| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
International Trade [UBM2237 - 22] |
0 | 2'05 | Felix Halbe | Big business and inside knowledge - a busy, serious track for | spy inexorable strict suspense | Em | 110 | |||
|
Dark Force [UBM2229 - 3] |
0 | 2'08 | Bernhard Hering | Menacing drums, eerie strings and an overall gloomy vibe that would | spy inexorable action movie disturbing | Dbm | 128 | |||
|
High Energy Chase [UBM2229 - 5] |
0 | 2'09 | Bernhard Hering | Powerful, intrusive, fierce. Heavy drums, accentuated strings and | percussive aggressive & violent action movie disturbing | Gm | 80 | |||
|
Opposing Predominance [UBM2229 - 7] |
0 | 1'19 | Bernhard Hering | Tense musical theme for the big screen. Perfect for spy movies, | spy action movie inexorable disturbing | Db | 120 | |||
|
Pitiless Follow [UBM2229 - 9] |
0 | 2'14 | Bernhard Hering | Alarming mood - tension building up for the grand finale. | action movie disturbing inexorable cinematic | Gb | 122 | |||
|
Time is Running Out [UBM2241 - 2] |
0 | 2'15 | Bernhard Hering, Matthias Krüger-Wendel | Nervous atmosphere, vaguely threatening. Also works for scientific | interrogative suspense suspended atmosphere spy | Gbm | 103 | |||
|
Homeland Security [UBM2241 - 3] |
0 | 1'52 | Bernhard Hering, Matthias Krüger-Wendel | Neutral electronic underscore for modern topics such as data | electric bass spy strict beds | Gbm | 120 | |||
|
Observe the Freak [UBM2240 - 1] |
0 | 2'01 | Sebastian Parche | Rumbling & mysterious. Synth, strings & rhythm. | spy insidious mysterious desolate | Em | 101 | |||
|
Can't Stop [UBM2240 - 4] |
0 | 2'12 | Sebastian Parche | Nocturnal & wandering. Synth, strings & trumpet @ 0'47. | nocturnal mysterious urban wandering | Cm | 60 | |||
|
50 Grand in the Back Seat [UBM2240 - 5] |
0 | 3'28 | Sebastian Parche | Urban & interrogative. Synth, strings @ 2'26 & rhythm. | interrogative nocturnal crime movie strict | Gm | 120 | |||
|
Japanese Influence 2 [CEZ4197 - 50] |
1'45 | Elisabeth Skornik, Guy Skornik | Peaceful but punctuated. Electronics & tick tock. | time (tick-tock) arts & crafts steady beds | Gb | 71 | ||||
|
Japanese Influence [CEZ4197 - 16] |
Alt. | 2'32 | Elisabeth Skornik, Guy Skornik | Peaceful & restrained. Piano, electronics & female voice @ 1'35. | electro world arts & crafts delicate Japan | Dbm | 70 | |||
|
Paris at Night [MAG6007 - 13] |
0 | 1'10 | Hugo Lascoux | Chic & panoramic. String samples & rhythm. | skits modern panoramic sample | Cm | 96 | |||
|
Night Theme [MAG6007 - 14] |
0 | 0'52 | Hugo Lascoux | Curious & pensive. String and piano samples & rhythm. | loop modern beat making broken beat | Bb | 91 | |||
|
Fits and Starts [CEZ4191 - 10] |
0 | 2'28 | Mathias Delplanque, Denis Levaillant | Fractured but tenacious. Strings, synth & rhythm. | unstable intermittent electroacoustic music relentless | Dm | 112 | |||
|
Letting Go 2 [CEZ4189 - 23] |
2'23 | Matea Pamart | Delicate & sentimental. Piano, acoustic guitar @ 0'54, strings @ 1'32 | peaceful panorama acoustic piano romantic comedy | B | 89 | ||||
|
Letting Go [CEZ4189 - 12] |
Alt. | 2'21 | Matea Pamart | Soft & soothing. Piano, female singer, acoustic guitar @ 0'54, Lyrics | delicate cold desert tender female singer | B | 89 | |||
|
Snowstorm [CEZ4190 - 12] |
0 | 4'04 | Olga Helm, Laurence Martinez | Chic & resolved. Synth, strings, female singer & rhythm.Lyrics | sung in English female singer pop song driving | G | 130 | |||
|
Make a Fire [MAG6005 - 2] |
3'01 | Anton Oak | Intense & tense. Intro. Synth, male singer, strings & rhythm.Lyrics | introduction sung in English male singer electro ambient | Em | 95 | ||||
|
Make a Fire 2 (radio mix) [MAG6005 - 14] |
Alt. | 2'00 | Anton Oak | Intense & tense. Synth, male singer, strings & rhythm. | modern sung in English male singer electronica | Em | 95 | |||
|
Make a Fire 3 [MAG6005 - 15] |
Alt. | 2'34 | Anton Oak | Intense & tense. Intro. Synth, strings & rhythm. | modern introduction driving lively | Em | 95 | |||
|
Dry [MAG6005 - 6] |
4'41 | Anton Oak | Large & melancholic. Synth, male singer @ 1'42, strings & rhythm.Lyrics | modern electronica introduction sung in English | Dm | 150 | ||||
|
Dry 2 [MAG6005 - 17] |
Alt. | 2'40 | Anton Oak | Large & melancholic. Synth & rhythm. | electronica introduction electro ambient electro organic | Gm | 150 | |||
|
No Kidding! [UBM2174 - 4] |
0 | 1'38 | Anselm Kreuzer | Sparse yet incisive; investigative & ironical. | interrogative dramedy funny animals ironical & mischievous | Dbm | 68 | |||
|
Silent Admiration [UBM2174 - 8] |
0 | 2'20 | Anselm Kreuzer | Gentle, sensual and reflective with dramatic swells. | suspended atmosphere mysterious panoramic contemporary series | Cm | 110 |