| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Thinking Outside the Box [CEZ4312 - 2] |
2'18 | Elisabeth Skornik, Guy Skornik | Sudden & obstinate but with intermissions. Keyboards, electronics & | investigation geopolitics mysterious science | Dm | 80 | ||||
|
Thinking outside the Box
[CEZ4312 - 17] |
Alt. | 1'52 | Elisabeth Skornik, Guy Skornik | Sudden, interrogative & mysterious. Percussion & electronic keyboards. | investigation interrogative science docu fiction | Dm | 80 | |||
|
Thinking outside the Box
[CEZ4312 - 18] |
Alt. | 1'46 | Elisabeth Skornik, Guy Skornik | Sudden, suspenseful & jerky. Piano & percussion. | suspense investigation mysterious science | D | 80 | |||
|
Dance of the Neurons [CEZ4312 - 3] |
2'22 | Guy Skornik, Elisabeth Skornik | Weird, magical & bouncy. Strings, electronics & rhythm. | contemporary history neo-classical music relentless politics | Cm | 84 | ||||
|
Dance of the Neurons
[CEZ4312 - 19] |
Alt. | 2'15 | Elisabeth Skornik, Guy Skornik | Magical, weird & bouncy. String orchestra. Neo-classical. | neo-classical music driving contemporary history string orchestra | Cm | 126 | |||
|
Dance of the Neurons
[CEZ4312 - 20] |
Alt. | 2'08 | Elisabeth Skornik, Guy Skornik | Urgent & obstinate. Electronics & percussion. | industry relentless arts driving | C | 84 | |||
|
Dance of the Neurons
[CEZ4312 - 21] |
Alt. | 2'08 | Elisabeth Skornik, Guy Skornik | Urgent, obstinate & determined. String orchestra & electronics. | contemporary history relentless string orchestra politics | Cm | 126 | |||
|
Leaving Narita Airport [MAG6024 - 5] |
0 | 3'28 | Veens | Electro / future beat. Solar, intense & happy. Synth, pitched voices | modern future beat rhythmic catchy | Gbm | 150 | |||
|
The King of the Forest [CEZ4307 - 6] |
1'57 | Baptiste Thiry | Adventure, wild life. Powerful, urgent & warlike. Climax. Cinematic | adventure cinematic adventure game docu fiction | E | 110 | ||||
|
The King of the Forest
[CEZ4307 - 24] |
Alt. | 1'57 | Baptiste Thiry | Wild life, nature. Powerful & urgent. Solo cinematic percussion. | cinematic orchestra wild percussion ensemble chase | Em | 110 | |||
|
The Speed of Sound [CEZ4301 - 3] |
0 | 3'54 | Sham Makdessi, Morgan Sansous | Urgent, unbridled & explosive. Speed Metal. Rock band. | thrash metal double bass drum pedal distorted electric guitar urgent | Em | 96 | |||
|
Punch Line [CEZ4301 - 4] |
0 | 4'42 | Sham Makdessi, Morgan Sansous | Jerky & urgent. Rock band feat guitar virtuoso. Speed metal. | thrash metal extreme & fighting sport jerky virtuoso | Am | 140 | |||
|
Plexus [CEZ4301 - 6] |
0 | 3'43 | Sham Makdessi, Morgan Sansous | Violent, explosive & wild. Rock band. Speed metal. | thrash metal distorted electric guitar extreme & fighting sport aggressive & violent | Em | 97 | |||
|
Epic Battle Simulator [CEZ4301 - 11] |
0 | 3'52 | Sham Makdessi, Morgan Sansous | Combative, urgent & solid. Rock band. Speed metal. | thrash metal aggressive & violent distorted electric guitar action game | Em | 101 | |||
|
Dizzy Bop [CEZ4300 - 13] |
0 | 3'06 | Stan Laferriere | Jazz of the 50s. Be bop. Fiery & determined. Big band. | big band jazz be-bop 1950 jamming | Bb | 108 | |||
|
Yester Horeh [UBM2273 - 12] |
0 | 1'10 | David Bernbach, Traditional | Buoyant piano track expressing melancholy mourning as well as elated | patient acoustic piano melodic refined | Dm | 164 | |||
|
A Kaddish [UBM2273 - 18] |
0 | 2'09 | David Bernbach, Traditional | Traditional jewish lament, sad, slow piano tune, suitable for images | acoustic piano melancholic melodic everyday life | G | 89 | |||
|
Shop Till You Drop [CEZ4297 - 12] |
0 | 2'14 | André Charlier, Benoît Sourisse | Carefree & determined. Jazz quintet with trumpet, sax, piano & rhythm. | jazz club hard bop jazz quintet 1950 | Fm | 133 | |||
|
The Night has Eyes [CEZ4288 - 23] |
0 | 2'08 | John Greaves, Baptiste Thiry | Suspense. Frightening & black. Constant & final progression. | scary horror suspense disturbing | Cm | 140 | |||
|
A Clear Conscience [CEZ4286 - 2] |
2'17 | Gabriel Saban, Philippe Briand | Sad & solitary then obstinate & dramatic @ 0'38. Constant | social drama investigation crime movie politics | Eb | 125 | ||||
|
A Clear Conscience Alternate
[CEZ4286 - 18] |
Alt. | 2'18 | Gabriel Saban, Philippe Briand | Sad & solitary. Solo piano. | social drama sad acoustic piano poignant | Eb | 63 | |||
|
Emergency Housing [CEZ4286 - 14] |
0 | 2'44 | Gabriel Saban, Philippe Briand | TV series. Sad & inexorable. Constant progression. Piano & | social drama investigation politics sad | Cm | 60 | |||
|
Combat Position [CEZ4285 - 2] |
0 | 1'58 | Gabriel Saban, Philippe Briand | Threatening, determined & urgent. Constant progression. Cinematic | historical conflict relentless action movie warlike | Cm | 104 | |||
|
Marching to Hell [CEZ4285 - 24] |
0 | 1'55 | Gréco Casadesus, Gregory Cotti | Drone. War sound effects & muffled. Electronics. | toxic historical conflict abyss noise music | Cm | 98 | |||
|
Courbet [CEZ4281 - 11] |
0 | 2'06 | Marc-Olivier Dupin | Pensive & introspective. Solo clarinet. | temperate forest 19th century arts introspective | G | 90 | |||
|
Rolling Like a Train [CEZ4279 - 1] |
0 | 2'43 | Claude Samard | Uplifting & lively. Acoustic slide guitar & train rhythm. Country & | United States of America tracking shot road movie trains | D | 86 | |||
|
Born Blind [CEZ4280 - 6] |
0 | 3'56 | Jonathan Boye, Patrice Duthoo, Raphaël Glatz | Hardcore Metal. Imposing, weird & changing. Rock band. Metalcore. | metalcore horror fx distorsion band | Em | 130 |