| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Empty City [CEZ4074 - 24] |
0 | 2'04 | Elisabeth Skornik, Guy Skornik | Frightening & desolate. | rumbling disturbing dissonant drone | Gm | 117 | |||
|
Waiting for Better Days [CEZ4074 - 30] |
0 | 2'25 | Elisabeth Skornik, Guy Skornik | Suspended & uncertain. | social drama disturbing investigation sinister | C | 90 | |||
|
No Changes [CEZ4074 - 31] |
0 | 2'34 | Elisabeth Skornik, Guy Skornik | Hopeful & confident. Constant progression. | crescendo building confident acoustic piano | F | 85 | |||
|
Caravelle [CEZ4075 - 5] |
0 | 1'55 | André Charlier, Benoît Sourisse | Cruise liner easy-listening. Chic & carefree. "Tijuana" trumpet, | French retro comedy kitsch & cheesy retro American serie 1960 | G | 141 | |||
|
Les Parisiennes [CEZ4075 - 6] |
0 | 2'09 | André Charlier, Benoît Sourisse | Parisian swing. Lively & casual. Jazz guitar, accordion @ 0'59 & | French cinema romantic comedy happy & joyful 1960 | Dm | 133 | |||
|
Exotissimo [CEZ4075 - 16] |
0 | 2'00 | André Charlier, Benoît Sourisse | Between mambo & cha cha cha. Vibes, flute, trumpet @ 0'35 & rhythm. | exotic French retro comedy exotica kitsch & cheesy | Eb | 138 | |||
|
The Giraffe and The
[CEZ4066 - 12] |
0 | 1'09 | Philippe Hersant | Mysterious & playful. Bassoon, trombone, piano, violin, & cello. | childhood interrogative bassoon mysterious | A | 126 | |||
|
Snake Eye [CEZ4066 - 35] |
0 | 2'14 | Piotr Moss | Threatening & harrowing. Percussion, string & woodwind. | geopolitics mysterious silence primitive art | Dm | 112 | |||
|
Le Fait du Prince [CEV3006 - 6] |
0 | 2'37 | Marc-Olivier Dupin | Serious & dignified. String ensemble. | 17th century 18th century historical narrative renaissance | Dm | 65 | |||
|
Le Coeur Tango [CEZ4063 - 18] |
0 | 2'29 | Pierre-André Athané | Nostalgic & exotic. Bandonion, strings & double-bass. | swaying bandoneon romantic comedy exotic | Dm | 120 | |||
|
Family Affair 21 [CEO2002 - 21] |
0 | 0'15 | Arnaud de Buchy | Sting. | horror fantasy string orchestra paranormal | C | 96 | |||
|
Family Affair 24 [CEO2002 - 24] |
0 | 0'42 | Arnaud de Buchy | Heroic fantasy. Tension & suspense. | horror disturbing suspense fantasy | C | 70 | |||
|
Family Affair 25 [CEO2002 - 25] |
0 | 0'48 | Arnaud de Buchy | Tension. Drone. | strident high-pitched steady psychotic | Gm | 111 | |||
|
Family Affair 26 [CEO2002 - 26] |
0 | 0'20 | Arnaud de Buchy | Sudden drama. | final aggressive & violent scary disturbing | Bm | 91 | |||
|
Family Affair 27 [CEO2002 - 27] |
0 | 0'47 | Arnaud de Buchy | Conclusion. | magical fantasy tender naive | Am | 78 | |||
|
Harassment [CEZ4056 - 30] |
0 | 1'58 | Nicolas Mizrachi, Jean-Francois Morin | Serious & threatening. Discordant cellos with hard groove @ 0'30 & | downtempo nocturnal urban landscape atmospheric | Am | 81 | |||
|
Dreaming Machines [CEZ4000 - 4] |
0 | 2'33 | Bruno Letort, Romuald Tual | Gentle but inhuman. Ambient & floating. Synth & string. | space atmospheric fantasy sci-fi | Ebm | 107 | |||
|
Sovereign Conspiracy [CEZ4043 - 7] |
0 | 1'22 | Marc-Olivier Dupin | Secretive & simple. Behind the throne. Cello & flute duet. | interrogative historical narrative mysterious wandering | Dm | 100 | |||
|
Officers Ball [CEZ4043 - 30] |
0 | 1'35 | Didier Goret | Gentle early 20th century dance. Proper & restained. Strings & | 1920 old-fashioned intimate refined | Em | 163 | |||
|
Dead End [CEZ4041 - 26] |
0 | 2'07 | Bernard Parmegiani | Trapped. Dark Fx with slow nightmare feel. | natural disaster disturbing investigation electroacoustic music | Am | 89 |