| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Life Of Luxury [UBM2378 - 8] |
0 | 2'45 | Marwin Farwig | The right soundtrack for pictures of successful product launches, | team sport urban cinematic beat action movie | Gm | 100 | |||
|
Point Of No Return [UBM2378 - 9] |
0 | 2'14 | Marwin Farwig | No-nonsense beat for depictions of contemporary youth culture, life | attitude heavy urban landscape electronic percussion | D | 136 | |||
|
Business In Heaven [UBM2378 - 10] |
0 | 3'18 | Marwin Farwig | Instrumental hiphop; moving, fresh and confident. | electronic percussion synthesizer urban attitude | Cm | 155 | |||
|
Alienized [UBM2378 - 11] |
0 | 2'22 | Marwin Farwig | Retro hiphop beat with strings and analog sounding drums. Mysterious, | driving investigation relentless beat making | Ebm | 96 | |||
|
Spider Alarm [UBM2557 - 1] |
0 | 1'25 | Andreas Schulz | Dark, muted piano forms the onomatopoeic backdrop for a composition | cinematic jazz introspective historical narrative docu fiction | Bb | 120 | |||
|
ARP [UBM2557 - 2] |
0 | 1'11 | Andreas Schulz | Ghostly, noisy piano with a melody that promises slight hope. The | sparse acoustic piano original score destiny | Am | 136 | |||
|
No War [UBM2557 - 3] |
0 | 2'28 | Andreas Schulz | Cascading solo saxophone for sophisticated documentaries and feature | psychological drama wandering alto saxophone abstract art | Ebm | 98 | |||
|
Lost Everything [UBM2557 - 4] |
0 | 3'35 | Andreas Schulz | Reverberated piano leaves room for reflection and empathy. Despite | original score suspended atmosphere introspective historical narrative | C | 78 | |||
|
Blue Film [UBM2557 - 5] |
0 | 1'23 | Andreas Schulz | The noisy beginning develops into a comparatively lively piano motif. | anticipation mysterious soundscape suspense | F | 88 | |||
|
Ocean Vibes [UBM2557 - 6] |
0 | 1'30 | Andreas Schulz | Artistic atmosphere for scenes of loneliness, devastation or dark | introspective acoustic piano original score docu fiction | Eb | 78 | |||
|
Melancholy [UBM2557 - 7] |
0 | 0'58 | Andreas Schulz | Soundscape with gentle solo piano for sad scenes. Thoughtful, | suspended atmosphere acoustic piano atmospheric original score | A | 61 | |||
|
Machine Gun [UBM2557 - 8] |
0 | 1'53 | Andreas Schulz | Hesitant, particularly haunting piano score for anti-war films, | original score docu fiction suspended atmosphere melancholic | Cm | 92 | |||
|
Scream [UBM2557 - 9] |
0 | 2'06 | Andreas Schulz | A bloodcurdling soundscape with screams at the beginning develops | original score psychological drama acoustic piano sad | F | 77 | |||
|
Bayerson [UBM2548 - 1] |
0 | 2'15 | Achim Zweschper | Take the robot cab to work: it's the sensible choice. (Transportation | electronica kitsch & cheesy sci-fi analog synth | Em | 105 | |||
|
Runciter Precog [UBM2548 - 2] |
0 | 1'34 | Achim Zweschper | Data leeches loop through the thicket of modern office communication | relentless sci-fi steady cybernetics | Cm | 110 | |||
|
888 PMO [UBM2548 - 3] |
0 | 1'37 | Achim Zweschper | Faded commercials on partially demagnetized VHS tapes. Station logos | 1970 anticipation analog synth archive footage | Cm | 86 | |||
|
Can-D [UBM2548 - 4] |
0 | 2'30 | Achim Zweschper | Road markings and delineators pass by at the steady steady, frugal | analog synth electro ambient happy & joyful confident | D | 172 | |||
|
Beloved Brethren [UBM2548 - 5] |
0 | 2'28 | Achim Zweschper | Public Day at the morgue. Eerie synth choirs with a tribal beat. | synth choir cyclic funereal adventure game | G | 86 | |||
|
Half-Life [UBM2548 - 6] |
0 | 2'31 | Achim Zweschper | In the 23rd century, starships resemble intergalactic sardine cans on | cyclic adventure game electro ambient modular synth | Gbm | 107 | |||
|
Calcutec [UBM2548 - 7] |
0 | 2'25 | Achim Zweschper | Like an avalanche, the invasion fleet from the depths of space sweeps | suspense original score horror industry | Am | 172 |