |||
|
The Future Past 3 [CEZ4151 - 31] |
Alt. | 2'01 | Elisabeth Skornik, Guy Skornik | Urgent but melancholic. Solo piano. Forward fx @ 1'18. | steady repetitive music acoustic piano tracking shot | Am | 172 | |||
|
The Future Past 4 [CEZ4151 - 32] |
Alt. | 0'44 | Elisabeth Skornik, Guy Skornik | Urgent. Short version. Intro with reverse fx. String orchestra. | neo-classical music politics strict final | Am | 166 | |||
|
An Alternative Solution [CEZ4151 - 8] |
2'08 | Elisabeth Skornik, Guy Skornik | Confident & repetitive. Piano arpeggio, organ & string orchestra. | corporate (all) cyclic neo-classical music repetitive music | Am | 167 | ||||
|
An Alternative Solution 2 [CEZ4151 - 33] |
Alt. | 2'21 | Elisabeth Skornik, Guy Skornik | Suspended & mysterious. Marimba & string orchestra. | suspended atmosphere patient time (tick-tock) interrogative | Am | 84 | |||
|
An Alternative Solution 3 [CEZ4151 - 34] |
Alt. | 2'17 | Elisabeth Skornik, Guy Skornik | Flowing & calm. Solo piano playing arpeggio. | destiny acoustic piano arpeggio arts & crafts | C | 86 | |||
|
The Magic Key [CEZ4151 - 9] |
2'08 | Elisabeth Skornik, Guy Skornik | Constant, mysterious & insistent. Piano & string orchestra pizz. | corporate (all) relentless string orchestra steady | C | 120 | ||||
|
The Magic Key 2 [CEZ4151 - 35] |
Alt. | 1'48 | Elisabeth Skornik, Guy Skornik | Constant, mysterious & insistent. Piano, electronics & string | spy mysterious suspense steady | Em | 120 | |||
|
The Magic Key 3 [CEZ4151 - 36] |
Alt. | 1'04 | Elisabeth Skornik, Guy Skornik | Staccato & insistent. String orchestra. | repetitive music corporate (all) investigation relentless | Em | 120 | |||
|
Organic Mechanics [CEZ4151 - 10] |
2'23 | Elisabeth Skornik, Guy Skornik | Gentle & confident. Piano & string orchestra. | confident acoustic piano arts & crafts cyclic | Ab | 84 | ||||
|
Organic Mechanics 2 [CEZ4151 - 37] |
Alt. | 2'13 | Elisabeth Skornik, Guy Skornik | Gentle & quirky. Electronics with clock fx & piano. | time (tick-tock) patient mechanical science | Ab | 84 | |||
|
Industrial Icon [CEZ4151 - 11] |
2'24 | Elisabeth Skornik, Guy Skornik | Serious & linear. Staccato strings, piano & electronics. | strict corporate (all) industry inexorable | Dm | 110 | ||||
|
Industrial Icon 2 [CEZ4151 - 38] |
Alt. | 1'31 | Elisabeth Skornik, Guy Skornik | Serious & linear. Staccato strings & electronics. | steady strict inexorable string orchestra | D | 110 | |||
|
Industrial Icon 3 [CEZ4151 - 39] |
Alt. | 2'40 | Elisabeth Skornik, Guy Skornik | Sparse & suspended. Electric guitar, piano & electronics @ 0'52. | desolate social drama suspended atmosphere investigation | D | 110 | |||
|
Falling Rain [CEZ4151 - 12] |
2'17 | Elisabeth Skornik, Guy Skornik | Obsinated & cyclic. Marimba & string orchestra. Builds up gradually. | crescendo relentless corporate (all) cyclic | Dm | 120 | ||||
|
Falling Rain 2 [CEZ4151 - 40] |
Alt. | 1'45 | Elisabeth Skornik, Guy Skornik | Obstinate, constant & cyclic. Marimba & string orchestra. | science relentless steady cyclic | Dm | 120 | |||
|
Falling Rain 3 [CEZ4151 - 41] |
Alt. | 1'11 | Elisabeth Skornik, Guy Skornik | Obstinated & constant. String orchestra playing staccato. | historical conflict rising inexorable relentless | Dm | 120 | |||
|
Work in Progress [CEZ4151 - 13] |
1'50 | Elisabeth Skornik, Guy Skornik | Urgent & serious. Piano & string orchestra. Builds up. | corporate (all) strict scansion falling | G | 144 | ||||
|
Work in Progress 2 [CEZ4151 - 42] |
Alt. | 1'37 | Elisabeth Skornik, Guy Skornik | Dark & urgent. Electronics, piano & string orchestra. | corporate (all) falling inexorable action movie | Gm | 144 | |||
|
Work in Progress 3 [CEZ4151 - 43] |
Alt. | 1'22 | Elisabeth Skornik, Guy Skornik | Moody & introspective. Solo piano. | falling social drama introspective corporate (all) | Gm | 72 | |||
|
Looking East [CEZ4151 - 14] |
2'25 | Elisabeth Skornik, Guy Skornik | Serious & cyclique. Asian & Indian influences. Metallophone, string | strict arts & crafts confident corporate (all) | Eb | 105 | ||||
|
Looking East 2 [CEZ4151 - 44] |
Alt. | 2'17 | Elisabeth Skornik, Guy Skornik | Peaceful & cyclic. Like an Indian raga. Solo piano. | suspended atmosphere confident cyclic intermittent | Eb | 105 | |||
|
Looking East 3 [CEZ4151 - 45] |
Alt. | 1'51 | Elisabeth Skornik, Guy Skornik | Exotic & easy going. Metallophone & string orchestra. | geopolitics time (tick-tock) calm confident | Eb | 105 |