| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Superstructure (extended) [MAG6025 - 10] |
4'00 | Yann Kesz | Real hip hop / beatmaking with intro. Bright, percussive & arty. Cut | beat making urban landscape luminous modern | D | 65 | ||||
|
Superstructure [MAG6025 - 4] |
Alt. | 3'12 | Yann Kesz | Real hip hop / beatmaking. Bright, percussive & arty. Synth & rhythm. | beat making urban landscape luminous modern | D | 65 | |||
|
The Voice of Inspiration
[CEZ4312 - 16] |
2'09 | Elisabeth Skornik, Guy Skornik | Celestial & emotional. Female choir & electronics. Underscore with | unclassifiable advertising feminine chill-out music | A | 70 | ||||
|
The Voice of Inspiration [CEZ4312 - 1] |
Alt. | 2'52 | Elisabeth Skornik, Guy Skornik | Celestial & emotional. Female choir, strings & electronics. | unclassifiable advertising feminine fashion | A | 70 | |||
|
Thinking outside the Box
[CEZ4312 - 17] |
1'52 | Elisabeth Skornik, Guy Skornik | Sudden, interrogative & mysterious. Percussion & electronic keyboards. | investigation interrogative science docu fiction | Dm | 80 | ||||
|
Thinking Outside the Box [CEZ4312 - 2] |
Alt. | 2'18 | Elisabeth Skornik, Guy Skornik | Sudden & obstinate but with intermissions. Keyboards, electronics & | investigation geopolitics mysterious science | Dm | 80 | |||
|
Dance of the Neurons
[CEZ4312 - 19] |
2'15 | Elisabeth Skornik, Guy Skornik | Magical, weird & bouncy. String orchestra. Neo-classical. | neo-classical music driving contemporary history string orchestra | Cm | 126 | ||||
|
Dance of the Neurons [CEZ4312 - 3] |
Alt. | 2'22 | Guy Skornik, Elisabeth Skornik | Weird, magical & bouncy. Strings, electronics & rhythm. | contemporary history neo-classical music relentless politics | Cm | 84 | |||
|
On the Threshold of Becoming
[CEZ4312 - 22] |
1'53 | Elisabeth Skornik, Guy Skornik | Détermined & rigorous. Beatlesque. String orchestra playing staccato. | neo-classical music England driving string orchestra | Bb | 120 | ||||
|
On the Threshold of Becoming [CEZ4312 - 4] |
Alt. | 2'27 | Elisabeth Skornik, Guy Skornik | Shivering, bizarre but serious. Female vocal with fx, staccato | interrogative celebs sampled female voice advertising | Bb | 120 | |||
|
Stroke by Stroke Alternate 1 [CEZ4312 - 24] |
2'27 | Elisabeth Skornik, Guy Skornik | Mechanical & punctuated. Electronics, percussion @ 1'04 & strings @ | punctuated crystalline unclassifiable industry | C | 120 | ||||
|
Stroke by Stroke [CEZ4312 - 5] |
Alt. | 2'28 | Elisabeth Skornik, Guy Skornik | Crystalline, punctuated & obstinate. Staccato strings & vibrato @ | crystalline contemporary history patient mark tree | Cm | 120 | |||
|
An Endless Experiment
[CEZ4312 - 29] |
2'22 | Elisabeth Skornik, Guy Skornik | Constant, obstinate & patient. String orchestra playing staccato. | architecture & design steady corporate video relentless | F | 120 | ||||
|
An Endless Experiment [CEZ4312 - 6] |
Alt. | 2'25 | Elisabeth Skornik, Guy Skornik | Repetitive, confident & steady. Strings & electronic waves. | architecture & design confident steady corporate video | Dm | 120 | |||
|
A Moment's Reflection
[CEZ4312 - 34] |
1'35 | Elisabeth Skornik, Guy Skornik | Sad, moody & introspective. Piano arpeggio & strings. | anticipation social drama sad arpeggio | Cm | 120 | ||||
|
A Moment's Reflection [CEZ4312 - 10] |
Alt. | 2'31 | Elisabeth Skornik, Guy Skornik | Interrogative, pensive & introspective. Electronics, chimes, strings | interrogative social drama anticipation unclassifiable | Cm | 60 | |||
|
The Solution Unfolds Alternate [CEZ4312 - 36] |
0'50 | Elisabeth Skornik, Guy Skornik | Rigorous & punctuated march. String orchestra. | contemporary history staccato communism historical conflict | Dm | 120 | ||||
|
The Solution Unfolds [CEZ4312 - 11] |
Alt. | 2'24 | Elisabeth Skornik, Guy Skornik | Constant, determined & serious. Keyboards, guitar, rhythm @ 0'32 & | architecture & design arts & crafts politics corporate video | Dm | 120 | |||
|
Nostalgia for the Future
[CEZ4312 - 37] |
0'59 | Elisabeth Skornik, Guy Skornik | Punctuated, determined & solemn. String orchestra playing staccato. | politics contemporary history neo-classical music string orchestra | D | 100 | ||||
