| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Piecing Together [CEZ4206 - 18] |
0 | 1'51 | Selma Mutal | Underscore. Urgent but restrained. Electronics. | disturbing investigation beds social drama | Gm | 86 | |||
|
Trace Evidence [CEZ4206 - 24] |
0 | 2'39 | Gréco Casadesus, Gregory Cotti | Underscore. Desolate & distressing. Electronics & strings. | suspended atmosphere mysterious beds desolate | Am | 94 | |||
|
Looming Shadows [CEZ4206 - 28] |
0 | 2'46 | Jérôme Lemonnier | Underscore. Tense & desolate. Strings & electronics. | insidious beds abyss mysterious | Ebm | 62 | |||
|
Dark Place Bright Light [CEZ4206 - 30] |
0 | 2'14 | Jérôme Lemonnier | Underscore. Suspended & inexorable. Strings, xylophone & electronics. | beds desolate suspended atmosphere historical conflict | E | 93 | |||
|
Puck's Pranks [CEZ4202 - 9] |
0 | 1'38 | Baptiste Thiry | Ghosts surround us. Spooky. Disturbing & clumsy. Theremin & orchestra. | funny scary paranormal theremin disturbing | Abm | 122 | |||
|
Candy Princess [CEZ4202 - 11] |
0 | 2'23 | Julien Vega | Spooky. Interrogative & shy. Piano, choir & orchestra. | funny scary dramedy small ensemble animation & cartoons | Bm | 100 | |||
|
Goodnight Sweet Prince [CEZ4202 - 15] |
0 | 1'58 | Julien Vega | Spooky. Mischievous & magical. Constant progression. Piano & symphony | naive dramedy happy & joyful building | Db | 172 | |||
|
Grace Apparent [CEZ4201 - 12] |
0 | 1'48 | Baptiste Thiry | Fairy tale. Enchanting & peaceful. Piano, string orchestra & choir. | adventure fantasy spring halloween | Gm | 82 | |||
|
Water Sprites [CEZ4201 - 19] |
0 | 2'11 | Julien Vega | Sad & magical. Constant progression. Symphony orchestra & female | fantasy adventure mysterious halloween | Bbm | 100 | |||
|
Politicians II [UBM2237 - 3] |
0 | 2'04 | Felix Halbe | Somber beginning turns into a busy track featuring marimba and | interrogative mysterious marimba politics | Bm | 110 | |||
|
Killzone [UBM2237 - 4] |
0 | 1'53 | Felix Halbe | Forward-pressing strings with increasing intensity - like the | spy inexorable disturbing politics | Em | 113 | |||
|
Rumours [UBM2237 - 6] |
0 | 1'59 | Felix Halbe | Fast, hectic pulse with low strings. Questioning, serious, cinematic. | disturbing spy action movie interrogative | Cm | 95 | |||
|
Money [UBM2237 - 14] |
0 | 1'48 | Felix Halbe | Shady deals in dark backrooms...this track expresses the power of | investigation disturbing politics string section | B | 140 | |||
|
Inside [UBM2240 - 6] |
0 | 1'06 | Sebastian Parche | Introspective & wandering. Strings & synth. | wandering introspective interrogative melancholic | Db | 120 | |||
|
Decision [UBM2240 - 9] |
0 | 1'58 | Sebastian Parche | Inexorable & mystical. Strings, brass & classical mixed choir @ 0'54. | inexorable non occidental ceremony cold disturbing | Bm | 163 | |||
|
Kidnapping of the Kings
[UBM2240 - 10] |
0 | 1'13 | Sebastian Parche | Disturbing & urgent. Ethnic female voice, brass, strings & rhythm. | action movie disturbing chase urgent | Dm | 153 | |||
|
New Land [UBM2240 - 18] |
0 | 1'46 | Sebastian Parche, Rainer Quade | Exotic & changing. Piano, synth, strings @ 1'02 & rhythm. | changing mysterious confident tropical forest | Cm | 73 | |||
|
The Time it Takes [CEZ4197 - 3] |
2'26 | Elisabeth Skornik, Guy Skornik | Careful & crystalline. Keyboards & electronics. | arts & crafts corporate video patient time (tick-tock) | D | 120 | ||||
|
The Time it Takes 2 [CEZ4197 - 22] |
Alt. | 2'26 | Elisabeth Skornik, Guy Skornik | Minimalist & sparse. Piano, echo fx & pads. Build-up. | peaceful arts & crafts refined childhood | D | 120 | |||
|
Modelization [CEZ4197 - 5] |
2'16 | Elisabeth Skornik, Guy Skornik | Thorough & confident. Electronics & pizzicato strings. | science arts & crafts patient electric bass | D | 130 | ||||
|
Modelization 2 [CEZ4197 - 25] |
Alt. | 2'17 | Elisabeth Skornik, Guy Skornik | Thorough & confident. Electronics & pizzicato strings. No drums. | arts & crafts patient science electric bass | D | 130 | |||
|
Modelization 3 [CEZ4197 - 26] |
Alt. | 1'09 | Elisabeth Skornik, Guy Skornik | Thorough & confident. Electronics & pizzicato strings. No drums or | arts & crafts patient science electric bass | Dm | 130 | |||
|
Modelization 4 [CEZ4197 - 27] |
Alt. | 1'09 | Elisabeth Skornik, Guy Skornik | Thorough & confident. Electronics & pizzicato strings. No drums. | patient science arts & crafts electric bass | Dm | 130 | |||
|
Modelization 5 [CEZ4197 - 28] |
Alt. | 1'01 | Elisabeth Skornik, Guy Skornik | Thorough & confident. Electronics & pizzicato strings. No drums. | arts & crafts patient science electric bass | D | 130 | |||
|
Think Global, Act Local [CEZ4197 - 10] |
2'23 | Elisabeth Skornik, Guy Skornik | Precise & peaceful. Piano & electronics. Staccato strings @ 1'30. | restrained suspended atmosphere corporate video strict | A | 86 | ||||
|
Think Global, Act Local 2 [CEZ4197 - 39] |
Alt. | 1'48 | Elisabeth Skornik, Guy Skornik | Precise & peaceful. Electric keyboard & electronics. | restrained arts & crafts suspended atmosphere corporate video | A | 86 |