| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Walking to the sky 2 [CEZ4255 - 30] |
2'22 | Julien Vega | Cyclic & suspended. Clarinet, piano & sequencing. | beds rising blossoming dreamy | A | 60 | ||||
|
Walking to the Sky [CEZ4255 - 9] |
Alt. | 2'21 | Julien Vega | Cyclic & melancholic. Clarinet, piano & electronics. | beds rising blossoming dreamy | A | 60 | |||
|
Deep Into Your Mind (Extented
[CEZ4250 - 14] |
4'52 | Luigi Marletta, Morgan Sansous | Moody intro with bass & electronics 0'42. Imposing & loud. Rock band. | heavy alternative metal distorted electric guitar powerful & imposing | Em | 70 | ||||
|
Deep into your Mind [CEZ4250 - 3] |
Alt. | 4'11 | Luigi Marletta, Morgan Sansous | Imposing & loud. Rock band & electronics. Alternative/nu metal. | heavy alternative metal distorted electric guitar powerful & imposing | Em | 70 | |||
|
Gold Moon Rising (Extended
[CEZ4250 - 15] |
4'23 | Luigi Marletta, Morgan Sansous | Threatening intro 0'30. Agressive & powerful. Rock band & | alternative metal sport drama extreme & fighting sport aggressive & violent | Am | 135 | ||||
|
Gold Moon Rising [CEZ4250 - 4] |
Alt. | 3'51 | Luigi Marletta, Morgan Sansous | Agressive & powerful. Rock band. Alternative/nu metal. | alternative metal extreme & fighting sport mechanical sport aggressive & violent | Am | 135 | |||
|
Purity 2 [MAG6016 - 5] |
2'32 | Tin | Electro pop. Dreamy & classy. Synth & rhythm. | electro pop fashion dreamy confident | Em | 145 | ||||
|
Purity [MAG6016 - 1] |
Alt. | 2'32 | Tin | Electro pop. Dreamy & classy. Synth, female singer & rhythm.Lyrics | electro pop catchy confident fashion | Em | 145 | |||
|
Blue Hour 2 [MAG6016 - 6] |
3'12 | Jan Stumke, Tin | Electro pop. Catchy & determined. Synth, electric guitar & rhythm. | electro pop fashion celebs catchy | Dbm | 130 | ||||
|
Blue Hour [MAG6016 - 2] |
Alt. | 3'14 | Tin | Electro pop. Catchy & determined. Synth, female singer, electric Lyrics | electro pop fashion celebs catchy | Dbm | 130 | |||
|
Desire 2 [MAG6016 - 7] |
2'58 | Tin | Electro pop. Lively & solar. Synth & rhythm. | electro pop water sport coastline luminous | C | 120 | ||||
|
Desire [MAG6016 - 3] |
Alt. | 2'55 | Tin | Electro pop. Lively & solar. Synth, female singer & rhythm.Lyrics | electro pop water sport coastline luminous | C | 120 | |||
|
Billy's World 2 [MAG6016 - 8] |
3'25 | Jan Stumke, Tin | Electro pop. Dark & tense. Synth & rhythm. | electro pop nocturnal driving social drama | Em | 116 | ||||
|
Billy's World [MAG6016 - 4] |
Alt. | 3'25 | Tin | Electro pop. Dark & tense. Synth, female singer & rhythm.Lyrics | electro pop nocturnal female singer driving | Em | 116 | |||
|
Who Knows Who? 2 [CEZ4252 - 20] |
2'07 | Elisabeth Skornik, Guy Skornik | Mysterious, minimalist & sparse. Piano & sound design. | mysterious suspense sparse interrogative | Gbm | 114 | ||||
|
Who Knows Who? [CEZ4252 - 1] |
Alt. | 2'09 | Elisabeth Skornik, Guy Skornik | Intriguing, mysterious & sparse. Paino, sound design, strings @ 0'55 | mysterious narrative suspense interrogative | Gbm | 115 | |||
|
Hypothesis 2 [CEZ4252 - 21] |
2'10 | Elisabeth Skornik, Guy Skornik | Tense, constant & serious. Electronics & piano. | loop historical conflict relentless politics | Cm | 120 | ||||
|
Hypothesis [CEZ4252 - 3] |
Alt. | 2'35 | Elisabeth Skornik, Guy Skornik | Tense, regular & serious. Electronics & piano. | loop historical conflict relentless politics | Cm | 120 | |||
|
Turning Back the Time 2 [CEZ4252 - 22] |
2'30 | Elisabeth Skornik, Guy Skornik | Emotional & passionate. Regular pulsation, guitar, backwards fx @ | social drama moving docu fiction sentimental | Cm | 60 | ||||
|
Turning Back the Time [CEZ4252 - 5] |
Alt. | 2'32 | Elisabeth Skornik, Guy Skornik | Emotionnal & passionate. Strings & electronics. | social drama moving docu fiction synth pad | Cm | 60 | |||
|
The Story Line 2 [CEZ4252 - 23] |
2'08 | Elisabeth Skornik, Guy Skornik | Obstinate & serious. Electronics & piano @ 0'30. | relentless crime movie mysterious urgent | Cm | 93 | ||||