|
Nostalgia for the Future [CEZ4312 - 13] |
Alt. | 2'31 | Elisabeth Skornik, Guy Skornik | Thoughtful & intimist. Piano, electronics & strings @ 1'08. Build up | social drama destiny introspective melancholic | Gbm | 100 | |||
|
Logical Conclusion Alternate 1 [CEZ4312 - 38] |
2'04 | Elisabeth Skornik, Guy Skornik | Obstinate, nocturnal & introspective. Piano & electronics. | social drama disturbing arpeggio calm | Cm | 145 | ||||
|
Logical Conclusion [CEZ4312 - 15] |
Alt. | 2'32 | Elisabeth Skornik, Guy Skornik | Serious, determined & punctuated. Fx delay, electronics & strings @ | contemporary history investigation relentless calm | Cm | 144 | |||
|
Therapia Alternative Version [CEO2047 - 8] |
0'42 | Patrick Franchomme | Sad & decided. Electric guitar & bandoneon & strings @ 1'01. | driving bandoneon social drama strict | Dm | 120 | ||||
|
Therapia [CEO2047 - 2] |
Alt. | 1'16 | Patrick Franchomme | Song. Determined but melancholic. Electric guitar, male voice & Lyrics | driving relentless variety music fx delay | D | 110 | |||
|
Un Bout de Moi Alternative
[CEO2047 - 9] |
2'41 | Patrick Franchomme | Sad & desolate. Electric guitar & sequencing. | relentless introspective acoustic piano scansion | Am | 105 | ||||
|
Un Bout de Moi [CEO2047 - 4] |
Alt. | 3'41 | Patrick Franchomme | Atmospheric & desolate. Build up. Synth & electric guitar. Drums @ | wandering rock ballad desolate suspended atmosphere | Am | 105 | |||
|
Le Regard des Autres
[CEO2047 - 10] |
2'06 | Patrick Franchomme | Sad & introspective. Synth. | atmospheric social drama drone space | A | 66 | ||||
|
Le Regard des Autres [CEO2047 - 5] |
Alt. | 2'04 | Patrick Franchomme | Atmospheric. Synth & female choir. | atmospheric social drama drone suspended atmosphere | A | 60 | |||
|
I'll Settle Down for More
[CEO2047 - 11] |
0'35 | Patrick Franchomme | Obstinate & constant. Electric guitar & crowd sound effect. | relentless strict punctuated steady | A | 120 | ||||
|
I'll Settle Down for More [CEO2047 - 6] |
Alt. | 5'04 | Patrick Franchomme | Song. DObstinate, desolate & melancholic. Rock ballad. Male voice @ Lyrics | rock ballad social drama introspective punctuated | Am | 89 | |||
|
Binary World 2 [CEZ4309 - 25] |
2'22 | Claude Samard | Analog electro. Obstinate, nervous & determined. Arpeggiator & analog | cybernetics relentless arpeggiator electro beat | Cm | 114 | ||||
|
Binary World [CEZ4309 - 3] |
Alt. | 2'22 | Claude Samard | Analog electro. Obstinate, nervous & determined. Arpeggiator, analog | relentless arpeggiator cybernetics electro beat | Cm | 114 | |||
|
Back to Pepper Land Alternate [CEZ4310 - 17] |
2'04 | Mark Alberts | Alternate with no choir. Optimistic & lively. Beatlesque. Rock band. | England 1960 carefree happy & joyful | G | 119 | ||||
|
Back to Pepper Land [CEZ4310 - 4] |
Alt. | 2'04 | Mark Alberts | Optimistic & lively. Beatlesque. Rock band with choir. | England 1960 carefree happy & joyful | G | 119 | |||
|
Echo of Liverpool Alternate [CEZ4310 - 18] |
2'20 | Mark Alberts | Alternate with no choir. Mersey Beats. Catchy & positive. Rock band. | psychedelia England electric guitar team sport | A | 124 | ||||
|
Echo of Liverpool [CEZ4310 - 6] |
Alt. | 2'20 | Mark Alberts | Mersey Beats. Catchy & positive. Rock band with choir. | psychedelia England electric guitar 1960 | A | 124 | |||
|
One Night in Soho Alternate [CEZ4310 - 19] |
2'38 | Mark Alberts | Alternate with no choir. Romantic soul ballad. in the style of the | romantic comedy electric guitar 1960 interiors & cooking | A | 108 | ||||
|
One Night in Soho [CEZ4310 - 9] |
Alt. | 2'38 | Mark Alberts | Romantic soul ballad. in the style of the British bands of the mid | romantic comedy interiors & cooking electric guitar advertising | A | 108 | |||
|
Mersey Beat Forever Alternate [CEZ4310 - 20] |
1'59 | Mark Alberts | Alternate with choeur. Bristish rock in the spirit of the mid 60's. | lively 1960 England confident | A | 156 | ||||
|
Mersey Beat Forever [CEZ4310 - 14] |
Alt. | 2'00 | Mark Alberts | Bristish rock in the spirit of the mid 60's. Positive & lively. Rock | 1960 lively England confident | A | 156 |