|
The Story Line [CEZ4252 - 6] |
Alt. | 2'22 | Elisabeth Skornik, Guy Skornik | Obstinate, cyclic & serious. Electronics & piano @ 0'43. | time (tick-tock) mysterious cyclic crime movie | Cm | 140 | |||
|
Another Story Line 2 [CEZ4252 - 24] |
2'22 | Elisabeth Skornik, Guy Skornik | Obstinate, cyclic & serious. Piano & staccato strings @ 0'28. | neo-classical music string quartet cyclic corporate video | Cm | 140 | ||||
|
Another Story Line [CEZ4252 - 7] |
Alt. | 1'41 | Elisabeth Skornik, Guy Skornik | Cyclic & serious. Staccato strings. | neo-classical music string quartet staccato cyclic | Cm | 140 | |||
|
Stand By The Truth 2 [CEZ4252 - 26] |
2'12 | Elisabeth Skornik, Guy Skornik | Questioning & reflective. Synth pads with constant bass line, choir, | mysterious investigation wandering atmospheric | G | 109 | ||||
|
Stand by the Truth [CEZ4252 - 8] |
Alt. | 2'22 | Elisabeth Skornik, Guy Skornik | Questionning & reflective. Synth pads with constant bass line, piano | mysterious investigation wandering atmospheric | G | 109 | |||
|
Public Opinion 2 [CEZ4252 - 27] |
2'35 | Elisabeth Skornik, Guy Skornik | Tense, suspended & uncertain. Electronics & treated strings with | mysterious crime movie interrogative cyclic | F | 161 | ||||
|
Public Opinion [CEZ4252 - 9] |
Alt. | 2'45 | Elisabeth Skornik, Guy Skornik | Tense & insidious. Electronics & pizzicato strings. | mysterious crime movie interrogative corporate video | Fm | 162 | |||
|
At the Crossroads 2 [CEZ4252 - 28] |
2'38 | Elisabeth Skornik, Guy Skornik | Disturbing & questioning. Electronics, sound design @ 0'42 & strings | investigation mysterious crime movie social drama | Cm | 90 | ||||
|
At the Crossroads [CEZ4252 - 10] |
Alt. | 2'12 | Elisabeth Skornik, Guy Skornik | Disturbing & questioning. Electronics & strings @ 0'58. | investigation mysterious crime movie social drama | Cm | 90 | |||
|
Deep Down Inside 2 [CEZ4252 - 29] |
1'42 | Elisabeth Skornik, Guy Skornik | Obstinate, mysterious & mischievous. Bassoon & strings. | arts & crafts corporate video neo-classical music patient | Cm | 125 | ||||
|
Deep Down Inside [CEZ4252 - 13] |
Alt. | 2'28 | Guy Skornik, Elisabeth Skornik | Obstinate, patient & classy. Staccato strings & electronics. | arts & crafts corporate video neo-classical music patient | Cm | 124 | |||
|
Persistent Rumors 2 [CEZ4252 - 30] |
2'37 | Elisabeth Skornik, Guy Skornik | Panoramic & airy. Strings nappe. Underscore. | synth pad atmospheric neo-classical music peaceful | Eb | 111 | ||||
|
Persistent Rumors [CEZ4252 - 15] |
Alt. | 2'43 | Elisabeth Skornik, Guy Skornik | Panoramic, airy & worrying. String pad & piano. | atmospheric suspended atmosphere peaceful high seas | Cm | 119 | |||
|
Behind the Scenes 2 [CEZ4252 - 32] |
2'12 | Elisabeth Skornik, Guy Skornik | Powerful & continuous. Rhythm, electronics & piano @ 0'37. Underscore. | rhythmic corporate video neutral powerful & imposing | D | 104 | ||||
|
Behind The Scenes [CEZ4252 - 16] |
Alt. | 2'31 | Elisabeth Skornik, Guy Skornik | Interrogative & continuous. Electronics, piano @ 0'39 & strings @ | fx backwards calm architecture & design corporate video | D | 104 | |||
|
According to the Evidence 2 [CEZ4252 - 33] |
2'32 | Elisabeth Skornik, Guy Skornik | Tense, interrogative, continuous & punctuated. Electronics. | investigation mysterious beds punctuated | C | 100 | ||||
|
According to the Evidence [CEZ4252 - 17] |
Alt. | 2'31 | Elisabeth Skornik, Guy Skornik | Reflective, interrogative & discontinuous. Electronics, rhythm & | mysterious spy interrogative shy | Cm | 100 | |||
|
Top Secret 2 [CEZ4252 - 34] |
1'52 | Elisabeth Skornik, Guy Skornik | Urgent, weird & intriguing. Electronics. Build up gradually. | punctuated crime movie heavy mysterious | Bbm | 124 | ||||
|
Top Secret [CEZ4252 - 18] |
Alt. | 2'40 | Elisabeth Skornik, Guy Skornik | Suspense, intriguing & insidious. Electronics. Strings & brass @ | mysterious urban investigation spy | Eb | 62 |